Participatory Story Technique Teen 
Museum 2.0
OCTOBER 15, 2009
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Why are teens over-represented in participatory projects?
Beth's Blog: How Nonprofits Can Use Social Media
OCTOBER 26, 2006
Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." Adults who work for nonprofits and feeling pressured to adopt and incorporate social networking tools and techniques. Performance ???
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Museum 2.0
FEBRUARY 9, 2010
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? They are frequently about real people's stories. Aren't art museums less open to participation than other kinds of museums?"
Museum 2.0
MARCH 28, 2008
Your friend who tells fascinating, colorful stories may not be the person you turn to for the straight dope. Museums aren't the only venues facing this question: news outlets, corporate brands, and educators are also grappling with the question of trust in the participatory age. Many of the teens write, "learn with us.
Museum 2.0
JUNE 12, 2012
It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.
Museum 2.0
AUGUST 25, 2009
This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. The story capture experience averaged ten minutes, with visitors being given four minutes to respond to each personal, relatively imprecise question about how the exhibition affected the them.
Museum 2.0
MAY 5, 2009
Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.
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