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Your numerical data can tell stories , but can stories be data that leads to continuous improvement? I may start with numbers, but the process of collecting anecdotal information or stories in a structured way from your audience/stakeholders can help you generate insights about what those numbers actually mean.
" Monitoring and Evaluation NEWS » Most Significant Change (MSC) – "The most significant change (MSC) technique is a form of participatory monitoring and evaluation. It is participatory because many project stakeholders are involved both in deciding the sorts of change to be recorded and in analysing the data.
Your numerical data can tell stories , but can stories be data that leads to continuous improvement? I shared this on Twitter and the conversation brought out some interesting points that I curated in “Storify,” a story telling tool. (I As @orgnet says, “Turning data into stories is the real trick.”. What do you think?
Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." Adults who work for nonprofits and feeling pressured to adopt and incorporate social networking tools and techniques. Performance ???
It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. I've often been asked about examples of participatory practice in theater, dance, and classical music, and this report is a great starting point.
She did several things over the course of the tour to make it participatory, and she did so in a natural, delightful way. Instead she drew people personally into the stories again and again, asking us to compare our own and our ancestors' experiences to those she described. She told family stories. What made it so special?
This participatory event is offering two days of focused discussion about—how these networks, and the capabilities that power them, can be effectively leveraged to create greater impact. Plus it is always a pleasure for me to observe “Gunner’s&# facilitation techniques (I learn so much).
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. And second, what techniques can help us find more? I love this question.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. And second, what techniques can help us find more? I love this question.
It is open, participatory, and peer-driven. This way of working requires a different, more participatory leadership model and mindset that Allison Fine and I first wrote about in The Networked Nonprofit and others have written about called “networked leadership.” It is closed, inaccessible, and leader-driven.
They’re no longer “an exhibit” per se—more of an evocative design element that hints at an important story told elsewhere in the museum. We decided to approach the label-writing for these boards in a participatory way.
Conversation starters are questions, visuals, anecdotes, stories, or other snippets of content that you share on social channels to ignite engagement. This list should be with you when you are planning out your content and engagement for your social media channels. Use Participatory Research Techniques To Discover Engagement Topics.
Clay’s book talks about the implications of a society shifting from passive consumption of media to creators of media or being participatory. Like all good stories, they story of Ushahidi holds several different lessons: People want to do somethiung to make the world a better place.
They also had a talented filmmaker capture the winners’ stories in brief videos. The closing plenary featured Jack Sim , the founder of the social impact movement, The World Toilet Organization. I always welcome the opportunity to observe and participate in other sessions, especially when they use participatorytechniques.
The book looks at how ICT can help solve global poverty issues in a range of fields, including disaster relief, health education, micro finance, and education. It is filled with great examples and stories from around the world. The book is well-researched and offers frameworks for thinking about how to link technology to a theory of change.
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. How and why did Object Stories come to be?
I saw how participatorytechniques were working in diverse museums around the world. For example: American museum visitors often feel comfortable sharing their own opinions/stories/creative expression. In this frame, any kind of participatory activity could work, anywhere. For the most part, I discounted it.
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
Think like a musician Those who have played music in a band or orchestra or sang in a choir understand the profound impact of an engaged and participatory audience. Similar to performances, designs weave stories. Compelling Visual Storytelling Use visual storytelling techniques to communicate your mission and impact effectively.
Datamaking, as an aspect of knowledge building , can even contribute to civic engagement and participatory democracy. The underlying assumption has been that collecting stories as data or even using data to tell stories will inherently bring a more equity-focused approach to philanthropy.
This simple participatory project invites visitors to contribute their own small objects in little alcoves in our bathrooms. I walked into the women's bathroom and saw what I expected to see--a bunch of quirky objects on display with stories written on post-its. A couple stories. Here's the strange thing. No objects.
See 3 Video Guide: This step-by-by video guide goes from the picture to the techniques of story telling and into editing and marketing. How To Make Internet TV : From the participatory culture foundation, an step-by-step guide. There's also a YouTube Channel with some how-to videos and lots of other useful information.
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are not the only people with stories to tell. The first of these reasons is practical.
I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
On Sunday I hosted a Flickr Bootcamp, where I worked with non profit, "accidental techies," and helped them learn about better online photo sharing techniques. Stories stick in our minds, get us energized and poised to take action, and provide a memorable framework that help us transfer messages to others.
On Sunday I hosted a Flickr Bootcamp, where I worked with non profit, "accidental techies," and helped them learn about better online photo sharing techniques. Stories stick in our minds, get us energized and poised to take action, and provide a memorable framework that help us transfer messages to others.
I'd say that these techniques support audience development, repeat visitation, membership, maybe could even attract new kinds of donors. Last week, the local newspaper did a really generous front-page story on my museum (the MAH) and the changes here over the past eight months since I started. but I didn't have numbers to back it up.
Recently, I was giving a presentation about participatorytechniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? They are frequently about real people's stories. Aren't art museums less open to participation than other kinds of museums?"
We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. From day 1, I believed that we needed to focus in our first year on creating new participatory events to engage the community.
In this workshop, we'll focus on all aspects of designing high-value, engaging, and participatory content that creates a partnership with your fans. This will be an interactive session in which members of the audience can share their own success stories and horror stories on the journey toward the multichannel ideal.
You want their stories, their feedback, their colorful drawings of the future. Sometimes success means deep, personal stories; other times, we value speculative argumentation or creative expression. design evaluation Museum of Art and History participatory museum usercontent' How do you measure success? That''s it.
Your friend who tells fascinating, colorful stories may not be the person you turn to for the straight dope. Museums aren't the only venues facing this question: news outlets, corporate brands, and educators are also grappling with the question of trust in the participatory age. You can't be equally committed to both. Be personal.
Other very popular works came with a great story or had a puzzle that had to be "figured out" and could then be explained to others. Many wrote personally about their reasons for making the work, sharing challenges along the way and evocative stories about their meaning. It felt natural and easy for people ask "how did you make this?"
This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. The story capture experience averaged ten minutes, with visitors being given four minutes to respond to each personal, relatively imprecise question about how the exhibition affected the them.
It's not the extent to which they are participatory. But that's only part of the story. Funders like the NSF have encouraged science centers in particular to share their techniques and evaluations, which is fabulous but also leads to rampant and sometimes unthinking imitation. It's not their size or type or subject matter.
I've written before about techniques for talking to strangers, looking at how buttons , buses , and dogs and can all be tools for participatory design. I used that instruction recently to kick off a meeting at a museum planning a participatory education space. They stand out, at least in America, because of their infrequency.
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. Marketing & Communications / #2016DML / @dmlconference.
It was even more useful to learn how participatory writing visions can be. It's a story written from the vantage point of a few months or years from now. It's a story of what happened after you launched that program, gave that speech, conquered that challenge. That's the story a vision tells. A vision is a story.
Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.
The objects were interesting, the stories surprising. The objects in both museums were varied, and the display techniques incorporated movement, varied sight lines, juxtaposition, and humor to keep us intrigued and engaged. That work showed in the human voices and stories throughout the museum.
Growth hacking is more of a mindset of experimentation than tactics and techniques. It is made by many; it is open, participatory and peer-driven.” It’s featuring their hero’s journey and letting them tell their story with authenticity. Old power works like a currency.
This is a long post focused on strategic uses of listening rather than specific techniques. For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. What does it mean to listen to the groundswell?
Many organizations are keeping tabs of what is being said about their organization or programs on blogs and responding directly, telling their side of the story. Tagging and social bookmarking can be useful techniques to easily share your information resources with colleagues or co-workers. Networking Insight Blog. Discovery Exercise.
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