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" I'm trying to walk the walk and talk the talk of Remixing Content for nonprofits. One thing you'll notice is that the presentation itself is a remix of a remix. I remixed it from an earlier prsentation called Associations 2.0 Mashup or: Why educators should learn to stop worrying and love the remix.
Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." the ability to meaningfully sample and remix media content. Expressions (media creation, mashups, etc). vlogging, and podcasting). .
As a blogger and social media maker, I have a strong interest in the future of my work and participatory culture. That's why I remixed the fundraising widget on my blog in support of Creative Commons Annual Campaign.
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.
This question is a byproduct of the reality that most participatory projects have poorly articulated value. When a participatory activity is designed without a goal in mind, you end up with a bunch of undervalued stuff and nowhere to put it. Are you making that shift in your thinking about participatory project design?
Also, for our Creative Commons licensed books to be remixed/repurposed by the community in whatever way they wish to. Flickr : Documentation of the work we do and also to upload our Creative Commons licensed illustrations so that they can be remixed/reused. (See See this blog post from Creative Commons ).
There are other reasons why YouTube can be problem too - the little issue of content ownership, particularly if you want your work to get out there and be remixed as in participatory media. That's why I think, in part, point #1 here should be a little less YouTube specific.
He made this point: But, participatory culture is changing the nature and topology of ours. " I would have done a remix of this photo with that line as a speech bubble using one of the flickr remix tools, but the best photo of Weinberger in flickr was not licensed with a Creative Commons by license, but all rights reserved.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. From the very beginning, I knew I wanted to license The Participatory Museum using Creative Commons and give away the content for free online. Why Self-Publish?
Flickr Photo Birthday Remix Contest. Ultimately, 22 remix photos were posted, slightly less than half of the people who joined. In addition, the Carnival of Nonprofit Consultants has an excellent round up of advice on engaging audiences - which is necessary if you want to dip your toes into participatory media.
From Icommons comes an incredibly useful legal brief to remixing media in the age of participatory media and campaigns by Steve Vosloo, Digital Hero Book Project. There are some issues related to the remix chain and what is or isn't fair use. Beth's Flickr Stream. What's even better, you don't need a law degree to understand it!
The next step, of course, is to throw in a little remix and participatory media culture into it! They are encouraging people to tag into del.icio.us, flickr, YouTube, etc. and then aggregating tagged content on their site. The content aggregation is not moderated. Let's examine this as a community-driven tagging project.
He is encouraging people to download and remix it or spread it. I'm seeing more and more examples of participatory media -- take for example WGBH's Video Sandbox. So, I've been looking for a good reason to link over to them and now I found it! And, as you can see below, Mike Ambs, of Caliblog already has. net neutrality???
I have a strong interest in the future of my work and participatory culture. That's why I also remixed the fundraising widget. I placed the photo of me wearing my newest Creative Commons T-Shirt on blog - and of course added it to my Facebook profile and on Twitter , you'll see the Creative Commons Logo with a donate message.
In the beginning, TechSoup’s Marnie Webb, Daniel Ben-Horin, and Billy Bicket created NetSquared to "remix the web for social change." which heralded a new, participatory web culture. " The year was 2005. TechSoup was then called CompuMentor. The Iraq War was raging. The buzzword then was Web 2.0,
To me, an open photo policy is a cornerstone of any institution that sees itself as a visitor-centered platform for participatory engagement. And I think the fourth and fifth are bizarre and ungenerous to visitors. There are two parts to this. First, every time a photo is shared, it extends the reach of your objects and exhibit stories.
There are stacks of graphics, cut-out reproductions from the real rock posters on display next door, which visitors can place under the transparencies to arrange and remix into poster designs of their own choosing. The results of this physical “remix” activity are beautiful, intricate posters. Projects design participatory museum.
And in a world where visitors want to create, remix, and interpret content messages on their own, museums can assume a new role of authority as "platforms" for those creations and recombinations. Ideas participatory museum usercontent. It's based on creation and delivery of experiences. Core Museum 2.0
Across the country, geeks inside and outside of government are developing a new model for a participatory and transparent Federal, State and Municipal governments. In fact, Karaoke is a core part of our reMix culture and this panel will show you how. But it wasn't here to enterain, no. Karaoke came to unite us in song.
While I originally wrote this post to advocate for more participatory practice (i.e. And in a world where visitors want to create, remix, and interpret content messages on their own, museums can assume a new role of authority as "platforms" for those creations and recombinations. It's based on creation and delivery of experiences.
If museum and library content is licensed, not owned, how can we work within those licenses to allow visitors to use and remix to their heart’s content? The most upsetting moment of the meeting for me was when some participants expressed a willful disregard and derision for participatory scholarship on sites like Wikipedia.
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