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A Shared and Flexible Understanding of Impact As practitioners of and advocates for participatory philanthropy, we believe there’s a better way. Like many other activities in participatory philanthropy, this approach considers the process to be as important as the outcomes. It promotes mutuality instead of extraction.
Generational Trends Younger donors, especially Millennials and Gen Z, prefer participatory and social ways to give back. Encourage fundraisers to share personal stories and videos to connect with their audience authentically. How to Do It : Provide templates that fundraisers can easily customize with photos, stories, and goals.
The book includes a "Connected Quiz, a set of reflective questions that can help an activist think about how well they or their organization is connecting with others -- something to think about before jumping into the tools. the ability to follow the flow of stories and information. Expressions (media creation, mashups, etc).
It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. The exhibition is far from perfect, but it's a big step towards reflecting the "thriving, central gathering place" of our strategic vision. The Love Lounge I LOVE.
He shares a story. He creates a visual representation of his story. Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Some of the stories were quickies, but others were powerful and personal. A man walks into a museum.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. We did three things to supplement Belle''s paintings (installation shots here , peopled shots here ): We issued a call to locals who are immigrants, or whose family immigrated, to share an artifact and story with us.
In our quest to make the public areas of the museum more reflective of Santa Cruz culture, we moved these boards from a comprehensive display in the history gallery into a main stairwell, prominently visible from the lobby and throughout the building. We decided to approach the label-writing for these boards in a participatory way.
The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities. This exhibition represents a few big shifts for us: We used a more participatory design process. Santa Cruz Collects is based on collections and stories from people throughout our county.
How do we get a telling the story about why this all important? This allowed us to experience the whole design process – design a new wallet – and reflect on it. Which comes from the Participatory Facilitator’s Guide. How do let go and allow for emergence? Once upon a time x happened. Next thing we know, this happened.
I'm a huge fan of work and the way she thinks - especially after she road the Scare House ride on the Santa Cruz boardwalk with me and did a brilliant reflection on its design. Nina has written a fantastic book engagement called The Participatory Museum. I've purchase a two copies, one for me and one to give away.
So expect some live blogging, and reflections. Many passionate people and stories. . Giving the audience a chance to interact and discuss content in full groups, share pairs, and small groups allowed for some great stories to emerge from the group. I loved this Five Dollar Bill airplane story.
A brand is more than a logo and a website; it’s the story that reflects your values and vision, guides every touchpoint and communication and sparks connection and emotion. Brands are participatory, so you create your own brand story at launch, but others define it as you grow.
ASTRSK founder Elliot Tomaeno has spent his life telling startups’ stories to the press. A brand is more than a logo and a website; it’s the story that reflects your values and vision, guides every touchpoint and communication and sparks connection and emotion.
While I'm always inspired by stories of how we take risks to make programming more relevant and dynamic (thanks, Lisa Lee and the Jane Addams Hull-House Museum ), I was particularly struck by Kathy's thoughtful framing of the session. In particular, we had a great group of 15 talking about participatory history experiences on Sunday.
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. The contributions that are the "best" may be a narrow reflection of your own personal preferences.
ASTRSK founder Elliot Tomaeno has spent his life telling startups’ stories to the press. A brand is more than a logo and a website; it’s the story that reflects your values and vision, guides every touchpoint and communication, and sparks connection and emotion. How to Get Earned Media. Elliot Tomaeno (ASTRSK).
Participatory grantmaking has been a big part of the Boston’s Women’s Fund since its founding. Know Your Stories, Quantitatively and Qualitatively “When we are thinking about how we collect this data and how we quantify this impact, it’s important to qualify it and be able to tell these stories,” said Marsha. million to date.
I first read about Story House Belvédère on Jasper Visser’s excellent blog, The Museum of the Future. This small, startup cultural project in Rotterdam works directly and intimately with community members to share their stories. I hope you’ll be as charmed and inspired by Story House Belvédère as I am.
Last week, the local newspaper did a really generous front-page story on my museum (the MAH) and the changes here over the past eight months since I started. Our team focused this year on just three things: making the museum more comfortable, hosting new participatory events, and partnering wherever possible. Community response.
I''ve seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
One of the things you have to do with user-generated content -- participatory media projects is show the work to encourage others to jump in. A reflection about participation. Lacking any programming skills to speak of, I've been looking at widgets and tools that put an easy interface to flickr that let you display photos.
The kind of strategic planning processes that I lead are inclusive and participatory which means that the group is consulted, the vision of the group, the energy, we kind of tap into the energy, vision, knowledge, experience of the people who will be doing the work in order to make plans. Where are we not putting our energy? Okay, yeah.
Tell the story of learning. Use participatory processes to define metrics and methods of data collection. Participatory processes engage diverse stakeholders in collective thought, action, and decision-making, while increasing the capacity of individuals and communities through skill building and empowerment.
I spent 2007-2011 traveling the world, doing participatory projects and consulting gigs, and writing my first book. You gave me confidence, guidance, and stories for my books. You gave me support as I struggled to lead a museum through a participatory rebirth. I felt like I'd written my way into a winning lottery ticket.
Most participatory projects were short-term, siloed innovations, not institutional transformations. Five years later, project director Dr. Piotr Bienkowski's final report for Our Museum tells a different story. Bernadette Peters' provocative 2011 report, Whose Cake is it Anyway? didn't mince words.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? They are frequently about real people's stories. Aren't art museums less open to participation than other kinds of museums?"
But let me reflect on how amazing yesterday was. And, because those of work in the social good sector know that giving is to become a habit or part of culture, it can’t be transactional. We can’t treat donors like ATM machines, only asking for money. We have give gratitude and thanks and build ongoing relationships.
I’m sure we each have stories like this. It can be inclusive and participatory. My goal is to design virtual experiences to be as inclusive and participatory as possible. By now, most of us have heard about the lawyer who couldn’t turn his cat “filter” off on a Zoom court hearing, so that he appeared in virtual court as a cat.
Share to Shape: How to use stories and other stories to develop shared understanding and shape people’s mindsets and actions. This means sharing stories and visuals. The chapter includes some great reflection questions: What stories can you share to advance your top goals? What won’t you share?
To make the process transparent and participatory, we also asked other values-aligned organizations for feedback on our initial framework before putting it into action. If a metric isn’t reflective of the impact they want to make, then why collect it?
People are more likely to relate to a social issue when humans are at the core of the story. No matter what the issue is, if people can see themselves, their families or their neighbors reflected, they are more likely to act for good. Inspire others to invoke the human characteristic of empathy for another.
I was captivated by Chris Alexander 's story about participatory online/onsite efforts at the San Jose Museum of Art (SJMA). It reflects the overall mission of the institution in its creative implementation, raises awareness of the institution, and brings visitors' experiences into the galleries.
The theme should clearly reflect the purpose of honoring and highlighting AAPI cultures. Share stories that inspire giving. When making appeals, focus on real stories and the concrete outcomes made possible by donations. Try to get calendar listings and stories placed with mainstream news sources.
In this full-time role, you will be responsible for interactive exhibition development, project management of all our site-specific work, and you will lead the redevelopment of our permanent History Gallery into a more dynamic, participatory, and flexible space. Registration will be $150 and by application only. Join the conversation.
In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Today, I wanted to think about participatory elements, something so essential to this blog. This activity went with an artist’s work where she told of immigration stories. And, I have been known to give out an award or two.
Nina Simon, the executive director of the museum, is an expert in participatory design and fantastic facilitator. Several participants reflected on how it is easy to fall into that trap and looked at beginning to schedule more time with people to build relationships that give them inspiration and energy.
In this guest post, Stefania Van Dyke, Master Teacher for Textile Art and Special Projects, tells the story of how the co-creative development and visitor participation in the “Thread Studio” that accompanied their 2013 summer exhibition, Spun, changed her perspective on her own work. exhibition guestpost inclusion participatory museum'
This post shares her reflections on the project, its design, and its impact. There was no agenda or angle in setting up the DCM, the idea was simply to create an awesome place for the community to share their stories. It did not matter if the memories/stories represented were real or imaginary.
The book walks readers through galleries that never existed, and then steps back to tell the story of the project, the underpinning goals, the experimental projects along the way, and the pain in closing. I chose this book for our next Museum 2.0 If you'd like to participate.
This was reflected again in a great encounter I had at the Walter's Art Museum later in the weekend, when a silver-haired, well-coiffed lady (the perfect image of a traditional museum goer) told me "I get so annoyed by how quiet museums are. Tags: design participatory museum usercontent. That packaging was in the photos, not the cards.
Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The early participatory projects are terrific. This perspective may reflect overly wishful thinking; I realize it does not align with the museum plan as presented. The media strategy is impressive.
In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. This post appears here in excerpted form; you can read the whole story here. This is a perfect example of a museum using participation as a design solution. Reassert the "forum"?
So when people like me start advocating for the creation of tools and opportunities by which visitors can share their stories, reaggregate the artifacts, even rate and review each others' creations, museum professionals of all stripes get concerned. Ideas participatory museum usercontent. and my emphatic response is YES. Core Museum 2.0
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