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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. Not sure if participatory grantmaking is for you or maybe you need a refresher on what it is? Is this you?
But is this the right question? The data collected is usually owned by the grantmaker, not questioned, and not shared back with the grantee or any larger community. For many grantmakers, the answer to these questions is our own institutions. Grantmakers want to know if their funding has created the change they have envisioned.
Note from Beth: Lately, a question on my mind is whether or not the concept of Networked Nonprofits is a global one as I’ve had the opportunity to share some of the ideas beyond the US borders in Kenya and UK. I think Pratham Books , an NGO in India, is a networked nonprofit.
Recently, a colleague asked me a wonderful question: How did you learn to become a good facilitator and trainer? I also had an opportunity to attend a couple of sessions that used participatory facilitation techniques. Participants volunteer their question for the Spectragram. Here’s what I learned. Spectragram.
There are different ways to design a participatory workshop. A more participatory approach, and one that Allen Gunn uses, is to crowdsource provocative questions from participants. Participants volunteer their question for the Spectragram. Just A Little Content To Get Started . Reflection and Takeaways. Learning More.
The book includes a "Connected Quiz, a set of reflective questions that can help an activist think about how well they or their organization is connecting with others -- something to think about before jumping into the tools. Expressions (media creation, mashups, etc). Circulations - shaping the flow of media (e.g.
It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. It is framed as a kind of study guide; pop-outs provide questions that tease out opportunities and tensions in the narrative.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This winter, I once again taught a graduate class in the University of Washington's Museology program.
We decided to approach the label-writing for these boards in a participatory way. We blatantly borrowed the brilliant technique the San Diego Museum of Natural History used to write labels based on visitors’ questions. Visitors have gone to town, writing both basic questions (“who made them?” “who how did they ride the plank?”
Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He creates a visual representation of his story.
This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?
One of the questions that comes up most frequently when I talk with folks about participation is: what should we do with the things that visitors create? This question is a byproduct of the reality that most participatory projects have poorly articulated value. What's the "use" of visitors' comments?
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Scientists design the test questions, steer the data collection, and analyze the results. Science has an answer.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. In front of each of those paintings, you could stamp your pastport, reflect on the artwork and the question, and share your story. design exhibition Museum of Art and History participatory museum usercontent'
The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities. This exhibition represents a few big shifts for us: We used a more participatory design process. Without further ado, here's what we did to make the exhibition participatory. We had some money.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. I love this question. First, what do the right questions look like?
It is open, participatory, and peer-driven. This way of working requires a different, more participatory leadership model and mindset that Allison Fine and I first wrote about in The Networked Nonprofit and others have written about called “networked leadership.” These are key questions of our times.
I always learn something from his participatory style, humor, and techniques. Here’s a few things I learned. Good participatory design and instructional design for that matter needs a closure exercise. There are usually two aspects of this. The first is on a practice level – what should happen next?
Before going on, let’s answer the question, “What does it mean to ‘steward’ a donor?” Get them moving on behalf of your charity with participatory fundraising. Yet when I was writing that article, it was an afterthought, just like it is for far too many charitable organizations, though it shouldn’t be. What is Stewarding?
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. I love this question. First, what do the right questions look like?
Then I build out the content and discussion questions. In reviewing the data and themes from the audience input, some terrific questions about engagement popped out: How can we become better at using social media so that our channels experience more engagement and convert people to get involved? How can we get people to talk to us?
I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship. These interns work with our curatorial team to develop interactive and participatory components for upcoming exhibitions. Exciting, right?
This post shares some of the most interesting questions I''ve heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?
This design was a participatory process and was intended to provide an opportunity for deep reflective process. Kalyani also facilitated a participatory curriculum development process using different techniques. Documentation of the Visioning Process. Fish Bowl Exericse. The photo above shows the “Fish Bowl” technique.
Amplified Leicester is a city-wide experiment designed to grow the innovation capacity of Leicester by networking key connectors across the city’s disparate and diverse communities in an incentivised participatory project enabled by social media. What questions do you have? Get the game pieces here: Playing grid. Technology cards.
It is barcamp style, so come with your questions and topics you want to talk about; come meet lots of others interested in leveraging mobile technology for change and collaborate! Participatory and interactive. More information is below - REGISTER here. Is open to anyone with passion and interest in the topic.
As you can see from the schedule overview , this is more of a participatory event versus the traditional conference with powerpoints and panelists. Of course that particular question will change, morph, and multiply based on the earlier session, but it will provide a rich framework for generating many useful and practical ideas.
Like all good training sessions, this workshop started off with an opening conversation that allowed us to get to know others in the room and connect to what we already know. Heather facilitated this exercise as a series of share pairs where we discussed each question with a different partner for a few minutes.
It’s not a binary question of whether your guidelines state you are or are not a climate or justice funder. It also explains how the McKnight Foundation is connecting its participatory democracy work with climate justice efforts in historically marginalized communities. . The climate crisis is analogous to the pandemic.
The best participatory projects are useful. The participatory activity in question is part of the new Unfinished Business gallery, a room in which the museum engages with a contemporary issue related to the passion and work of Jane Addams and the historic Hull-House activist residents.
The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. I hope it opens up a broader conversation about the nuts and bolts of successful participatory projects. Tags: participatory museum Quick Hits.
This collaborative research project aimed to explore two primary questions: 1) Can cross-organizational data sets be combined strategically? Our special collections offer deep dives on topics like democracy , climate change , participatory grantmaking , and more. Dollars and Change by GivingTuesday, Network for Good, and Candid.
Christine reports that this chicken and egg question came up: " Do people's social needs drive the emergence of new technology, or does. Via Christine.net comes a summary of a discussion from N-TEN's NTC Conference last month. This one well worth reading if you're interested in social software and nonprofits.
Participatory Gatherings. There is no better resource than “ The Facilitator’s Guide To Participatory Decision-Making ” by Sam Kaner. (They also offer workshops ). Making Decisions and Getting Consensus. Strategic Dialogue. Organizational Development. Networked Facilitation. Community Organizing. Any many more.
I listened to the audio feed of him talking to the kids, answering their questions. We could also IM our questions from the adults were listening and observing. So, I asked, "There has been a lot of criticism about Second Life lately, do you think we're wasting our time and money?
Are any of the questions duplicative? Is there information you can get from a previous question, from a previous application, or from an outside source such as Candid? And it also helps your grants managers from having to answer the same question over and over. Try to fill it out yourself.
I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. But I left uneasy, grappling with questions that plagued me throughout the conference. How does their work relate to their physical institutions?
Clay’s book talks about the implications of a society shifting from passive consumption of media to creators of media or being participatory. How much of that social change are we going to grasp?&# (That is a question that the Networked Nonprofit asks.). The question is what we’ll do with those opportunities.
Concerns about authenticity, disparities in access, and biases in AI tools raise urgent questions: Will this technology help bridge societal gaps, or will it deepen them? For resource-strapped organizations, AI holds enormous promise. But AI adoption comes with challenges.
Earlier this year, I was fascinated to read the account of a participatory project at the Morrison County Historical Society in Minnesota, in which community members were invited to write essays about “what’s it like” to have various life experiences in the County. That letter didn’t come until after we’d talked about it in our local paper.
When it comes to developing messaging for a fundraising appeal, I’m asked one question more than any other: How do I get started? Though it can be a challenge to get past writer’s block and craft effective messages for a year-end campaign, I always suggest that you first ask yourself these four simple questions: 1. And that’s okay!
Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.
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