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It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.
Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. Teenagers are often the target for participatory endeavors, and they definitely have high interest in creative expression, personalizing museum experiences, and using interactive or technological tools as part of their visit.
Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.
I've written before about the difference between participatory processes and products , but this question of frameworks and sensibility is more broadly applicable to community engagement strategies. For example, consider two independent arts organizations in Los Angeles -- Machine Project and The Public School.
You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more. I''m sufficiently externally-driven to realize that having a public place for my learning helps me stay focused and keep producing.
At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. While now the blog's a big part of my life, at the time, it just felt like an experiment--a place for me to develop my ideas in a public setting. The blog started with a conference experience.
Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.
I saw teens and adults who sat and did this activity for 45 minutes and wasn’t surprised to hear that some people spend over an hour on it. In the more formal poster gallery, I saw many pierced teens listening unironically as their parents enthused about Jefferson Airplane. Projects design participatory museum.
The general public is not a community. This seems a little ungenerous to museums; while institutions may bestow more love upon wealthy, elderly donors than the general visiting public, museums have actively courted mass audiences for years. Tags: participatory museum inclusion comfort. See the link to the left.
Teens advocating for all-gender bathrooms. The principles of community participation--seeing the public as partners, inviting folks to get meaningfully involved, welcoming their talents and perspectives--work at any size. You can show up to a public meeting and ask a question. Printmakers leading workshops. You get the idea.
When I watch the videos teens created at the Exploratorium and post on YouTube, I see the aspects of the exhibits they thought were most important to share with their classmates. Tags: Book Discussion: Groundswell marketing participatory museum. Museum emails are almost always shouting. But what if you asked questions instead?
The people were of all ages--moms with babies strapped to their fronts, six year-olds using skillsaws, pre-teens building robots, teenagers doing homework. The municipal support can be actual funding - from Parks and Rec, or Environmental Education/Public Works in Watsonville - or a free building, or free access to a van, or materials.
The recent flurry of restrictions that has sent teens fleeing? I think it's a good thing that librarything gives me a way to talk to strangers about books that feels safer than approaching the drooling guy at the public library. Tags: participatory museum visitors. The irritating design? Or is it the stalkers?
Librarian Aaron Schmidt tells the great story of a game night of Dance, Dance, Revolution at his library in which a teen asked him: “Hey Aaron, can I go upstairs to grab a magazine and book to read?” Projects participatory museum. This isn't just about product placement (though that doesn't hurt). marketing Museums Engaging in 2.0
Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary. Participatory work can be very labor-intensive. We''re investing a lot in a public plaza project outside of the museum.
In short, it limits museums from being places that are trusted as institutions of public engagement and interaction--the places many museums claim they want to be. Museums aren't the only venues facing this question: news outlets, corporate brands, and educators are also grappling with the question of trust in the participatory age.
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