Participatory Project Remix 
Museum 2.0
OCTOBER 29, 2010
This question is a byproduct of the reality that most participatory projects have poorly articulated value. When a participatory activity is designed without a goal in mind, you end up with a bunch of undervalued stuff and nowhere to put it. The project is designed to scale. What's the "use" of visitors' comments?
Beth's Blog: How Nonprofits Can Use Social Media
OCTOBER 26, 2006
Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." the ability to meaningfully sample and remix media content. Expressions (media creation, mashups, etc). vlogging, and podcasting). .
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Beth's Blog: How Nonprofits Can Use Social Media
MAY 3, 2010
Also, for our Creative Commons licensed books to be remixed/repurposed by the community in whatever way they wish to. Flickr : Documentation of the work we do and also to upload our Creative Commons licensed illustrations so that they can be remixed/reused. (See See this blog post from Creative Commons ).
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 18, 2007
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous.
Beth's Blog: How Nonprofits Can Use Social Media
OCTOBER 16, 2006
This post takes a quick look at the the Voters project as a tagging project to glean some learnings. The intent of the project is "By tagging content related to Minnesota's election, more voter s will be heard." The next step, of course, is to throw in a little remix and participatory media culture into it!
Beth's Blog: How Nonprofits Can Use Social Media
MARCH 7, 2007
From Icommons comes an incredibly useful legal brief to remixing media in the age of participatory media and campaigns by Steve Vosloo, Digital Hero Book Project. There are some issues related to the remix chain and what is or isn't fair use. Beth's Flickr Stream. How can you be creative and stay legal?
Museum 2.0
APRIL 1, 2010
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. From the very beginning, I knew I wanted to license The Participatory Museum using Creative Commons and give away the content for free online. Why Self-Publish?
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