Participatory Place Remix 
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 25, 2007
" I'm trying to walk the walk and talk the talk of Remixing Content for nonprofits. One thing you'll notice is that the presentation itself is a remix of a remix. I remixed it from an earlier prsentation called Associations 2.0 Mashup or: Why educators should learn to stop worrying and love the remix.
Beth's Blog: How Nonprofits Can Use Social Media
APRIL 18, 2007
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.
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Beth's Blog: How Nonprofits Can Use Social Media
DECEMBER 15, 2006
Here's an article from Moving Targets that explains why YouTube isn't the best place for political and advocacy web video. There are other reasons why YouTube can be problem too - the little issue of content ownership, particularly if you want your work to get out there and be remixed as in participatory media.
Beth's Blog: How Nonprofits Can Use Social Media
NOVEMBER 7, 2007
I placed the photo of me wearing my newest Creative Commons T-Shirt on blog - and of course added it to my Facebook profile and on Twitter , you'll see the Creative Commons Logo with a donate message. I have a strong interest in the future of my work and participatory culture. That's why I also remixed the fundraising widget.
Beth's Blog: How Nonprofits Can Use Social Media
NOVEMBER 19, 2006
He is encouraging people to download and remix it or spread it. I'm seeing more and more examples of participatory media -- take for example WGBH's Video Sandbox. If people start showing it all over the place on their own accord, then we?ll So, I've been looking for a good reason to link over to them and now I found it!
Museum 2.0
OCTOBER 8, 2008
And in a world where visitors want to create, remix, and interpret content messages on their own, museums can assume a new role of authority as "platforms" for those creations and recombinations. When it comes to museums, comparable rules can guarantee that the museum remains a safe, welcoming place for visitors of all kinds.
Museum 2.0
MARCH 27, 2009
There are stacks of graphics, cut-out reproductions from the real rock posters on display next door, which visitors can place under the transparencies to arrange and remix into poster designs of their own choosing. The results of this physical “remix” activity are beautiful, intricate posters.
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