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As a blogger and social media maker, I have a strong interest in the future of my work and participatory culture. That's why I remixed the fundraising widget on my blog in support of Creative Commons Annual Campaign.
offers personal insights in opening up to new ideas and letting go of information, hierarchy and "proprietary" thinking. Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century."
This question is a byproduct of the reality that most participatory projects have poorly articulated value. When a participatory activity is designed without a goal in mind, you end up with a bunch of undervalued stuff and nowhere to put it. It's not just a personal activity; it's an opportunity to be part of something.
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.
The next step, of course, is to throw in a little remix and participatory media culture into it! They are also doing in-person training workshop s. My personal favorite photo is here ). Let's examine this as a community-driven tagging project. They are incorporating the use of visual content - flickr and YouTube.
I have a strong interest in the future of my work and participatory culture. That's why I also remixed the fundraising widget. We've found the best approach is to recognize that motivation is not something you can create - it's something there based on personal experience.
I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Other person: "But doesn't that erode museums' authority?" Ideas participatory museum usercontent. Me: "Sort of." It's based on creation and delivery of experiences.
There are stacks of graphics, cut-out reproductions from the real rock posters on display next door, which visitors can place under the transparencies to arrange and remix into poster designs of their own choosing. The results of this physical “remix” activity are beautiful, intricate posters. Projects design participatory museum.
And for anyone attending the event and looking for some insight into how to get in on the philanthropic and social advocacy action, here are some of my recommendations on sessions, events and activities that have gold stars next to them on my personal event agenda. But it wasn't here to enterain, no. Karaoke came to unite us in song.
While I originally wrote this post to advocate for more participatory practice (i.e. The Future of Authority: Platform Power (first published October 2008) I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Me: "Sort of."
Flickr Photo Birthday Remix Contest. Ultimately, 22 remix photos were posted, slightly less than half of the people who joined. In addition, the Carnival of Nonprofit Consultants has an excellent round up of advice on engaging audiences - which is necessary if you want to dip your toes into participatory media.
In the beginning, TechSoup’s Marnie Webb, Daniel Ben-Horin, and Billy Bicket created NetSquared to "remix the web for social change." which heralded a new, participatory web culture. " NetSquared Up Close and Personal. These were in-person meetings that were made possible by the website Meetup.
To me, an open photo policy is a cornerstone of any institution that sees itself as a visitor-centered platform for participatory engagement. If your argument is based on visitor comfort and distraction, it should be backed up by visitor research, not personal impressions. hate the sight of people taking photos in museums.
The NAS has expressed high interest in hearing from interested parties who were not at the meeting; please share your personal 21st century issues as comments and they will get to the labcoats in Washington. How do we reimagine physical space and assets? Please skip to the topics that interest you.
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