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During the first week of January , I use the quiet time for three New Year’s rituals that help me prepare for the year ahead and identify professional growth areas. 1) Review the Year: For as long as I can remember, I have kept an annual professional journal, using a variation of bullet journal technique. Year in Review.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
Grant makers and nonprofit professionals are now talking openly about some very painful (and inter-related) issues in philanthropy, such as. Deciding Together Shifting Power and Resources Through Participatory Grantmaking. Empowering Communities: Participatory Grantmakers Say We Must Go beyond Feedback.
I'm particularly excited about two internships that relate to participatory exhibition design. Our interns include undergraduates, graduate students, and people of all ages looking to jumpstart creative careers in community engagement. First, there is the Participatory Exhibit Design Internship. Exciting, right?
The facilitation methods are participatory. IAF Methods Database -The IAF Methods Database is the mother of all facilitator resource collections for professional or highly skilled facilitators. Innovating for People Handbook: Design Thinking Methods: A recipe book of human-centered design methods.
I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. The people at Museums and the Web are on the forefront of web-based innovative museum practice. You join the Brooklyn Museum’s posse.
Publishing plust interactivity, participatory. Many channels, both personal and professional. You can mount challenges that are effective in spreading the word and making our message accessible to more people who can make their own decisions. Low barrier to entry. Emergent, peer to peer conversations and sharing of knowledge.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Well actually, this post is about the people who participated at the highest level of engagement.
In this modern age, however, we have the remarkable ability to reach likeminded people anywhere in the world with internet access. Cultures have always been participatory, long before the Internet, with roots in democratic process, collective decision making, and cooperation for survival.
Stakeholder involvement will drastically improve the final plan and create a culture of participatory decision-making. Even the people who benefit from the organization’s mission can provide valuable input on the strategic plan. There is no benefit to discounting any individual or group from participating in the planning process.
Last week, I wrote about MuseumCamp , the annual professional development event we hold in Santa Cruz. MuseumCamp is a playful, intense, spirited 3-day adventure in which small teams of diverse professionals do a rapid-fire project together on a theme. Breaks are good for people to settle in with the people they already know.
Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.
Ever wish for a low-cost, energizing professional development experience where you can work intensely with diverse colleagues in a risk-tolerant environment? No you don't have to be a museum professional to participate. We can accommodate about 25 people at the workshop - please email me if you are interested in participating.
Lee Rainie, Director, Internet & American Life Project, Pew Research Center took us through the impact that the use of online digital tools is having on us personally, professionally, and society. His presentation was called “Personal, Portable, Participatory, and Pervasive.” 2: Mobile Usage. #3:
The film that lite the tinderbox of protests is disgusting and insulting to a people of Islamic faith and yes social media can accelerate protests and violent responses quickly (as it can accelerate social good.) “When people who were born and raised in dictatorships. ” Widad E.
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 Overview slides of what is Web2.0 ( remix from Social Media and Nonprofits Presentation) Core theme Listening - Responding to what people are saying about the topic or the program. Step 1: Find People. Hiring people.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. VALUE: There are just a few small publishers who serve museum professionals. Check out the other parts here. Why Self-Publish?
This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. My big challenge during this stage was feeling comfortable putting my roughest work out for people to read.
When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. What if historic arts experiences were actually a lot more participatory? From the Ancient Greeks through the 1800s, audiences were rowdy, engaged people.
As many of you know, I’m writing a book about participatory design for museums. The book is intended to be a practical guide to participatory museum experiences focused on design strategies, case studies, and activities. The WHY of participatory design is really important. And there’s a third reason.
But not enough people care about it anymore, and the museum is fading into disrepair. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy. Imagine a historic site.
We don''t involve people in content development to "boost ticket sales." But that business model requires experienced staff who know how to empower people, facilitate meaningful participation, respond to community issues and interests, and ignite learning. I know these people exist. What is the metaphor for participatory arts?
Telling great stories helps your non-profit get its message out into the world, connect with new audiences and motivate people to take action like making a donation. But so many non-profit professionals get discouraged by storytelling because they think it’s going to require the unparalleled writing skills of a Pulitzer Prize winner.
Last year, NTEN Community Champions helped to raise over $36,000 to help support the NTEN Community Challenge , which helped to enhance NTEN''s program accessibility, including sending over 50 people to the 2014 Nonprofit Technology Conference (14NTC) and the 2014 Leading Change Summit (14LCS) with scholarships.
We are asked to contain those people and make sure they do what we want, and also ensure only the “good” ideas are accepted. People are writing their own stories and ideas about our cause rather than us publishing content. Movements involve people, not Marketing, PR, Comms, Public Affairs, etc., Yes, that difficult word, BUT.
The book of the same title that he edited is rocking my world, both as a museum professional who cares about inclusion and as a new mother. While it is not easy to ask directly "what do you think about XX people?" It''s impossible to process everything I am learning from these four psychologists in just one blog post.
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. Marketing & Communications / #2016DML / @dmlconference.
My style of teaching is participatory; I don’t lecture with PPT endlessly and involve the audience. However, when I have participants that also include physically disabled people who are wheel-chair users, have limited mobility, or blind, I make accommodations to be inclusive and, especially avoid being ableist.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. avoid superlatives - they make some people anxious). too abstract).
Live: Participatory Events, Webinars, Conversations, Local and Global. UStream Producer — This cloud and mobile application allows you to produce professional quality live streaming events with many inputs at your next live event. Crossplatform and Multichannel Integration: Tools, People, and Information.
Gladwell’s assertion that social movements are based on tight ties and online efforts on, say, Facebook, are participatory efforts based on loose ties is simply not true. The Tools Don’t Create Strong or Weak Ties, Stories and People Do. There are stories that people want to share and stories that people want to hear.
As a researcher and activist for participation, I've sometimes downplayed the value of this charm because it seems like arsenal for professionals who claim participatory projects are frivolous. "Be That may sound sappy, but these are tough times for people working in the arts. But maybe it should be.
with cultural professionals, I like to use Tim O'Reilly's simple definition: software that gets better the more people use it. There are many participatory kiosks that are functional black holes--visitors make videos or draw pictures or write stories, drop them in a slot, and. When I talk about Web 2.0 nothing happens.
This week marks five years since the book The Participatory Museum was first released. Over 150,000 people have accessed the free online version. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Over 20,000 copies have been sold around the world.
What does the word "participatory" mean to you? The various definitions of participatory projects can lead to confusion and misunderstandings. Participation in science research is a good basis on which to develop a framework for participatory models because it is based on a consistent scientific process with many steps.
I want to share a few fabulous evaluation and research studies that have greatly informed my work (and specifically, the development of The Participatory Museum , which is going to the printer this weekend). A paper on "Evaluating participatory, deliberative, and co-operative ways of working," put out by the InterAct group in England.
This is a big change for me--professionally and personally--and I'm thrilled and humbled by the opportunity to take on this position in the city I call home. The best way I can really push my own participatory practice and thinking is to operate an institution and work with a community I care about over time.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. avoid superlatives - they make some people anxious) What do you think?
You can spot BerkShares in circulation at area farmers’ markets, Main Street storefronts, auto repair shops, and professional offices. Producers were eager to work and people always need food, but the stock market crash meant that capital for wages and investment was scarce. Often, they have appeared at moments of economic crisis.
MuseumCamp is a professional development experience that is part retreat, part unconference, part adult summer camp. MuseumCamp is amazing, but there are two issues that come up every January when we announce the new session: The application process is very competitive, and hundreds of people end up being rejected or waitlisted.
Last week I was honored to be a counselor at Museum Camp , an annual professional development event hosted by the Santa Cruz Museum of Art & History (MAH). Each year they bring together diverse, passionate people for a sleep-away camp for adults where they learn together through active, creative workshops and activities.
In the past, I''ve subscribed to the theory that an organization should target many different groups and types of people to serve a constellation of specific audiences across diverse affinities, needs, and interests. Our goal in doing this work is to bring people together across difference and build a more cohesive community.
Courageous speakers from dozens of countries described bold, participatory projects. El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. What a treat to learn together with people from so many different countries and contexts!
As I've spent more time in the AAM community, I've developed some really deep friendships--which is good--but it also means that I am less likely to spend much time at conferences with people I don't know. I hope this year that some of these questions can introduce me to new people and new ideas. Participatory history programming.
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