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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. Not sure if participatory grantmaking is for you or maybe you need a refresher on what it is? Is this you?
All too frequently, the grantmaker alone is determining, leading, and benefiting from MEL processes with no input or collaboration from the people, organizations or community impacted. MEL, as it turns out, is not neutral, but yet another place where power differentials show up. Consider: Who defines objectives and “success”?
It was fascinating to see people--across social differences--responding to representations of love in the paintings, images, objects and narratives that were part of the installation. It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement.
Slots on the list were first-come first-served, though newbies were usually placed early in the set so they would have a gentle onramp (and so seasoned poets could skip the kiddie pool if they chose to). Here are just three participatory processes I think are in serious need of improvement: Public comment at city council meetings.
Get them moving on behalf of your charity with participatory fundraising. Place an ad that says “Acme Nonprofit Thanks John & Jane Doe for their invaluable support and friendship.” Stewardship can NOT be an Afterthought! For far too many non-profits, donor stewardship is an afterthought. Get them involved.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
Focusing on Workplace Wellness for You and Your Grantees While it’s safe to say that no one wants another worldwide pandemic anytime soon, we did learn a lot about workplace wellness and the effects it can have on people dedicated to making the world a better place. Participatory grantmaking does require a mindset shift.
When I facilitate meetings or workshops for nonprofits, not matter the topic, I incorporate many participatory approaches and design thinking methods. Have people share why they chose or rejected certain items. What participatory techniques have you translated from in-person meetings to online meetings successfully?
Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Over three months, about 600 people filled mason jars with personal memories and put them on display. People were spending a long time working on them. He puts it on the wall. What was it?
For those who can''t see the image, the card reads: When I first saw the "pastports" I didn''t really understand, but after reading what people wrote in them I felt an overwhelming connection to all the words of so many random people. We created a "pastport" - a small booklet with evocative prompts related to identity and place.
While there, I was lucky to get to experience a highly participatory exhibition that the MIA mounts once a decade: Foot in the Door. In Foot in the Door , the content is so wide-ranging that it was easy for people to talk about favorites. created by visitors and contributors so we can access "in my words" content all in one place.
She did several things over the course of the tour to make it participatory, and she did so in a natural, delightful way. Instead she drew people personally into the stories again and again, asking us to compare our own and our ancestors' experiences to those she described. But participatory facilitation can be taught.
This design was a participatory process and was intended to provide an opportunity for deep reflective process. Most of the training days took place in rural Rwanda on Lake Muhazi – which was a beautiful place. The two worlds were placed side-by-side and participants were asked to draw arrows and label the interventions.
We decided to approach the label-writing for these boards in a participatory way. note: originally, this said "we're writing a label" but with that phrasing, lots of people wrote creative titles for the surfboards (like the title for a work of art) instead of talking about content of interest. What do you want to know?
Mobile Tech 4 Social Change Barcamps are local events for people passionate about using mobile technology for social impact and to make the world a better place. Participatory and interactive. More information is below - REGISTER here. What is Mobile Tech 4 Social Change? Each event includes. interactive discussions.
I always learn something from his participatory style, humor, and techniques. Here’s a few things I learned. In some instances, you might need a longer amount of time to do this exercise, but the way this was facilitated with 50 people was highly productive and efficient. There are usually two aspects of this.
Back in December, the Brooklyn Museum started to experiment with FourSquare running a promotion to get people to check in and get a free membership. Shelley notes in her post the reason why they decided to explore FourSquare: As simply as I can put this, Foursquare is about place and identifying yourself through that.
I'm finding myself really enjoying fundraising because it is fundamentally about inspiring people to participate--and to do so in a way that is significant both for the organization and for themselves. As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.
The tendency of philanthropic professionals, big donors, and other relatively privileged people to assume that they know what is best for the people who are directly affected by the problems that need to be addressed. Deciding Together Shifting Power and Resources Through Participatory Grantmaking. Here are 6 ways it could go.
This is the first installment of a book discussion about Ray Oldenburg’s book The Great Good Place. Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. Facebook discussion board here.
I’ll be honest that I was a bit nervous—this was my first work trip in over two years, and I was not sure if I was ready to be jammed indoors with hundreds of people. Conferences are great places for connection and joint learning, but the wealth of rich, meaningful information can sometimes be overwhelming.
In reviewing the data and themes from the audience input, some terrific questions about engagement popped out: How can we become better at using social media so that our channels experience more engagement and convert people to get involved? How can we get people to talk to us? Do you want people to click? To share on Twitter?
I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. The people at Museums and the Web are on the forefront of web-based innovative museum practice. You join the Brooklyn Museum’s posse.
Clay’s book talks about the implications of a society shifting from passive consumption of media to creators of media or being participatory. Like all good stories, they story of Ushahidi holds several different lessons: People want to do somethiung to make the world a better place. “Start small.
Establish local networks of individuals and organizations using social media to help build stronger organizations and more participatory societies. Multi-stakeholder projects with many organizations, people, and roles are complex. Networks are more than random gatherings of people and organizations online.
See the recent article by Ali Levine " Talking with Young People, Not At Them " I was able to attend the event, but through the New Media Consortium campus because adults are not allowed in the Teen Grid. The are people here from very different places. re talking about real things, that touch real people, and you???re
The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. I hope it opens up a broader conversation about the nuts and bolts of successful participatory projects. Now, after long last, the book is here! Blog about it. Tweet about it.
Downhill Battle , which is an organization people interested in the whole "copyfight" issue should know about, has a new project, called Participatory Culture. They’ve just released a beta version (sorry, Mac only, for once) of a new platform for internet video, called DTV.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Well actually, this post is about the people who participated at the highest level of engagement.
It brought together a rich mix of people working in humanitarian causes, using social media, and creatives. It took place in Long Beach, CA (which has the largest number of Cambodian-Americans in the US). Many passionate people and stories. . So expect some live blogging, and reflections. The description: The !deation
With all these options, we wanted to look back and highlight some of the Issue Lab community’s most popular publications in 2022, featuring a wide array of topics ranging from education to participatory grantmaking and beyond. Expanding Equity: Inclusion & Belonging Guidebook , by the W.K.
It must be articulate enough to measure progress against, inspiring enough to move people to action, and still broad enough to withstand the test of time. This is where participatory practice comes in to play. Nonprofits must have a clear and compelling mission statement that states the organization’s reason for being.
Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.
Here are four ways you can make your funding program better for the people who will be completing it. Grant writers are usually juggling multiple grant applications at the same time, so keeping those details in multiple places will save them time when having to verify how yours needs to be submitted, for example.
Needless to say, I’m sad about what is taking place in the region and disappointed that my trip to Tunisia has been rescheduled. “When people who were born and raised in dictatorships. It is very difficult to talk in social networks with people who think the opposite of you.” ” Widad E.
Lots of people were there (I ran out of handouts – I was surprised to see how many people showed up.) There were a very wide range of people there, from folks who didn’t know a whole lot about open source, to those who were developing open source apps. That speaks volumes to me.
Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. It''s a unique opportunity to learn from people with different perspectives.
This simple participatory project invites visitors to contribute their own small objects in little alcoves in our bathrooms. But people have participated in completely different ways. People like participating, we take them seriously, and they take us seriously. The participation is almost 100% on-topic and appropriate.
Telling great stories helps your non-profit get its message out into the world, connect with new audiences and motivate people to take action like making a donation. Every story we tell is a serious of events that happened to a person, place or project. It’s participatory. That means it’s what we are doing.
But not enough people care about it anymore, and the museum is fading into disrepair. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy. Imagine a historic site.
His presentation was called “Personal, Portable, Participatory, and Pervasive.” Lee used this story to illustrate three digital revolutions that are taking place that are having and will continue to have an impact on personal, professional, and civic life. #1: Alois Bell was a diner at AppleBee’s in St.
It is also a Twitter term that describes a keyword, prefixed by that symbol, that helps people track conversations on Twitter. Nonprofit Use #2: Sharing Knowledge/Resources As Community of Practice Hashtags can create an ad hoc community of practice or a channel for people in a field to informally share resources or conversation.
Mastering each tool individually seems like a lot of work and a lot of people give up even before they begin. Terms like social media, digital media, new media, citizen media, participatory media, peer-to-peer media, social web, participatory web, peer-to-peer web, read write web, social computing, social software, web 2.0,
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