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gThe above video is one of the many social networking strategies that The Genocide Intervention Network used to transform itself from a small student group to national non-profit. A participatory culture is also one in which members believe their contributions matter, and feel some degree of social connection to one another.
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Why are teens over-represented in participatory projects?
At the big one, I worked on a small project with teens to design science exhibits for community centers in their own neighborhoods. Now, as a freelancer, my work combines long-term, creatively challenging participatory exhibit projects with lots of little workshops and brainstorming sessions with institutions around the world.
Last month, I gave the closing keynote at the National Digital Forum in New Zealand. I worked on one project in which the client institution thought they wanted unfettered teen expression. In the end, this generated a substandard product for the client, and disappointment for the teens.
Teens advocating for all-gender bathrooms. People participate in national and local politics--and they do so completely differently. National politics are sweeping, remote. That means offering clear, visible, appealing participatory experiences that enhance the destination experience. Printmakers leading workshops.
In many museums, comment cards are currently the most "participatory" part of the visitor experience. It may be useful if you want to ask "What kind of teen programs should our museum offer?" It's the one place where visitors can offer direct, open-ended feedback on the institution's content and services.
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