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gThe above video is one of the many social networking strategies that The Genocide Intervention Network used to transform itself from a small student group to national non-profit. A participatory culture is also one in which members believe their contributions matter, and feel some degree of social connection to one another.
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.
Also, for our Creative Commons licensed books to be remixed/repurposed by the community in whatever way they wish to. Flickr : Documentation of the work we do and also to upload our Creative Commons licensed illustrations so that they can be remixed/reused. (See See this blog post from Creative Commons ).
Across the country, geeks inside and outside of government are developing a new model for a participatory and transparent Federal, State and Municipal governments. In fact, Karaoke is a core part of our reMix culture and this panel will show you how. But it wasn't here to enterain, no. Karaoke came to unite us in song.
In the beginning, TechSoup’s Marnie Webb, Daniel Ben-Horin, and Billy Bicket created NetSquared to "remix the web for social change." which heralded a new, participatory web culture. Net Tuesdays became a series of national and international face-to-face meetings connecting industry and nonprofit techies.
The IMLS (Institute for Museum and Library Services) has commissioned a preliminary proposal for an NAS (National Academy of Sciences) report on museums and libraries in the 21st century. If museum and library content is licensed, not owned, how can we work within those licenses to allow visitors to use and remix to their heart’s content?
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