Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE. with sharpies.

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Participatory Museum Blackboard Game 51

Museum 2.0

APRIL 18, 2008

Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. The Walker Art Center is turning its teen website over to the teens.

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Museum Web Teen Flickr 20

Museum 2.0

NOVEMBER 13, 2007

This week, a look at the third section of Visitor Voices , the excellent book coedited by Kathy McLean and Wendy Pollock. Who controls the content in the museum? Who controls the museum experience? First, museum content. First, museum content. Who controls the meaning making? Is one of these better than the other?

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Voice Create Museum Arts 20

Museum 2.0

OCTOBER 30, 2007

Welcome to the first installment of the Visitor Voices book club. This week, we're looking at the first section, Talking Back and Talking Together , which features comment boards, talk-back walls, and discussion forums at a variety of museums. Rather than rehash each of the projects (hint: read the book!),

Voice 20

Voice Museum Pledge Lesson 20

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It is an incredible museum experience. The visitor is given a copy of her poster and the museum keeps a copy as well.

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Denver Museum Arts Remix 21

Museum 2.0

MARCH 3, 2007

But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. MOMA has standard art museum labels. When I asked an art museum educator about this (“How should I look at art?”) The review was harsh. Is this enough? I loved that.

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Museum Arts Artist Audio 30

Museum 2.0

JULY 6, 2016

FoodWhat's staff and teens have taught me a lot about what it really means to be relevant to people who are often overlooked or ignored. FoodWhat empowers teens to change their lives through farming and food justice. When Doron visits schools to invite teens to apply for FoodWhat, he gives a five-minute pitch on their terms.

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Teen Arts Classroom Student 25

Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

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Museum Participatory Boston Job 52

Museum 2.0

APRIL 30, 2007

James Yasko is writing an article for an upcoming issue of Museum News on museums and Web 2.0. Here's the question: What advice do you have, as one who keeps up with technology as it relates to museums, to a group looking to incorporate Web 2.0 Has your tagging system increased overall google hits for the museum?

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Museum Advice Interview Web 20

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

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Participatory Museum Teen Voice 20

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. Museum staff create an exhibit by a traditional internal design process, but the exhibit, once open, invites visitors to contribute their own stories and participation.

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Participatory Design Difference Museum 27

Museum 2.0

FEBRUARY 18, 2010

They exploded, speaking all in one voice: "I don't even like ordering food in a restaurant." "I For me, the experience changed my perspective on what teens want from social environments and encounters. It's easy to forget that teens are most comfortable being social with those they already know, not people who are unknown to them.

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Life Teen Culture Attitude 21

Museum 2.0

DECEMBER 19, 2008

Every museum has a number for its operating cost per visitor. Most museums don't strategically set this number--too many operating costs are fixed by building needs--but they can use it to assess how expensive each visitor interaction is and evaluate the efficacy of programs. So where do online initiatives fit in?

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Virtual Museum North Carolina Flickr 20

Museum 2.0

AUGUST 25, 2009

Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." This is the opposite situation of the previous design goal, one typical in science and children's museums.

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Design Goal Difference Platform 31

Museum 2.0

AUGUST 7, 2008

For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. I spent an hour this morning "brand listening" to what the online world says about one of my favorite museums, the Exploratorium.

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Museum Teen Second Life Discussion 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

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Slides Participatory Museum Children 20

EveryAction

MARCH 16, 2017

Invest in organizations like Women Made Gallery , American Women Artists , the Professional Organization for Women in the Arts , WGAW , and the National Museum of Women in the Arts which help give a voice and a future to female artists worldwide. Shero Thought Leaders. Roxane Gay. Anika Rahman. Groups like the Lady Parts Justice , Ms.

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Story Angola Sierra Leone Artist 133

Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 3, 2008

New Voices of Philanthropy is written by Trista Harris and it covers issues of generational change in the philanthropic sector and more broadly trends in philanthropy. Nina Simon a proud member of Gen Y, writes the very awesome Museum 2.0 blog, but you don't have to be a museum person to get a lot of value from it. Millenials???

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Blogger Change Social Philanthropy 50

Museum 2.0

FEBRUARY 24, 2011

A museum can be friendly, or serious, or funny, while maintaining a traditional relationship with visitors as consumers of experiences. Community galleries look old-fashioned because citizen curators aspire to emulate the most traditional vision of a museum possible. But it's far more typical to focus on just one.

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Voice Los Angeles Denver Museum 42

Museum 2.0

FEBRUARY 27, 2013

All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? This seems strange given that museums are organized around objects. It has introduced me to corrupt university fundraisers , the true history of Tom Dooley , and the world's oldest marathon runner.

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Museum Story Captivate Artist 53

Bloomerang

APRIL 2, 2021

If you have a tween or a teen, I’m sure you’re familiar with TikTok. And not just museums jumped into that, it was a lot of different organizations. I ran a takeover for Boston Public Schools around college month and of course, they are not going to give away the keys to all the teens. Okay, TikTok now.

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Social Media Trend Video Marketing 78