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Robert Taylor was the director of the Advanced Research Projects Agencys Information Processing Techniques Office. In a very real sense, the Internet, this marvelous worldwide digital communications network that youre using right now, was created because one man was annoyed at having too many computer terminals in his office.
In order to sustain this type of impact tech savvy art museums, zoos, historical sites, botanical gardens and many other types of arts and cultural nonprofits understand that technology is key to sustaining their growth. As part of understanding the need for technology , the more than 17 thousand museums in the U.S.
During this time, he published a simple manual, called Lettering , which laid out his approach to crafting letterforms, letting students learn about proper technique and trace and copy letters directly inside the book. Walter Kch was a calligrapher and educator at the Zrich School of Arts and Crafts in the late 30s and 40s.
Museums, archives, and libraries share many goals and functions. The items that museums, archives, and libraries collect reflect the human spirit. In archives, libraries, and museums, curators use their judgment to select and arrange artifacts to create a narrative, evoke a response, and communicate a message.
This is the key to our technique: We use two ultrasound beams at different frequencies that are completely silent on their own. For example, museums could provide different audio guides to visitors without headphones, and libraries could allow students to study with audio lessons without disturbing others.
FundamentalVR is using the technology to help train surgeons on new procedures and medical equipment, letting users practice techniques before they need to use them on human patients. FundamentalVR For using virtual reality to train the next generation of surgeons FundamentalVR uses VR to train surgeons on new techniques and equipment.
Susan Neyman, US Marshals Museum Resurrect Events Planned Givers Can’t Forget “We reinstated a beloved event, the 1892 Society Luncheon, which brings together planned giving donors and prospects for an afternoon of a delightful lunch, a brief history of the Society, a presentation about current projects and future plans, and questions and answers.”—
Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. What are the best practices or techniques for crowdsourcing? In essence, it is visible storage for the museum. Are there special cautions related to crowdsourcing for nonprofits?
In 2024, Forum One partnered with the Smithsonian to launch Kaleidoscope , a cross-museum experience focused on resilience, designed to engage Millennials and Gen Z. By leveraging modern techniques like lazy loading and responsive image handling, Gesso ensures a smooth experience even on slower networks. starter kit.
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?
Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.
In order to sustain this type of impact tech savvy art museums, zoos, historical sites, botanical gardens and many other types of arts and cultural nonprofits understand that technology is key to sustaining their growth. As part of understanding the need for technology , the more than 17 thousand museums in the U.S. YouTube - [link].
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
Before the session, I spent some time reviewing Museum Facebook Pages – luckily the MIDEA project has them organized into this handy list. I had hoped to find a good example of a museum or an arts organization with a custom landing tab. Aliza Sherman's "Birth of A Superfan" as it applies to Facebook and Museums.
On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. And second, what techniques can help us find more? I love this question.
I’ll let Facebook’s research team explain one of those techniques, called “holographic optics:”. You may be familiar with holographic images seen at a science museum or on your credit card, which appear to be three-dimensional with realistic depth in or out of the page. We propose replacing this bulky element with holographic optics.
This morning, I checked in on the Pocket Museums on our museum's ground floor. After I took down all the "kick me" and "kick it" post-its covering the Pocket Museum title label in the men's room, I realized that this is the perfect example of an A-to-B test for gendered response to a participatory museum experience.
Submitted by Nina Simon, publisher of Museum 2.0 On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice. I love this question.
A few days earlier, I read an article where DNA-sampling of freshwater ponds can reveal the presence/absence of the invasive American bullfrogs even when normal monitoring techniques fail - this technique can even detect "ghosts" - species that have been but are no longer present!
These two adages were both in my mind last week when I asked people for the worst museum trends. In this decade museums worst trends were in labor and tech: 1. Susan Spero brought up the cost tuition rises had to the field: The rise in tuition which in turn has meant that museum studies programs have taken a huge hit.
Techniques are replicable and skill is surpassable, but the only thing you can’t hack digitally is time. Its first project involved building those 20 original Beeple works into a digital museum, then effectively selling shares of that museum as digital tokens so that a multitude of buyers can have a stake in these works.
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? During my time at RISD studying industrial design, I developed relationships with two museums on campus: the Museum of Art and the Nature Lab.
I love the checklists, her thoughts about the impact of social media and behavior change, and the DIY market research techniques. 9 The Participatory Museum by Nina Simon. Her book is fantastic workbook that will lead you through six fail-proof steps to social marketing success. The book is available on Amazon.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
Museum Visitor Experience. Museums have been all over bots on other platforms, see the Momabot on Twitter for example. So, it comes as no surprise that Museums have been early adopters of Facebook Messenger Bots. The Australia Democracy Museum also has a Facebook Messenger Bot, with similar objectives. The Pop Bot.
bbcon 2021 Virtual , happening October 13–15, will bring together thousands of arts & cultural professionals from zoos, museums, aquaria, performing arts organizations, gardens, and beyond for three days of cutting-edge thought leadership, virtual peer networking and unforgettable experiences. Getting Organized for bbcon 2021 Virtual.
For example, we’ve seen our client at the Smithsonian’s National Museum of African American History and Culture uncover visitor behavior in GA4 that they couldn’t see before. This is a good thing; setting real KPIs backed by user data and analyzing what works and doesn’t is key to effective digital strategy.
I want to share a few of my favorite techniques for making sure that you’re identifying and adapting to the evolving needs of your audience while designing. I think that the most powerful design technique is to engage in active listening and empathy-building exercises with your internal stakeholders.
If you think about what a museum curator does, it is very similar. I like the metaphor of a sommelier, They know the grapes, the winemaker and their techniques, and vintages. Content curation is the organizing, filtering and making sense of information on the web and sharing the very best content with your network.
This external profile technique was also used at the US Holocaust Memorial Museum when it first opened to let visitors connect with the stories of particular people affected by the Holocaust. In Titanic , visitors are given "boarding passes" that tell the beginning of a story of a real person who traveled on the Titanic.
Are there facilitation skills/techniques that you enjoy and are great at doing? Are there facilitation skills/techniques that you want to improve or work on? I’ve written about these techniques here ). Do you have a preferred method? Do you have subject matter expertise and do you want to share it during the session?
At the end of the month, I’ll be facilitating a workshop at the 92nd Street Y in NYC call “ Social Media Mindsets and Toolsets for Nonprofit ,” an interactive workshop is for executive directors and organizational leaders that work for nonprofits and want to learn tips and techniques for scaling social in their organizations.
As Robert Stein, Deputy Director for Research, Technology, and Engagement at the Indianapolis Museum of Art told us, “Museums have tended to use [websites] as extensions of marketing.” But as digital media matures as a tool for cultural organizations, groups are using it as a gateway to connect people with art.
I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.
During a workshop on museum visitor participation, someone spoke up and objected: "this might work in California, but it will never work in Texas." I saw how participatory techniques were working in diverse museums around the world. What plays well at one museum may fall flat a few miles away. This is a human desire.
We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way.
The most innovative firms in the industry expand this notion, solving pressing issues in new ways that build on or scale up existing techniques and technologies. Architecture is, at its core, about problem-solving: balancing aesthetics, functional needs, and technical constraints to create effective buildings and environments.
He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. I have been using human spectra gram , a technique I learned from colleague Allen Gunn from Aspiration.
For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.
My goal wasn’t to compare raw numbers of each organization’s Pinterest scores to each other, but more to use the numbers to find those with highest engagement and reach and take a look at their boards, techniques and content. SFMOMA’s Museum Store board is one of the its top three boards in terms of followers.
Museums have used games to engage visitors for decades. SR: I came to games before I came to museums. My grandmother cheated at Candyland and uno. :) Games, I think, have a nice Venn diagram of overlap between museum lovers. I love thinking we're getting new museum lovers through games. How did you get into museum games?
While I've written before about types of questions that tend to be more successful in this regard, today I want to share a simple exercise I've been using with museums of all types to help staff members develop better questions for visitor response. Here's what you do: Get a group of staff members together around a table.
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