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They will Tweet from location, break news on Facebook, send out group text calls to action, document in real-time photos and videos, and blog report backs live from events as they unfold. Foursquare is essential for nonprofits that are location-based (such as museums, food banks, and libraries ). is like TwitPic, except for video.
If you are a location-based nonprofit, such as a museum or zoo, then also add your address. According to Hubspot , single-image posts receive 28% more likes than video and 14% more likes than carousel posts. Tag Partners and Corporate Sponsors. Partners and corporate sponsors are notified if they are tagged in your posts.
The final installment of TechSoup's Social Media Mondays tweetchat series, an interactive companion to its Nonprofit Social Media 101 wiki , covered the topic of tagging. Tagging, a feature found across many social media channels, is used to help surface content during searches.
online exhibit developed by the Maxwell Museum of Anthropology at the University of New Mexico and Ideum. I picked up the phone and got a hold of Jim Spadaccini, founder of Ideum, whose blog post I discovered via a discussion thread on flickr and museums on the museum technology list. Nina Simon from the Museums and Web2.0
A month or two ago, museums and galleries around the world participated in a Twitter event called Ask a Curator. The hash tag #askacurator became a top trending topic on Twitter on the day of the event. How did you get 340 museums to participate? And why did you think museums were eager to participate?
On October 20, a young woman named Kate will move into Chicago's Museum of Science and Industry and live there for a month. Kate was selected from over 1500 applicants based on a one-minute video, an essay, and an application form. This post is not about the Month at the Museum concept or implementation. That will come later.
About a month ago, Candid was tagged in a social media post from someone who had visited the Smithsonian’s National Museum of American History. Rubenstein Curator of Philanthropy at the Smithsonian’s National Museum of American History. We reached out to Amanda Moniz, Ph.D., the David M.
Note from Beth: I so happy to sneak into last night’s 501Tech Club New York City gathering last night to hear Shelley Bernstein, Brooklyn Museum, and Naveen Selvadurai talk about Nonprofits and Foursquare. If you are one of those people — watch this video. Tags: Tools and Tactics mobile foursquare. say about you?
Photo from my flickr stream View the Tagging Screencast Presented by NTEN. I'm pleased to announce that my screencast about tagging has been released and showcased by NTEN ! I created it for the screencast to illustrate the definition of tagging. If you have questions about tagging or want to share your organization???s
Why does your museum open its doors each day? What other museums do they follow/enjoy visiting? blogs, videos, photos, etc… Social media platform insights can offer a lot of this information but doing an informal survey or poll can also work to learn more about your audiences. What are the ages of your followers?
Also found in the NpTech tag stream and a good backdrop to this conversation is " When the best tool for the job. context: How are museums encouraging stickiness and user investment in their proposed and in some cases, already developed, post 2.0 situation unless museums can get the ???stickiness??? public information???
I've written about how nonprofits can use it , including arts organizations like the Brooklyn Museum as chronicled on Shelley Bernstein's blog. Back in December, the Brooklyn Museum started to experiment with FourSquare running a promotion to get people to check in and get a free membership.
Even if tech-savvy visitors do post, who’s to say that they will be sure to tag you? According to The Art Newspaper’s annual survey in 2021, visits to the world’s 100 most-visited museums plummeted by 77% in 2020 due to the coronavirus pandemic. Photo Credit: Devon Rose Turner, Natural History Museum, London. .
There’s videos you can really get a good sense of what we’re all about here at Bloomerang. If you complete the book, you can send it in and get, you know, like a medal, dog tag, whatever, but it’s kind of a fun process, but it really serves the mission. I think this is Museum of Modern Art in New York City.
Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. Nina Simon is an independent museum exhibit designer and publisher of the Museum 2.0
In the most extreme cases, I've talked to folks from museums that are government-mandated to provide all content in multiple languages who say they are unable to invite visitors to make comments because they'd have to translate all of them and simply can't dedicate the resources to do so. Tags: design usercontent inclusion.
Over the weekend, I took my kids to the movie, Night of Museum: Battle of the Smithsonian. The Smithsonian has opened the conversation up to the world and is inviting people to submit a one-minute video sharing their vision for the Institution's future. Tags: Books cloud network effectiveness vlog working wikily.
The folks at the New Media Consortium have released their annual Horizon Report , a roundup of up-and-coming technologies relevant to museums, archives, and libraries. The Horizon Reports ARE really useful if you need arsenal to explain the relevance, utility, or educational value of new technologies in your museum.
Stay tuned for a video interview I did with him while in Vegas. But even more fun was this video interview with the good folks at the Gifts In Kind International who I ran into in the lobby and they pulled out their copy of the book and shared a few thoughts about they’re applying the ideas. Tags: Housekeeping.
Written by Seema Rao Last month, I shared some of my thoughts about the best of museums over the last decades. (I I'll mention now, Kate Livingston, listed Museum Twitter as one of the best things, and I definitely thought this as I read people's responses. Many respondents talked about a fundamental shift in museums from them to us.
Rosenberg says he was inspired to build Welcome after traveling, pre-pandemic, with his then-girlfriend, now-wife following the acquisition of his first company, a mobile video creation app called Cameo , by Vimeo. You can also leave your own tips for fellow Welcome users, mark the list as a favorite, and add tags.
Marnie also introduced me to social booking and tagging way back in 2004 as the originator of the NpTech Tag. Examples: Wildlife Direct and Brooklyn Museum. Tags: Capacity Conferences Content Engagement Experimentation Influencers Listening Measurement Organizational Culture ROI Research Studies Strategy Tips.
Louis City Museum's amateur video contest. And therein lies an essential problem with this and other similar museum forays into Web 2.0: For those who haven't visited, the City Museum is part obstacle course, part art city, part shoelace factory. second video shot entirely within the City Museum.
Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. They just finished a YouTube video contest.
American Museum of Natural History - Dinosaurs - Information on fossils in the museum, different species of dinosaur, excavation stories, and more. Humane Society of the United States - Humane TV - View HSUS produced videos, stories, and other content and share with friends on social networks from within the app (iPhone).
You may have also seen QR codes when travelling and visiting tourist spots such as museums, walking tours, etc. Great, tag on a QR code in a visible place on the direct mail piece to encourage people to make a donation on your website. They are commonly used now on billboards at bus stops that advertise a movie or consumer product.
I learned that CEO of local Girls Scout Council, Jessica Lawrence was using Twitter as a clever networking tool. Her marketing staff person was tweeting, using the conference tag #ISCONF and offered anyone a free box of cookies if they found at the conference and asked, “Would you be my Caramel Delite?
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. COST: Museum books tend to be expensive - because they are printed in small runs, the price for a 400-page paperback can be as high as $40. Why Self-Publish?
Collection-tagging projects (in which visitors assign keywords to items in a collection) have always left me cold. Tagging is such a functional activity, and if you don't see direct benefit from doing it, the interest in it as a fun afternoon activity is pretty low. But I do it because it's useful to me as an organizational tool.
I was reminded of these two design principles when exploring the Johnny Cash Project , a crowd-created music video for a posthumous recording of Cash singing "Ain't No Grave." To construct the video, artist Chris Milk assembled images and footage of Johnny Cash in a sequence along with the song. That's hardly revolutionary.
I often talk about the idea of taking social technology out of the Web and putting it into physical museums as part of our exhibitions and programs. Recently, I learned about an innovative, super-low tech tagging pro ject in a library that does this beautifully. First, some background on tagging. Sounds complicated?
I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? Me: "Sort of." and my emphatic response is YES.
This is typically a video plus text, although some projects just use a simple image instead of a video. When I first started exploring the site, I assumed it was mostly a place for charismatic hipsters and a few star artists with enough social media savvy and clever video production capabilities to produce enticing pitches.
Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. The point, in the context of this conversation, is that a minority of social media users are creators—people who write blog posts, upload photos onto Flickr, or share homemade videos on YouTube.
When the pandemic first hit, my stepdaughter, Ali, had to make a video. Ali was expected to make a training video from home on how to extract a bone marrow sample — without an examining room, without equipment, and most especially without an animal. It’s a funny video thanks to the props and a good on-the-fly solution.
On Monday, David Klevan (from the US Holocaust Memorial Museum) and I spoke at the MAAM Creating Exhibitions conference about Web 2.0 and museums. framework, and David shared lessons learned from the huge range of projects the Holocaust Museum has initiated. Look for photos of you on Flickr and videos about you on Youtube.
I’ve had it with museums’ obsession with open-ended self-expression. The point, in the context of this conversation, is that a minority of social media users are creators—people who write blog posts, upload photos onto Flickr, or share homemade videos on YouTube. And yet many museums are fixated on creators.
Last week, I gave a talk about participatory museum practice for a group of university students at UCSC. During the ensuing discussion, one woman asked, "Which audiences are least interested in social participation in museums?" So what's a museum to do--especially one that is funded to encourage youth and teen participation?
I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!
There are many participatory kiosks that are functional black holes--visitors make videos or draw pictures or write stories, drop them in a slot, and. Museum professionals tend to think this is OK because they think of the contributory act as the important part of the participation. Consider the activity of rating videos on YouTube.
letting museum visitors contribute and collaborate in museums), I now see this as a crucial issue also for more democratic and inclusive practice (i.e. Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? Me: "Sort of." and my emphatic response is YES.
For those of you just getting started, check out our Nonprofit Social Media 101 curriculum for beginners, which has examples, tips, and videos about getting started with and managing your social media presence. Are you wondering how to go about telling your story with digital video? YouTube is one of the top search engines there is.
As part of the article I’m working on for the journal Museums and Social Issues on using web 2.0 to promote civic discourse in museums, I’m developing an argument about the “hierarchy of social participation.” Watch a video. Voting, whether for American Idol, national elections, or museum kiosk surveys, falls in this category.
I've long been interested in the power of cross-platform experiences, so I was excited to see today's New York Times article about the evolving relationship between books and video games. This problem is analagous to the repeat visit problem for museums. Museum visits, like book reading, can be an intense and wonderful experience.
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