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Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Trying to engaged the teen-to-twenty-something who normally may not use the research library. Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image.
I tell the story of the one-man band because I think many museum professionals feel like him. But, most importantly, few museum professionals have a free hand or moment. Museums rarely have the funding to replicate positions. If you have a teen program running, there are no second teen programs person out drumming up business.
This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). It's easier to secure grants for community-based programming or exhibitions, but it's not easy to get funding for some of the core work that museums do. It's inherent in what we do.
I’ve received a few inquiries over the last year about museums and geocaching. to ask him all the dumb questions about geocaching and museums you can imagine… and a few more. Some people use a higher-tech logging system by tracking the items online to see who has found them and where they’ve gone. I sat down with Seth!
For example: “Many teen girls struggle with their self-esteem thanks to Instagram and Snapchat. Please help us open the door for a teen to attend our personal development conference, benefit from having a mentor, and get on a path to college and a career.” . Your email system should be able to help you do that.
The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.
James Yasko is writing an article for an upcoming issue of Museum News on museums and Web 2.0. Here's the question: What advice do you have, as one who keeps up with technology as it relates to museums, to a group looking to incorporate Web 2.0 Has your tagging system increased overall google hits for the museum?
First, I want to extend a huge THANK YOU to everyone who has contributed to the nascent Museum 2.0 We're still looking for your Museum 2.0-related There's a new Pew Research report on teens and gaming showing that 97% of American teens play some kind of video games (console, online, mobile, etc). Living Archive.
In many museums, comment cards are currently the most "participatory" part of the visitor experience. Ideascale prioritizing suggestions for specific programs A couple of weeks ago, I opened this Ideascale website to invite readers of this blog to suggest and vote on Museum 2.0 Simple, understandable functionality.
This morning I attended the MacArthur Foundation Digital Learning briefing that was taking place at the Natural History Museum in NYC. "We are in a moment of time where 57% of teens produce and share media. "It is important to recongize that these are complex learning environments and information systems. local time).
Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.
Julia: All right, so all systems go. If you have a tween or a teen, I’m sure you’re familiar with TikTok. And not just museums jumped into that, it was a lot of different organizations. Julia: If you’re not using Canva, what are you doing with your life? Steven: You got to do it. It’s my homepage.
When I talk with museum people about virtual worlds, the conversation usually centers on Second Life. Talking to kids about these worlds, I've learned they know how to game the system (removing those pesky parental controls). If only museums' blogs got such a wealth of poorly spelled comments. " But they don't use it to swear.
On Tuesday, I reviewed Elaine Gurian’s essay, Choosing Among the Options , on museum archetypes and self-definition. Today, discussion with Elaine about ways museums choose their direction, how change is possible, and new museum types to be added to the list. What if you don’t want to be identified as one type of museum?
What's at the heart of the disturbing prison system in The Platform ? Co-presented by Lynch's company Absurda and Parisian contemporary art museum Fondation Cartier, the film was written, directed, and edited by Lynch himself. What's inside the walls in Remi Weekes' His House ? What exactly, David Lynch asks, did Jack do? UPDATE: May.
In fact, according to the Museum of London , shoplifters and suffragettes would have served sentences at Islington's notorious Holloway Prison around the same time in the early 1900s. That might be a modern read, but I'm intrigued. So, what did they do with all that loot?
They met as teens, formed as young adults, and called their group asconausea or disgust in Spanishafter one of their early DIY exhibits. Their conceptual work and performance art spoke to the exclusion of Chicanos from the mainstream art world and the systemic police brutality endured by the Mexican American community in East Los Angeles.
Hang the DJ" Season 4, episode 4 Frank (Joe Cole) and Amy (Georgina Campbell) are set up on a date by "the System," a highly sophisticated algorithm that's guaranteed to pair people with their soulmates. In the end, she decides to live outside the rules and say "f**k it" to the rating system. percent happy. Total: 2 29. — P.K.
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