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Museums are magical places, where history, culture, art, and science seem to come to life. Our work with museums and cultural intuitions goes way beyond websites with easy-to-find visitor information (though that’s important too!) Forum One partnered with the Museum to launch their new brand to the world.
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. An overnight at the library, only 500 people – over 5,000 entered and many more were viewing the site etc. Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image.
Well, my point is that all of these sites have user logins. By logging on to a website we are allowing that site to track every page we visit and keep that information associated with our account. Some are required for any access at all, while others reserve certain features and functionality for those logged in.
Oregon Zoo Platinum – Website & Mobile Sites – Cultural Based in Portland, the Oregon Zoo is a prominent regional institution that receives around 1.5 These awards honored Forum One’s work in building websites, digital tools, and virtual experiences for our clients.
The sounds of Spanish and English comingled as 800 delegates argued, danced, and envisioned el museo reimaginado. El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. I find North American museums to be risk-averse.
These audio guides were inspired by a recent podcasting trend called "sound seeing," in which people record narrations of their vacations so others can enjoy. The use of podcasting has many implementations for museums. It can also liberate museum goers from hearing one view - that of the expert or curator.
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans. Where would you start?
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?
It’s clearly self promotional but may be popular because the photographs they tell a story and since they already have this content on their web site, it is smart to leverage it by creating a pin board with inks back to the site. SFMOMA’s Museum Store board is one of the its top three boards in terms of followers.
I truly wish I could have attended Facing Race , which sounded like a completely awesome and transformative event this past fall in Baltimore. I recently met Jada Wright-Green, a museum professional who runs a site called Heritage Salon that looks at issues and possibilities in the African-American museum community.
Add to that—you have to make sure everyone understands what to do with the quick sounding of a whistle and hand gestures. When I was working in-house at the Philadelphia Museum of Art, we leaned on an external accessibility partner to help us train our internal teams on best practices.
But I’d been scribbling notes for an art museum label post for awhile, and then yesterday, the NY Times had a review of a new show at MOMA, Comic Abstraction. I was at MOMA last week for the first time in their new site. MOMA has standard art museum labels. Sounds great. The review was harsh. The other half, I feel had.
This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. That's what kept me coming back to the site." Check out the other parts here. What did they do? Why did they do it?
I've always been a bit confused when people talk about the impact of a museum or arts institution as being about "more than numbers." I understand that some museum offer extraordinary, intimate programs. I was visiting with Adam Lerner, Director and Chief Animator of the Museum of Contemporary Art Denver. It sounds unorthodox.
&# and “On Sunday, are you most likely to be: at brunch, at church, at a museum, or watching the big game?&# “The last thing I want to do is add yet another site to a nonprofit’s plate. After giving Jumo some basic details and your interests the site lets you start picking projects that you are interested in.
Nearly any NFT can be listed on OpenSea, whereas sites likes SuperRare and NiftyGateway are more curated and selective of artists. The NFT is the result of a partnership with the Muhammad Ali Center, a museum dedicated to Ali’s life. The largest one is OpenSea.io , which is somewhat like the eBay of NFTs. Embed from Getty Images.
I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 People who engage deeply in any online community, whether a bulletin board or social networking site, want to meet in person. The event brought hundreds of hip, young professionals to the museum for lots of booze and partying.
In museums (and zoos), we frequently stop the conversation with visitors when it comes to action--especially political action. The 96Elephants website is a dramatic educational site created by the Wildlife Conservation Society, which runs the zoos and aquaria in NYC. This can sound disingenuous. But it''s true.
For those of you who are interested, my husband and I chose to crowdsource our future with the video at right and a related future forecasting site here. Huge thanks to everyone who participated in the idea-sharing over the last couple months about how to make Museum 2.0 a more community-oriented place. Per your suggestions, in 2009.
Originally uploaded by Jennifer Esperanza Do you like the content here but hate having to come to the site to get it? Well, now, thanks to Feedblitz, Museum 2.0 You'll see a new box in the sidebar where you can sign up for a weekly email with the full content of that week's Museum 2.0 Which sounds pretty darn good to me.
In January, I interviewed Sibley about the potential use of virtual worlds and Second Life by museums, but in the four months since then, the virtual world platform--and the hype around it--has exploded. It seems that Second Life is both the closest and farthest thing from many museum professionals' minds.
It might record that the user clicked play and then clicked pause after 16 seconds, or that they searched for the hours of a museum, clicked through to the information page, and stayed for 40 seconds. It may sound cliché, but the first step is really to embrace the change. The next five months can be your learning phase.
It is what it sounds like: a book of original sheet music, beautifully designed and complemented with artwork and text. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. There are twenty songs in Song Reader. That''s expected.
The speakers for this panel include: Tracy Fullerton - Electronics Arts Game Innovation Lab Ruth Cohen - American Museum of natural History Elaine Charnov - The NY Public Library Jason Eppink - Museum of the Moving Image Syed Salahuddin - Babycastles Elaine Cohen: The New York Public Library 100 Years of the flagship library in New York.
I’ve received a few inquiries over the last year about museums and geocaching. to ask him all the dumb questions about geocaching and museums you can imagine… and a few more. Sounds like there might be some overlap with your museum audience? Both geocaching and museums are fundamentally about exploration and discovery.
I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.
Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Our visitors often see museums as a genre, not unlike hospitals or libraries. But, while adjacent, museums differ from formal classrooms in numerous ways.
On Musematic , Holly Witchey has rigorously recorded her recent experience at WebWise, a " IMLS/RLG/OCLC/Getty sponsored conference" on Libraries and Museums in the Digital World that was held March 1-2. Broun talked about SAAM's initiatives both in the museum and on the web to open up their content base for visitors to use in their own ways.
I''ve mostly seen museums employ one of two methods for formal community advisors: Create special "spots" on the board of trustees for certain kinds of community representatives. CON: can feel disconnected from the primary governance of the museum or can feel like a second-class board overall. I struggle with both these options.
All-inclusive resorts offer lodging, food and drink, entertainment, and recreational activities all on-site. Museum passes Offer a local museum bundle for those looking to explore more of the cultural and historical opportunities your city has to offer.
I've been thinking recently about the "why" behind encouraging social interactions among strangers in museums. After all, people visit museums in their own pods for a reason. There are two ways I think we can be using this in museums. First, I think we should support the proliferation of museum-based "I saw you's."
This morning, I gave the keynote address for the Washington Museums Association annual conference. It features lots of museum-based examples. But in this post, I wanted to highlight a goofy little (non-museum) project that inspires me in its simplicity and openness to mass collaboration. It's called One Million Giraffes.
And now, the research group Forrester provides new insights about different kinds of participatory styles among users of social media sites. I've written before about three types of museum users: contributors, lurkers, and judges. What kinds of museum experiences could you imagine accommodating those aspects of your personality?
If a supporter researches volunteer opportunities for a wildlife conservation organization, they will be directed to a relevant landing page on your site. Public Museums. The ad grant process may sound a bit complicated, and you’re not alone in feeling this way. Maybe you’re thinking this program sounds too good to be true.
Why discuss gifting on Museum 2.0? One of my greatest interests is the "p articipatory museum," in which there is substantive, unfacilitated visitor-to-visitor interaction. When I heard the tollbooth story, I started thinking about gifting as a model for participatory experiences in museums. OK, so gifting sounds good.
I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.
In my continuing quest to find elegant ways to integrate technology into the museum experience, we come to interpretative material and the simple question, "How can you create natural ways for visitors to retrieve the information of most interest to them relative to an artifact or exhibit?" Here's one lovely answer: Meta.L.Hyttan.
How would you design a recommendation system for a museum? When it comes to museums, recommendation systems are a natural solution for the problem of the customized tour. When it comes to museums, recommendation systems are a natural solution for the problem of the customized tour.
I always find that exclamation amusing, since truth-seeking is about understanding complex phenomena and overcoming huge methodological challenges—explanations of which are not always welcomed in a world that places a premium on superficial sound bites and speedy, surface-level interpretation. museums, recreation centers, etc.)
The mom has a job at a museum cafe, the older kids are in school, and the youngest attends a wonderful daycare center we are so fortunate to partner with. We will provide career services right on site, including career classes, résumé support, and access to a jobs database. We are so excited for them! .
Earlier this year, the New Museum and Creative Time commissioned a traveling piece by artist Jeremy Deller called "It Is What It Is: Conversations About Iraq." I saw It Is What It Is twice at the Hammer Museum. Why would I want to talk about Iraq on a visit to an art museum? Even for me, the barriers were too high.
This might make Advice sound more like an educational program than an exhibit, or like a failure on the unfacilitated front. They reminded me of street vendors or great science museum cart educators, imparting an energy to the space without overwhelming it. This is a good lesson for museum talk-back design.
This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). It's easier to secure grants for community-based programming or exhibitions, but it's not easy to get funding for some of the core work that museums do.
s Hawaiian son as applied to museums. Consider these two stories of museum-related wikis that struggled. In May of 2007, Woody Sobey released a wiki for science museum educators to share their demos. Woody had seeded the site with about 12 demos from his own museum, but the wiki never took off. What's a wiki?
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