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The use of podcasting has many implementations for museums. For starters, podcasting can liberate art lovers from the museum's clunky audio sets and enjoy the Museum's "Official Audio" more stylist piece of equipment. It can also liberate museum goers from hearing one view - that of the expert or curator.
I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.
When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.
philosophies to museum exhibit design, offers both low- and high-tech edupunk visions. Barbara Ganley's philosophy of teaching and digital expression is an elegant manifestation of edupunk. Nina Simon , with her imaginative ways of applying web 2.0
The "Magritte and Contemporary Art: The Treachery of Images" exhibit at the Los Angeles County Museum of Art manages to both celebrate and betray fair use at the same time. The pro remix message: Culture is well-served by liberal rules that let one person remix another's creation. It's really out of our hands.
Nina Simon, Museum 2.0 (We'll be doing the nitty gritty in October) For some reason, I landed on this excellent post by Nina Simon that categorizes different types of museum blogs. So, I thought I'd take a stab at remixing it for nonprofits. Who will write for the blog?
Time Chart - See Flickr Discussion on Version 1 Wanna Remix it? In A Museum? " I've been thinking about remixing that slide so it matches the framework I set up for WeAreMedia tactical modules. Download it here. Here's a question I get all the time: How much time and resources does it take to implement social media?
He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. He is Deputy Director for the Contemporary Jewish Museum, and an expert in using social. I said yes.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. COST: Museum books tend to be expensive - because they are printed in small runs, the price for a 400-page paperback can be as high as $40. Why Self-Publish?
So, of course I wanted to remix it. Update: Here's an email response I received from Amalyah who is an IP for museums expert: Munch's works are still protected by copyright, the term of which runs not. " Amalyah ? so guess I can't. right, Mike? ). from the date of the painting but for the life of the artist + 70 years after.
Some of the entries of what you can read on the Walker Blog, may appear at first glance to be mundane details of cube life , but then you remember that it is a museum blog and it makes the institution seem more human.
I have a lot of conversations with people that go like this: Other person: "So, you think that museums should let visitors control the museum experience?" Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? Me: "Sort of." and my emphatic response is YES.
This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It is an incredible museum experience. The visitor is given a copy of her poster and the museum keeps a copy as well.
Museum APIs: What Are They Good For? In Museums, context can be hard to come by. It's Not All About You: Respecting Your Users Dinosaur to Digital: A Museum Convergence Success Story. How is it that not for profits are managing to use communications technologies to rock social change--when they've got pennies to spend?
According to the Institute of Museum and Library Services (IMLS), a staggering 100 million Americans don't have a broadband connection in their households. They provide venues in which patrons and students can engage with, discuss, share, remix, and create information." The Role of Nonprofits.
As a graduate student in a museum studies program, I have learned how to develop an exhibit based on a collection of objects or a specific story. The University of Washington Museology Graduate Program invited Nina up to Seattle to teach a course on using social technologies in museums. What’s the content? What’s the message?”
Beth Kanter, Social Media Strategy Is Everywhere in the Organization - Indianapolis Museum of Art. Watch other nonprofits and copy and remix for your next project. Nina Simon, How Much Time Does It Take To Do Social Media? Beth Kanter, 52 Ways To Streamline Your Social Media Use. Tactics and Tools. Write down your successes.
How is a museum like a radio station? It’s called Pandora , and its successes reveal interesting lessons about aggregating museum content. And it’s the introduction to new music that makes Pandora uniquely interesting to me as a museum person. Which means that curators still have a powerful role to play in the future of museums.
While the drawing tools could be more intuitive, remixing a reference image is likely less scary for non-artists than other more involved ways to produce a frame. If you want to make a frame, you don't have to start from scratch; instead, you get to draw over a pre-existing reference frame.
Remixing the Museum Exhibition Room B Monday, March 16th 10:00 am - 11:00 am. Delicious Tech for Localism: Sustainable Food 2.0 Room 10 Tuesday, March 17th 11:30 am - 12:30 pm. Featuring @rachelannyes. Political Leadership in the Digital Era Room Hilton D Monday, March 16th 5:00 pm - 6:00 pm.
It's a place for Scratch users to upload, share, and remix their Scratch projects. You can also remix other projects. It was a serious improvement on tools like Logo Turtle and Hypercard that I grew up with. but still, a programming environment. Then, in May 2007, the Scratch online community (called ScratchR) was released.
Tagging " Beneath the Metadata: Some Philosophical Problems with Folksonomy " has been making the rounds on various nonprofit technology lists, particularly in the library and museum communities. Mike Seyfang, a nonprofit technology consultant in Austraila, tells us to avoid YouTube if you want to get remixed and mashedup.
letting museum visitors contribute and collaborate in museums), I now see this as a crucial issue also for more democratic and inclusive practice (i.e. Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? Me: "Sort of." and my emphatic response is YES.
Since I'm living at the Spy Museum right now in the run-up to the opening of Operation Spy, I asked Museum 2.0 Jessica Harden here: Museum 2.0’s conversations began on Monday afternoon when I attended The Museum Group’s discussion on the topic: “Web 2.0: in museums? reader--and now contributor!--Jessica
What’s in the crystal ball for museums and libraries? The IMLS (Institute for Museum and Library Services) has commissioned a preliminary proposal for an NAS (National Academy of Sciences) report on museums and libraries in the 21st century. What are the essential differences and similarities between libraries and museums?
Video Remixes/Mashups : Play That Funky Music Rammstein by Gildersleeve Artist Management; Marvel Cinematic Universe Phase Three Retrospective by Clark Zhu. Art & Culture : BBC Culture; National Museum of Women in the Arts Instagram. Variety : The Late Show With Stephen Colbert: Stephen Has a Story by CBS Interactive.
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