Museum 2.0

JUNE 12, 2012

Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. So many museum exhibitions relegate the participatory bits in at the end. The Love Lounge I LOVE.

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Museum 2.0

JULY 31, 2013

I spent the weekend queuing up posts for my forthcoming blog-cation--nine weeks of guest posts and reruns from the Museum 2.0 You''re in for a treat, with upcoming posts on creativity, collections management, elitism, science play, permanent participatory galleries, partnering with underserved teens, magic vests, and more.

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Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 18, 2016

Genuine: It reflects their character, behavior, values, and vision. One of the best personal brands that I’ve seen on Instagram from a nonprofit leader is Thomas P Campbell the CEO of the Metropolitan Museum. He shares photos and reflections from business trips. Here’s what I discovered: Genuine. Visibility.

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Museum 2.0

NOVEMBER 7, 2010

Last week marked four years for the Museum 2.0 People--especially young folks looking to break into the museum business--often ask me how I got here. Ed Rodley recently wrote a blog post about museum jobs entitled "Getting Hired: It's Who You Know and Who Knows You." hour at the Museum. I made $26/hour at NASA and $7.25/hour

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Museum 2.0

APRIL 18, 2008

Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. The Walker Art Center is turning its teen website over to the teens.

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Museum Web Flickr Teen 20

Get Fully Funded

AUGUST 24, 2021

A fundraising email is not the right place to thank Board members, reflect on events that already happened, spotlight a wonderful volunteer, or highlight a major donor. For example: “Many teen girls struggle with their self-esteem thanks to Instagram and Snapchat. That means you may need to leave out a few things.

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Museum 2.0

APRIL 30, 2007

James Yasko is writing an article for an upcoming issue of Museum News on museums and Web 2.0. Here's the question: What advice do you have, as one who keeps up with technology as it relates to museums, to a group looking to incorporate Web 2.0 How will the endeavor reflect on the museum’s brand image?

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Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities.

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Museum 2.0

AUGUST 25, 2009

When you want visitors to spend a long time reflecting and sharing their thoughts, you need to design spaces for response that are comfortable and minimize distractions. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors."

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Museum 2.0

DECEMBER 14, 2009

Unsurprisingly, some of my favorite museums are small, funky places run by iconoclasts—but that’s not useful to most professionals who work for organizations in which they have little control over size or leadership matters. What new projects might allow you to better reflect those aspirations? It’s nice to have both.

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Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

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Museum 2.0

JULY 9, 2007

Last week, Elaine Gurian and I talked about radical change in museums. Former museum start-up queen, Jen is taking a small organization whose goal is to promote girls’ involvement in math and science through research and programming to new, innovative, exciting places. Braincake isn’t some fakey attempt to pander to teens.

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Museum 2.0

AUGUST 7, 2008

For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. I spent an hour this morning "brand listening" to what the online world says about one of my favorite museums, the Exploratorium.

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Museum 2.0

JULY 24, 2007

This week, thoughts on Chapter 12 of Elaine Gurian’s book Civilizing the Museum , "Threshold Fear: Architecture program planning." In this essay, Elaine discusses the various barriers to entry for non-traditional visitors to museums, that is, the threshold fear that keeps such potential visitors from walking in our doors.

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Museum 2.0

DECEMBER 19, 2008

Every museum has a number for its operating cost per visitor. Most museums don't strategically set this number--too many operating costs are fixed by building needs--but they can use it to assess how expensive each visitor interaction is and evaluate the efficacy of programs. So where do online initiatives fit in?

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Museum 2.0

FEBRUARY 7, 2007

Where else can you find Pakistani bathroom signage or Mexican biker teens while researching a project? Beyond the workplace uses, some museums are taking advantage of Flickr's 2.0ness to do neat projects--check out Jim Spadaccini's reflections on using Flickr for an exhibition website with the Maxwell Museum of Anthropology.

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Flickr Work Museum Tag 20

Museum 2.0

AUGUST 18, 2008

I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!

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Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 19, 2006

This morning I attended the MacArthur Foundation Digital Learning briefing that was taking place at the Natural History Museum in NYC. "We are in a moment of time where 57% of teens produce and share media. The event was streamed into Global Kids Teen Grid Here's what the kids has to say and photos. local time).

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Beth's Blog: How Nonprofits Can Use Social Media

AUGUST 3, 2008

Her writing is reflective and brilliant. Nina Simon a proud member of Gen Y, writes the very awesome Museum 2.0 blog, but you don't have to be a museum person to get a lot of value from it. Holy Meatballs is Global Kids project blog - I've pointed to the posts by teens. Nonprofit Programs and Social Actions.

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Museum 2.0

FEBRUARY 24, 2011

A museum can be friendly, or serious, or funny, while maintaining a traditional relationship with visitors as consumers of experiences. In fact, I find that participatory products are often more likely to reflect a formal sensibility than their traditional counterparts. But it's far more typical to focus on just one.

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Voice Museum Denver Participatory 42

Museum 2.0

OCTOBER 22, 2008

There are lots of things visitors can’t do in museums. But what about the things that museum professionals can’t (or feel they can’t) do? This week at the ASTC conference, Kathy McLean, Tom Rockwell, Eric Siegel and I presented a session called “You Can’t Do That in Museums!” And so my question is, why are we keeping them away?

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Museum 2.0

FEBRUARY 27, 2013

All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? This seems strange given that museums are organized around objects. It has introduced me to corrupt university fundraisers , the true history of Tom Dooley , and the world's oldest marathon runner.

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Museum 2.0

AUGUST 27, 2014

Like a lot of organizations, our museum sends out a weekly email to folks who are interested in upcoming events, exhibitions, and happenings at our museum. As a community-based museum, it makes sense that we actively solicit participation through the e-blast when we can. marketing Museum of Art and History web2.0'

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Fast Company Tech

MARCH 28, 2025

When filmmaker Travis Gutirrez Senger reflects on Ascos legacy, he quickly notes they were more than an art group; they created a movement, one with remarkable influence on Chicano art history. They met as teens, formed as young adults, and called their group asconausea or disgust in Spanishafter one of their early DIY exhibits.

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