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"The good thing about all types of lunar eclipse is that, unlike a solar eclipse, they are safe to view with the naked eye," the Natural History Museum in London explains. This is because lunar eclipses only reflect sunlight — they don't get any brighter than a full moon, which you've probably safely observed many times before."
4) Art Institute of Chicago Museum Shop :: shop.artic.edu. The Art Institute of Chicago Museum Shop sells unique and beautiful objects from around the world in support of the arts. 8) Field Museum Store :: store.fieldmuseum.org. 23) SFMOMA Museum Store :: museumstore.sfmoma.org. Perfect gifts for the nonprofit techie!
Museum shops can and should be more than just walls of collection postcards and bins of branded pencils. With captive audiences, a link to the creative, and consistent footfall, shops in museums have ample opportunity to maximise retail potential by offering products that appeal to visitors and have a clear connection to collections. .
4) Art Institute of Chicago Museum Shop :: shop.artic.edu. The Art Institute of Chicago Museum Shop sells unique and beautiful objects from around the world in support of the arts. 6) Field Museum Store :: store.fieldmuseum.org. 18) SFMOMA Museum Store :: museumstore.sfmoma.org. 8) Getty Store :: shop.getty.edu.
Overnight Reflection. What I think is the magic is the use of “overnight reflection.” So, being able to “sleep on an idea” and share a reflection is great. So, one of the things I highly value about instructional design is the time and space to reflect on what worked and what didn’t work.
Normally, sound waves travel in straight lines unless something blocks or reflects them. For example, museums could provide different audio guides to visitors without headphones, and libraries could allow students to study with audio lessons without disturbing others. Jiaxin Zhong et al./PNAS
Museums, archives, and libraries share many goals and functions. The items that museums, archives, and libraries collect reflect the human spirit. In archives, libraries, and museums, curators use their judgment to select and arrange artifacts to create a narrative, evoke a response, and communicate a message.
Susan Neyman, US Marshals Museum Resurrect Events Planned Givers Can’t Forget “We reinstated a beloved event, the 1892 Society Luncheon, which brings together planned giving donors and prospects for an afternoon of a delightful lunch, a brief history of the Society, a presentation about current projects and future plans, and questions and answers.”—
Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. It is an open study/storage facility displaying about thirty-three hundred objects from the collection of the Smithsonian American Art Museum. We are storage, after all.
He is Deputy Director for the Contemporary Jewish Museum , and an expert in using social media in a museum setting. We were lucky enough to have a fabulous space for the workshop in the Contemporary Jewish Museum. Here are some reflections on the instructional design: 1. I said yes.
This month, we're thinking about the way we do work in museums. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. Sharing articles that work is a great reason to stay on Museum Twitter by the way. Exposure to all sectors of museum work is important.
Two weeks ago, Roberto Bedoya asked several arts bloggers, including me, to write a post reflecting on Whiteness and its implications for the arts. I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege.
Or maybe hello museum world! Previously, I had worked at the same museum for 17 years.) So, when you visit more than 300 museums, parks, and historic sites, what do you learn? I thought I would kick off my tenure around here by sharing stories and reflections about my visits. Here are my top five reflections: 1.
Check out this inane AT&T commercial about a woman whose absorption in her smartphone is so great that Facebook updates become substantiated as pieces of art in the museum through which she strolls. It also suggests that for young people, masterpieces in museums are not nearly as interesting as a good friend''s new haircut.
This post reflections on the training design as well as my content notes. Before the session, I spent some time reviewing Museum Facebook Pages – luckily the MIDEA project has them organized into this handy list. I had hoped to find a good example of a museum or an arts organization with a custom landing tab.
The Art Museum Social Tagging Project is a group of art museums is looking at integrating folksonomies into the museum Web by developing a working prototype for tagging and term collection, and outlining directions for future development and research that could benefit the entire museum community. A tag is a user???s
Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.
Source: Powerhouse Museum. Powerhouse Museum Electronic Fabric Swatch Book is a really cool project and an example of using a folksonomy as a way to address the reality that Museums often use subject categorizations that don't reflect the terms most people use when searching online. think flickr and del.icio.us ???
I asked Wendy Pollock and Kathleen McLean, authors of the new book The Convivial Museum , to share a guest post about the book. At first glance, our new book, The Convivial Museum , is about the most simple ideas. And to reflect in this collage of images and quotations the gritty realities of daily practice. Nothing new here!"
The businesses in Fast Company s Most Innovative Companies in AR/VR reflect that trend. Excurio For bringing virtual reality experiencesand audiencesto museums Excurio builds immersive, historically accurate installations that feature a shared virtual reality for up to 100 simultaneous attendees.
Once upon a time, there was a beloved children’s museum in the middle of a thriving city. The brilliant team at the museum set out to find a bigger space and ran a successful capital campaign to expand to a much larger location. Like the set of the movie Night at the Museum , these guests had the whole museum to themselves.
Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."
and with it flocks of museum studies / education / exhibit planning graduate interns. I’m always curious when I meet these folks, who are about my age, choosing a different entry path into the museum world. The value proposition of museum grad programs is cloudy in my mind. Sure, it’s great to learn museum theory and history.
Should museums play music - in public spaces and or in galleries? So I thought I'd open it up to the Museum 2.0 Pros for music: Music helps designers frame the atmosphere for the intended experience at the museum. Most museums are trying to please everyone. If so, how should they determine what to play?
I have a confession to make: I've never cared much about museums on the Web. When smart people talk about digital museums and virtual experiences, I nod and compartmentalize it as someone else's bailiwick. And it breaks a lot of conventional rules about museum homepages. Is this the future of all museum websites?
And of course, I use this blog as a reflective space to learn by writing. At our museum, Pinterest is a primary tool for brainstorming and sharing ideas. While I''m comfortable working out my thoughts in a half-baked way in words, I rarely use images as part of that learning/reflecting/sharing experience. Museums Engaging in 2.0
Lynda Kelley I'm here in Sydney, Australia and just finished an informal workshop and discussion with Powerhouse Museum staff and other museums. Will post reflections shortly) I met Dr. Lynda Kelly, a blogger and the Head of Audience Research for the Australia Museum. The site is called Museum 3.0.
Recently, James wrote about some interesting ways museums are using Twitter for offline/online engagement. The San Francisco Bay Area has seen some extraordinary museum openings over the past several years. Sometimes connections cross the boundaries of time. California is part of the OMCA’s mission.
It has some of the same feel as the disconnected affection of people wishing you a happy birthday on Facebook, with professional reflection baked in. Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary.
About a month ago, Candid was tagged in a social media post from someone who had visited the Smithsonian’s National Museum of American History. Rubenstein Curator of Philanthropy at the Smithsonian’s National Museum of American History. We reached out to Amanda Moniz, Ph.D., the David M.
When I started at The Museum of Art & History (MAH) in May, one of my priorities was redesigning our website. I didn't want to do anything fancy--just make the site more functional, lively, easy to update, and reflective of the new institutional vision of being a community hub. It's an evolving site--just as the museum is evolving.
This August/September, I am "rerunning" popular Museum 2.0 It’s an uncomfortable truth which is forcing me to examine my arguments for inclusivity, access, and populism in museums. I realize that I have more frequently advocated for Yellowstone-style museums than Grand Teton-style ones. blog posts from the past. It’s true.
Here's a few reflections from people in the room. A Museum group is also forming to discuss and explore what museum's can do in SL. After the session, I toured the Aho Museum , an exhibit created as an experiment by the Aho Museum, juxaposing real world art with second life where I got to climb onto a Caulder scuplture.
Last week, I was in Minneapolis for the American Association of Museums annual meeting. Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. Interestingly, at my museum, our team is naturally better at ridiculous than we are at dangerous. I found this idea really powerful.
Monday, May 18th is International Museum Day , the mission of which is to raise awareness of the fact that, “museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.”. 2019 saw more than 55,000 museums across 150 countries participate.
In the spirit of this belief, I’ve decided to unleash the Museum 2.0 For that reason, I’m thrilled to announce that over the next two months, I’ll be transferring ownership of Museum 2.0 Seema is a brilliant museum educator, a generous spacemaker, a prolific writer, and a creative troublemaker. I know Museum 2.0
Photo Source: Indianapolis Museum of Art Blog. The Indianapolis Art Museum has been doing just that by sharing its institutional dashboard out for everyone to view. It was met by with both positive and negative reactions from nonprofit and museum professionals. Two years later, we might have some answers.
This month we’ve been thinking about “What is a museum?” (I'm I’ve been visiting museums my whole life. Does that make me the best judge of museums? People are the defining characteristics of museums. I’ve worked with and at plenty of museums that can sometimes feel empty. I'm not alone there.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. It is great to feel more of a part of the museum!" "All
When a technologist calls me to talk about their brilliant idea for a museum-related business, it's always a mobile application. There are lots of wonderful (and probably not very high margin) experiments going on in museums with mobile devices. Most visitors to museums attend in social groups.
4) Art Institute of Chicago Museum Shop :: shop.artic.edu. The Art Institute of Chicago Museum Shop sells unique and beautiful objects from around the world in support of the arts. 6) Field Museum Store :: store.fieldmuseum.org. 18) SFMOMA Museum Store :: museumstore.sfmoma.org. 8) Getty Store :: shop.getty.edu.
The Smithsonian National Museum of African American History and Culture. To provide tools and guidance to empower people’s journeys and inspire conversation about race, the Smithsonian National Museum of African American History and Culture (NMAAHC) developed “Talking About Race.” Fighting Polluters Since 1970.
This August/September, I am "rerunning" popular Museum 2.0 Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. blog posts from the past.
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