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Anyway, Project Hail Mary inspired me to take the boys to the Udvar-Hazy Center of the National Air and Space Museum. This museum is full of all types of vehicles that fly: planes, helicopters, amphibious ships, missiles and drones. What the museum instead was probably just as good. And Jim, who was next to the SR-71.
Museum shops can and should be more than just walls of collection postcards and bins of branded pencils. With captive audiences, a link to the creative, and consistent footfall, shops in museums have ample opportunity to maximise retail potential by offering products that appeal to visitors and have a clear connection to collections. .
Museums, archives, and libraries share many goals and functions. The items that museums, archives, and libraries collect reflect the human spirit. In archives, libraries, and museums, curators use their judgment to select and arrange artifacts to create a narrative, evoke a response, and communicate a message.
Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. Some questions I don't know the answers to: What are the best examples of nonprofits using social media to crowdsource advice, program evaluation, ideas, or other uses?
Or, if one of your volunteers works at a local museum, have them ask their boss about contributing an annual museum membership as an auction prize. Choose the Right Procurement Method for Each Item As you send your committee members out to procure their assigned items, make sure they’re familiar with the three primary ways of doing so.
Here are some common questions about eclipse-viewing, with expert answers. The good thing about all types of lunar eclipse is that, unlike a solar eclipse, they are safe to view with the naked eye," the Natural History Museum in London explains. Rice also works with the American Astronomical Society. What he saw gave him chills.
Susan Neyman, US Marshals Museum Foundation Deliver a Newsletter Boomers Will Love “A high percentage of our donors are also members. Hannah McKinney, Montreat College Add Visitors to the Prospect Pipeline “As visitors come to the museum, many sign up for the ‘I want to receive your newsletter’ list.
This month, we're thinking about the way we do work in museums. I'd ask questions on Twitter before. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. Sharing articles that work is a great reason to stay on Museum Twitter by the way.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. We are trying to change the visitors’ experience at the museum as well as ownership of what is in the museum, break down the walls between the public and the museum.
Specifically, AI can be applied in educational spaces like museums. Because museums are heavily reliant on the work of volunteers , it is difficult to have staff members continuously answering questions and engaging with visitors. However, using AI in educational settings is a great way to revolutionize teaching and learning.
The National History Museum of Los Angeles does a great job of highlighting their staff in their Instagram posts. Encourage interaction on your feed by running contests, asking questions, ask for a #regram, and encourage people to share your message. Here are a few tips to help your nonprofit get up to speed with Instagram!
A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. And so, in this post, a few findings, and more questions. Many museums, big and small, thrive on events. This isn't true for every museum.
Have you ever been to a restaurant, museum or shopping mall and needed to use the bathroom? Now imagine you’re looking for the bathroom on a 6-inch screen, and instead of walking around, asking folks questions, all you can do is tap on things with your thumb. You begin by looking up and around for any sort of signage.
A month or two ago, museums and galleries around the world participated in a Twitter event called Ask a Curator. I asked Jim Richardson, who blogs at the Museum Next Blog and is the brainchild behind the event, a couple of questions: How did #askacurator come about? How did you get 340 museums to participate?
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
The new software also includes an AI copilot that answers further questions users may have based on uploaded manuals and other relevant documents. And a new AI-powered tutoring system, dubbed Maia, can converse with doctors about the virtual environment and answer questions, reducing the need for one-size-fits-all written instructions.
But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. What do you do?
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
If they visit your website and can’t easily find quick links to your social-networking communities, they become frustrated and some even will question your credibility. If your nonprofit is location-based (zoos, museums, health clinics, food banks, etc.) That said, get those icons on your homepage !
Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."
A few short sample questions are: What inspired you to join [Organization Name]? For example, if you were a children’s museum, you could offer a ‘night at the museum’ benefit for a premium. Step one: Get feedback on the benefits they value most Do you know which perks your members value most? Which do they value the least?
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
This month, I want to ask us this question. I have been thinking about this question at work for the past few weeks. I invite the whole staff to my office anytime between 2-3 on Tuesdays to answer one question. ICOM matters because museums are a global phenomenon. People can only define museums on what we have now.
Recently, James wrote about some interesting ways museums are using Twitter for offline/online engagement. The San Francisco Bay Area has seen some extraordinary museum openings over the past several years. This provides a new level of transparency for the museum worker, and a higher degree of exposure.
The Brooklyn Museum has done a lot with FourSquare, like sharing promotions and building visible community; check out the write up on the FourSquare blog or on the Museum’s site. Is your organization thinking about using social media in a local context – if so, what are you working on and what questions do you have?
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead. That is more curated.
A car museum would do well to select a vintage car; a mountain bicycling association would be successful with the latest high-end mountain bike as their prize. Set up a table with banners promoting the prize, and make sure volunteers or staff members are available to answer questions. Are they outdoorsy types? Are they into travel?
Here in Santa Cruz, we''re brushing off our tents and lining up the counselor whistles for Hack the Museum Camp , a 2.5 We have 75 campers here from around the world who will be working in teams to develop exhibits based on artifacts from our permanent collection that challenge museum conventions and traditional exhibit design practice.
Nina has written a fantastic book engagement called The Participatory Museum. When, on the other hand, amateurs had the opportunity to help design scientific questions or disseminate research results, they often felt more ownership of the project and greater interest in using scientific methods to address their own community needs.
I love this question – one that every organization that is trying to encourage more internal participation from staff should ask on a survey: If we could get more BMAG staff involved in tweeting, who would you like to see tweet and answer your questions via twitter? Museum Management. Exhibitions team. Learning team.
Last week, my museum hosted Hack the Museum Camp , a 2.5 day adventure in which teams of adults--75 people, of whom about half are museum professionals, half creative folks of various stripes--developed an experimental exhibition around our permanent collection in our largest gallery.
These are the questions that underpin Museum Camp 2014 , a professional development experience in which diverse people from the arts, community activism, and social services will measure the immeasurable together. This is the second year that the Santa Cruz Museum of Art & History (MAH) is hosting Museum Camp.
Mary Warner, the Museum Manager at the Historical Society, wrote a series of moving articles for her museum newsletter and later for the AASLH’s Small Museum Online Community about her experiences tackling big issues in a small museum. How do we get the history of the poor? But how did this specific project get started?
Marnie asks a great question about the organizational structures needed to actualize abundance: So, if we are building organizations on the abundance of goodwill, energy and eager hands — and if we are thinking of ourselves, organizationally, as platforms for change rather than agents for change. Or are we talking about all curation?
As part of the preparation, we surveyed participants for their burning questions and that's how I created the content. The questions were a mix of strategic and tactical. One question I got was: What Theatre companies are using Four Square in an interesting and engaging way? Photo by Neatonjr.
In the spirit of this belief, I’ve decided to unleash the Museum 2.0 For that reason, I’m thrilled to announce that over the next two months, I’ll be transferring ownership of Museum 2.0 Seema is a brilliant museum educator, a generous spacemaker, a prolific writer, and a creative troublemaker. I know Museum 2.0
About a month ago, Candid was tagged in a social media post from someone who had visited the Smithsonian’s National Museum of American History. Rubenstein Curator of Philanthropy at the Smithsonian’s National Museum of American History. We reached out to Amanda Moniz, Ph.D., the David M.
This August/September, I am "rerunning" popular Museum 2.0 Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. blog posts from the past.
In early January, the American Museum of Natural History announced that it would hold a Brain Tweetup for 75 of its Twitter followers. The event promised an after-hours look at their special exhibition Brain: The Inside Story , a chat with its curators, a behind-the-scenes tour of the museum, and an opportunity to meet other fans of AMNH.
More and more people are adopting social media messaging, including Facebook Messenger , to contact nonprofits with questions, comments, or requests. The bot is more fun and engaging than most—full of animated gifs, puns, and witty comments about relativity and robots, even if they don’t match the question you asked.
The question. Just over a year ago, we asked ourselves a question: How are arts organizations using digital and social media, and what sorts of results are they getting? Many of our clients and fellow consultants working in nonprofits and in the arts were approaching the same question from different angles. was created.
My colleague, Devon Smith, a self-described data nerd who loves benchmarking pointed out this glorious example from the museum world from Sean Redmond , a Web developer at the Guggenheim. I shared a link to the site on my Facebook Page with a question about its usefulness (perhaps minus one of the bogus metrics).
Earlier this month it added the day as a holiday in the United States in Google Calendar, and the company also says it’s added new Google Assistant responses to questions like “Hey Google, what’s Juneteenth?”
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