This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Source: Powerhouse Museum. Powerhouse Museum Electronic Fabric Swatch Book is a really cool project and an example of using a folksonomy as a way to address the reality that Museums often use subject categorizations that don't reflect the terms most people use when searching online. think flickr and del.icio.us ???
The Art Museum Social TaggingProject is a group of art museums is looking at integrating folksonomies into the museum Web by developing a working prototype for tagging and term collection, and outlining directions for future development and research that could benefit the entire museum community.
Here are a few of the hashtags I''ve seen applied to photographs of museum objects on Instagram lately: #heytherebigfella #biggysmallistheillest #forbrightfuture #myfavorite #instagood #bestday #withmyhomies #whatever #learnedfromthebest #revolutionary #nowicandie These tags all do a great job capturing the magic of exploring a museum.
Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. It is an open study/storage facility displaying about thirty-three hundred objects from the collection of the Smithsonian American Art Museum. We are storage, after all.
online exhibit developed by the Maxwell Museum of Anthropology at the University of New Mexico and Ideum. I picked up the phone and got a hold of Jim Spadaccini, founder of Ideum, whose blog post I discovered via a discussion thread on flickr and museums on the museum technology list. Nina Simon from the Museums and Web2.0
space on the web dedicated to exploring museums, objects, design. Britt Bravo at Netsquared posted on the community blog about museums and podcasting. And in the spirit of full disclosure -- I recently did a small project for Netsquared, a Net Tuesday toolkit. Mode is a new. and exhibitions. of its authors and contributors.
Before the session, I spent some time reviewing Museum Facebook Pages – luckily the MIDEA project has them organized into this handy list. I had hoped to find a good example of a museum or an arts organization with a custom landing tab. Take for example the Museum of Contemporary Art in Cleveland or Yerba Buena Center.
Nina has written a fantastic book engagement called The Participatory Museum. Imagine sitting around a conference table planning an upcoming project that involves user-generated content. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place.
When a technologist calls me to talk about their brilliant idea for a museum-related business, it's always a mobile application. There are lots of wonderful (and probably not very high margin) experiments going on in museums with mobile devices. Most visitors to museums attend in social groups.
and with it flocks of museum studies / education / exhibit planning graduate interns. I’m always curious when I meet these folks, who are about my age, choosing a different entry path into the museum world. The value proposition of museum grad programs is cloudy in my mind. Sure, it’s great to learn museum theory and history.
I met James Leventhal via Twitter and we ended up working together on a project. Recently, James wrote about some interesting ways museums are using Twitter for offline/online engagement. The San Francisco Bay Area has seen some extraordinary museum openings over the past several years.
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
A month or two ago, museums and galleries around the world participated in a Twitter event called Ask a Curator. The hash tag #askacurator became a top trending topic on Twitter on the day of the event. How did you get 340 museums to participate? And why did you think museums were eager to participate?
The Brooklyn Museum is seeking a more diverse group of people to evaluate the photographs submitted for a crowd curated exhibition called Click. The NpTech Tag started as an experimental community taggingproject in 2005. Who is the nonprofit techie dancing around in the raccoon costume? And if you???
Photo Source: Indianapolis Museum of Art Blog. The Indianapolis Art Museum has been doing just that by sharing its institutional dashboard out for everyone to view. It was met by with both positive and negative reactions from nonprofit and museum professionals. What motivated the dashboard project?
Kate McGroarty's month living at the Museum of Science and Industry in Chicago is over. The young actress and teacher beat out 1,500 other applicants and spent 30 days exploring exhibits, participating in live demos, talking to visitors (both in-person and online), and romping through the museum at night. Lisa's goals were met.
I'm here in Chicago for a very brief trip on a panel about metrics and measurement for museums called "New Spaces, New Measures." Amount of author's participation in other valued projects, as commenter, editor, etc. " My slides and resources are here. Length of time a document has existed.
Photo from my flickr stream View the Tagging Screencast Presented by NTEN. I'm pleased to announce that my screencast about tagging has been released and showcased by NTEN ! I created it for the screencast to illustrate the definition of tagging. If you have questions about tagging or want to share your organization???s
Collection-taggingprojects (in which visitors assign keywords to items in a collection) have always left me cold. Tagging is such a functional activity, and if you don't see direct benefit from doing it, the interest in it as a fun afternoon activity is pretty low. I'm thinking, "how can I find the thing I want to see?"
Also found in the NpTech tag stream and a good backdrop to this conversation is " When the best tool for the job. context: How are museums encouraging stickiness and user investment in their proposed and in some cases, already developed, post 2.0 situation unless museums can get the ???stickiness??? public information???
In the most extreme cases, I've talked to folks from museums that are government-mandated to provide all content in multiple languages who say they are unable to invite visitors to make comments because they'd have to translate all of them and simply can't dedicate the resources to do so. Tags: design usercontent inclusion.
On October 20, a young woman named Kate will move into Chicago's Museum of Science and Industry and live there for a month. This post is not about the Month at the Museum concept or implementation. Instead, this post focuses on a fascinating aspect of Month at the Museum: the video applications. That will come later.
iPhone apps are not a build it and they will come project! For example, just take a look at the explosion of mobile apps for museums. But text fundraising is a whole different type of project than delivering content which might make a good "toe in the water with mobile" low-cost experiment. . Tags: mobile.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. Techies knew about the project first and were most likely to sign up for early dates on the calendar.)
I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Instead, I found a standard art museum. Impersonal guards.
Jasper Visser and his colleagues at the not-yet-physically-open National Historisch Museum of the Netherlands have impressed me with their innovative, thoughtful approach to developing a dynamic national museum. Last weekend my museum presented itself at the Uitmarkt in Amsterdam. Tags: Museums Engaging in 2.0
The folks at the New Media Consortium have released their annual Horizon Report , a roundup of up-and-coming technologies relevant to museums, archives, and libraries. Like its predecessors, the report provides succinct backgrounds and reference projects for technologies predicted for widespread adoption on the 1, 2-3, and 4-5 year timescale.
Speakers included Chicagoans like Rayid Ghani , founder of the Data Science for Social Good Summer fellowship; Mark Mathyer of the Museum of Science & Industry; and Lauren Haynes of GiveForward. If funders don’t want to embrace and understand both the good and bad news, they probably aren’t the right funders for your mission.
Earlier in 2013, I was amazed to visit one of the new “Studio” spaces at the Denver Art Museum. The Denver Art Museum is no stranger to community collaborations, but we’ve been dipping in our toe a little more deeply when it comes to developing permanent participatory installations. Some community artists even helped install the space.
Last week I posted about Dave Gilbert's experiment with podcasting "unnofficial audio guides" at Moma, a project called "Apologia: We love MoMA. " This morning, Dave Gilbert emailed with a link to the NY Times article about his project. The use of podcasting has many implementations for museums.
I spend a lot of time talking to people about social media--how it can be a model for real-life content venue interactions and how it can connect museums and cultural institutions to users in new ways. This is the reason that many museums and cultural organizations decided they needed websites in the late 1990s and early 2000s.
I once asked Eric Siegel, the Director of the New York Hall of Science, why museums are rarely innovative shining stars on the cutting edge of culture. He commented that as non-profits, museums are built to survive, not to succeed. Unlike startups and rock stars, museums aren't structured to shoot for the moon and burn up trying.
Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. to support programs and exhibits.
By a strange and lucky coincidence, I was at the Experience Music Project and Science Fiction Museum (EMPSFM) in Seattle for a two-day workshop. EMPSFM is one of a handful of museums worldwide for which the death of the King of Pop is a very big deal. Are museums only relevant when they can serve our most pressing needs?
This post was written by Jaime Kopke , the founder/director of the Denver Community Museum , a pop-up community-generated institution that ran from Oct 2008-April 2009. This post shares her reflections on the project, its design, and its impact. The Denver Community Museum (DCM) was a grassroots operation in almost every sense.
As many of you know, I've been working for the past year+ on a book about visitor participation in museums, libraries, science centers, and art galleries. The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. Want to buy a book ?
When I was in Taiwan, I heard again and again from museum professionals: "We are very conservative in Taiwanese museums. This post is a photo essay focusing on an area at the Taiwan National Museum of Fine Arts called the Digiark. Tags: design comfort. This may be true. I didn't see a single comment book on my trip.
It's rare that a participatory museumproject is more than a one-shot affair. But next month, Britain Loves Wikipedia will commence--the third instance of a strange and fascinating collaborative project between museums and the Wikipedia community (Wikimedians). Some of these challenges were about mission fit.
This question is a byproduct of the reality that most participatory projects have poorly articulated value. But the best participatory projects don't suffer from this problem, because they solicit visitors' contributions toward a very specific outcome. The project is designed to scale. What's the "use" of visitors' comments?
Over the weekend, I took my kids to the movie, Night of Museum: Battle of the Smithsonian. The question they're asking: Given the news ways of acquiring and sharing knowledge through technology: the internet, social networking, video sharing, and cell phones—where do you see the Smithsonian's museums and websites going in the future?
It's my second week as the Executive Director at The Museum of Art & History in Santa Cruz, CA, and boy is my everything tired. I'm also making the 2011-2012 budget, getting to know our terrific staff and volunteers, and starting up a few small participatory projects to launch us into being a more community-driven institution.
When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.
VTVigils VT Vigils VTvigils.org is a project of a diverse group of national campaigns and organizations not affiliated with Virginia Tech. Netsquared Innovation Fund Netsquared Announces the 21 Featured Projects and solicits for feedback. Someone tagged the NGO-in-a-Box with nptech just today. Where's the conference tag?
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content