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Museums, archives, and libraries share many goals and functions. The items that museums, archives, and libraries collect reflect the human spirit. These are places to which people and society entrust their most treasured items. Art, artifacts, books, and manuscripts are all documents of human innovation, thinking, and activity.
Have you ever been to a restaurant, museum or shopping mall and needed to use the bathroom? Now have you ever wondered, gosh, why don’t places just put up more clear, concise and eye-grabbing signage? If you want to place your “contact us” email address on a page, make it make sense! Have A Little Personality.
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. Ruth Cohen – American Museum of natural History. We are trying to change the visitors’ experience at the museum as well as ownership of what is in the museum, break down the walls between the public and the museum.
If they visit your website and can’t easily find quick links to your social-networking communities, they become frustrated and some even will question your credibility. Not claiming your ‘Places’ pages on Facebook, Foursquare, Gowalla, etc. That said, get those icons on your homepage ! No doubt about it.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
This is the casual attendance data from my first full month as the Executive Director of The Museum of Art & History in Santa Cruz. This graph is making me change the way I think about what our museum is for and how we should market it. Simply, I'm shifting my perspective from an exhibit-driven model to an event-driven one.
A year ago, I wrote a post speculating about whether events (institutionally-produced programs) might be a primary driver for people to attend museums, with exhibitions being secondary. And so, in this post, a few findings, and more questions. Many museums, big and small, thrive on events. This isn't true for every museum.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.
But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. Many people would look at the world''s oldest mechanized silk mill and say that the core content of the museum is silk. What do you do?
I asked Wendy Pollock and Kathleen McLean, authors of the new book The Convivial Museum , to share a guest post about the book. At first glance, our new book, The Convivial Museum , is about the most simple ideas. This image of opening night at the Oakland Museum of California, April 2010, is by photographer Daniel Kokin.
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. Museums are a part of this educational and cultural network. Where do museums fit in? Here is our statement.
Recently, James wrote about some interesting ways museums are using Twitter for offline/online engagement. The San Francisco Bay Area has seen some extraordinary museum openings over the past several years. This provides a new level of transparency for the museum worker, and a higher degree of exposure.
Should museums play music - in public spaces and or in galleries? I asked this question on Facebook and Twitter, and the responses have been varied and fascinating. So I thought I'd open it up to the Museum 2.0 Pros for music: Music helps designers frame the atmosphere for the intended experience at the museum.
Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."
One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.
As part of the preparation, we surveyed participants for their burning questions and that's how I created the content. The questions were a mix of strategic and tactical. One question I got was: What Theatre companies are using Four Square in an interesting and engaging way? Photo by Neatonjr.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Scientists design the test questions, steer the data collection, and analyze the results. Science has an answer.
When I started at The Museum of Art & History (MAH) in May, one of my priorities was redesigning our website. We made two key decisions that I think are somewhat unusual in doing this work: We tried to create a single message that clearly defines what the museum is about and put that front and center. It's not a 0-1 game.
Note from Beth: I so happy to sneak into last night’s 501Tech Club New York City gathering last night to hear Shelley Bernstein, Brooklyn Museum, and Naveen Selvadurai talk about Nonprofits and Foursquare. Soon it seems like we’ll have more ways to check in than places to go. But I digress…. say about you?
In the spirit of this belief, I’ve decided to unleash the Museum 2.0 For that reason, I’m thrilled to announce that over the next two months, I’ll be transferring ownership of Museum 2.0 Seema is a brilliant museum educator, a generous spacemaker, a prolific writer, and a creative troublemaker. I know Museum 2.0
.” In it the authors discussed how you should use social media at a nonprofit and it made me curious about how museums are using Twitter. Here are eleven things your museum should should do to get the most out of Twitter: Create a Twitter account. Gull Wings Children’s Museum does a good job of tweeting about their programs.
While it hasn't happened here in awhile, a new Museum 2.0 book club will be starting in two weeks to read and discuss The Great Good Place by Ray Oldenburg. Oldenburg is the individual to whom the term "third place" is attributed, and this well-researched 1989 book put him on the map. post with a response to the book.
Note from Beth: I’m hosting a small army of guest bloggers, grantmakers, who are attending the GeoFunders National Conference taking place this week in Seattle. In order to answer the annual questions that were developed in the plan, we compiled ALL the evaluation stuff we collect over the year and put it in one place for synthesis.
This August/September, I am "rerunning" popular Museum 2.0 Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. blog posts from the past.
Kate McGroarty's month living at the Museum of Science and Industry in Chicago is over. The young actress and teacher beat out 1,500 other applicants and spent 30 days exploring exhibits, participating in live demos, talking to visitors (both in-person and online), and romping through the museum at night. Lisa's goals were met.
Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? The Rhode Island School of Design was established in 1877 alongside its Museum of Art, an important resource for RISD students.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. It is great to feel more of a part of the museum!" "All
Image: Smithsonian National Air and Space Museum. Although it’s not as bad as the promotions that come out of the woodwork on April Fools’ Day , I think I’m drawing the line at the Smithsonian National Air and Space Museum adding an X-wing Starfighter from Star Wars to its collection. Image: Smithsonian National Air and Space Museum.
Demographics like a donor’s age, education level, and occupation are the clearest places to start with donor segmentation. For instance, a large nonprofit focused on preserving arts and culture might segment its audience by location and focus its stories on the most well-known museums or cultural landmarks in a donor’s state.
It's time to make your dreams a reality and apply to become the next executive director of the Santa Cruz Museum of Art & History (MAH). When you check out the job description , you'll see the MAH is not looking for museum-director-as-usual. It's the kind of place where people say, "Something different? Have questions?
I always use sticky notes or index cards to get people to ask questions before, during, and after a workshop. The question above came up and I posted it on my Facebook page to generate more insights. It gives me feedback on the content, plus it help me generate content. How do we motivate musicians to create content?
These " Ask the Expert " chats take place on the phone with a online chat back channel. This conversation took place yesterday. Holly started with a great question, "What's in the DNA of each of these orgs that allows them to embrace this change and experiment?"
Still, there are hindrances to the overall development of the ecosystem, including under-developed infrastructure, limitations of the education system, lack of protection for intellectual property, all of which found their place within JP’s analysis of the problem.
The San Francisco Museum of Art recently launched an ingenious bot called “Send Me” that allows anyone to send a simple text message and receive a picture of a piece of art matching the idea, words, or phrase texted. Unfortunately, museum only has the physical space to display only about 5% of the collection.
Before I talk about strategic elements of the community-driven model, I want to share some key conditions that need to be in place to ensure a library or any other organization can move to a community-driven model. A place where I can post topics and hold classes to share my knowledge with the community. Principles. And I’m glad we do.
And this leads to a basic question, one I haven't figured out: how do you encourage visitors to participate when they speak different languages? This certainly could work well in an art museum, where visitors can make art, or science museums, where they could participate in citizen science projects, without sharing a language.
I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Instead, I found a standard art museum. Impersonal guards.
The article opens with a question that visitors to Disney theme parks frequently ask of Disney employees, “What time is the 3 o’clock parade?” Reading this immediately reminded me of my years working in museums, developing exhibitions and training and supporting volunteers who worked as interpreters in our blockbuster shows.
At a recent talk in Chicago, an audience member asked a question. His foundation supports a private museum that is rarely open to the public. The people who want that content may not be in the same city as the museum nor even aware of the museum's holdings. This is museum digitization 101. but people aren't coming.
The Indianapolis Museum of Art’s dashboard is an oft-cited example. Note from Beth: Check out this case study about The Indianapolis Museum of Art’s Dashboard). A status dashboard is the answer to the question: what is the critical information everyone in the organization should be able to view all the time?
I spend a lot of time talking to people about social media--how it can be a model for real-life content venue interactions and how it can connect museums and cultural institutions to users in new ways. This is an honest and valid question. I believe that the primary reason most museums started their websites is about planning visits.
YBCA:YOU is an intriguing take on experiments in membership and raises interesting questions about what scaffolding people need to have social and repeat experiences in museums. Joël will monitor and respond to your questions and ideas in the comments section.
If you think about what a museum curator does, it is very similar. They can answer questions about the wine to help diners navigate a wine list to make the best choice. The content curator does this as well, although with information. One 21 century work place literacy is sense-making of information together and alone.
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