Beth's Blog: How Nonprofits Can Use Social Media

JULY 3, 2009

Submitted by Nina Simon, publisher of Museum 2.0 On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggl es with in applying participatory design techniques to museum practice.

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Museum 2.0

NOVEMBER 8, 2011

Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. I've often been asked about examples of participatory practice in theater, dance, and classical music, and this report is a great starting point.

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Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" Children of the Lodz Ghetto ).

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Museum 2.0

APRIL 28, 2009

On Friday, I offered a participatory design workshop for Seattle-area museum professionals ( slides here ). We concluded by sharing the tough questions each of us struggles with in applying participatory design techniques to museum practice. And second, what techniques can help us find more?

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Technique Question Design Develop 52

Museum 2.0

OCTOBER 15, 2009

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are a known (and somewhat controllable) entity. The first of these reasons is practical.

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Museum 2.0

JULY 20, 2016

When we say we want our museum to be "audience-centered," what do we mean? My career first got moving at a brilliant example of the customer-centered museum: the International Spy Museum. Many of my favorite museums, libraries, and zoos are customer-centered places. The objects were interesting, the stories surprising.

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Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Vietnam 49

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.

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Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2010

The book looks at how ICT can help solve global poverty issues in a range of fields, including disaster relief, health education, micro finance, and education. It is filled with great examples and stories from around the world. The book is well-researched and offers frameworks for thinking about how to link technology to a theory of change.

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Amazon Nonprofit Social Media Oregon 119

Museum 2.0

OCTOBER 12, 2017

It was even more useful to learn how participatory writing visions can be. It's a story written from the vantage point of a few months or years from now. It's a story of what happened after you launched that program, gave that speech, conquered that challenge. That's the story a vision tells. A vision is a story.

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Pennsylvania History Michigan Indiana 26

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. It's not the extent to which they are participatory. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum.

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Support Museum St. Louis NSF 41

Museum 2.0

MARCH 28, 2008

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

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Museum 2.0

AUGUST 25, 2009

This technique was used in the Slavery in New York exhibition at the New-York Historical Society and continues in the popular StoryCorps project. The story capture experience averaged ten minutes, with visitors being given four minutes to respond to each personal, relatively imprecise question about how the exhibition affected the them.

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Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

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Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

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Slides Participatory Museum Children 20

Museum 2.0

AUGUST 7, 2008

This is a long post focused on strategic uses of listening rather than specific techniques. For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. Good listening breeds potential.

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Museum 2.0

MARCH 5, 2014

You want their stories, their feedback, their colorful drawings of the future. Sometimes success means deep, personal stories; other times, we value speculative argumentation or creative expression. design evaluation Museum of Art and History participatory museum usercontent' How do you measure success? That''s it.

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Test Museum Participatory History 43

Museum 2.0

SEPTEMBER 29, 2010

Now, after attending with museum friends from around the country, I'm hooked. Unlike most museum experiences, where people quietly absorb the work in a room, people were very comfortable pulling each other to specific pieces and extolling their merits or less inspiring qualities. Very few wrote in typical museum or even gallery-speak.

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Museum 2.0

JULY 3, 2008

I've written before about techniques for talking to strangers, looking at how buttons , buses , and dogs and can all be tools for participatory design. I used that instruction recently to kick off a meeting at a museum planning a participatory education space. Interestingly, at the City Museum in St.

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Participatory St. Louis Museum San Francisco 20

Museum 2.0

FEBRUARY 23, 2009

As many of you know, I’m writing a book about participatory design for museums. The book is intended to be a practical guide to participatory museum experiences focused on design strategies, case studies, and activities. The WHY of participatory design is really important. And there’s a third reason.

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Museum 2.0

NOVEMBER 25, 2008

Why do you care about and or work in museums? This post tells my (weird) story. My story is about radical educational philosophy. I don't work in museums because I love them. When I visit a new city, I don't clamor to visit museums. I don't work in museums because I love them. And check out the comments.

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Museum 2.0

JANUARY 25, 2010

By introducing individuals through the content they love, hate, or have a personal connection to, you motivate relationship-building around the objects and stories on display. Many people engage directly with strangers on stage five to discuss images, the stories behind photos, and photographic technique.

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