Museum 2.0

FEBRUARY 4, 2016

Photo by CLoé Zarifian, MAH Photo Intern We're working with a guest curator, Wes Modes , on an upcoming experimental project at our museum. Wes is an artist, and this is his first time running a museum exhibition development process. This is the question I ask myself anytime I'm working on something with a participatory intent.

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Participatory Question Work Artist 20

Museum 2.0

SEPTEMBER 12, 2012

In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.

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Participatory Museum History International 44

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Other contributors were collegial and a valuable network of museum wonks has developed."

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Participatory Museum Process Experiment 32

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. I know this sounds strange coming from someone writing an admittedly self-expressive blog post, but hear me out. And yet many museums are fixated on creators. This is a problem for two reasons.

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Participatory Experiment Museum Teen 50

Museum 2.0

MARCH 3, 2011

In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. As one participant said, "the museum feels friendly in a way it usually doesn't."

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Participatory Arts Audience Museum 51

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Vietnam 45

Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. I know this sounds strange coming from someone writing an admittedly self-expressive blog post, but hear me out. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. This is a problem for two reasons.

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Participatory Experiment Museum Teen 44

Museum 2.0

JULY 23, 2019

Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Today, I wanted to think about participatory elements, something so essential to this blog. People go to museums for leisure.)

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Museum Participatory Interaction Classroom 35

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?

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Artist Museum Project Public 39

Museum 2.0

MAY 22, 2012

Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans. Where would you start?

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Museum History Netherlands Create 36

Museum 2.0

AUGUST 16, 2010

I spent last week in the glorious country of Taiwan, hiking, eating, and working with museum professionals and graduate students at a conference hosted at the Taiwan National Museum of Fine Arts. It's not topic-specific; I've done these exercises with art, history, science, and children's museums to useful effect.

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Museum Technique Taiwan Social 41

Museum 2.0

NOVEMBER 22, 2010

In the most extreme cases, I've talked to folks from museums that are government-mandated to provide all content in multiple languages who say they are unable to invite visitors to make comments because they'd have to translate all of them and simply can't dedicate the resources to do so.

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Museum Work North America Language 38

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Vietnam 49

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? In children's museums and science centers, this relationship is at its most extreme. And yet in the museum world, we still see interactives as being mostly for kids.

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Interaction Design Museum Participatory 47

Museum 2.0

JUNE 29, 2011

Now that I'm on staff at a museum, I've (re)discovered a more pedestrian value of visitor participation: it's delightful. As a researcher and activist for participation, I've sometimes downplayed the value of this charm because it seems like arsenal for professionals who claim participatory projects are frivolous. "Be

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Museum Participatory Comment Sound 47

Museum 2.0

JANUARY 9, 2017

Hosted by a sound art collective, Ultra-red, the 2015 event promised "to investigate listening as a political activity and to interrogate the stakes of participation in neoliberalism." I've met too many young, talented people of color who want to work in museums but feel belittled, tokenized, or unsupported in their careers.

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Participatory Museum Voice Press 20

Museum 2.0

FEBRUARY 15, 2012

We've gotten a little more organized at The Museum of Art & History , and we've now released opportunities for summer internships. These are unpaid part-time and full-time opportunities to help design public programs, develop new uses for the museum, perform visitor research, and pursue unusual projects. Sounds good?

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Museum Participatory Arts Attitude 34

Museum 2.0

JULY 23, 2013

Any job with the word “coordinator” in it sounds like you might spend your time sorting socks into pairs. But this job is really important to the future of our museum, and I’m hoping that you or someone you know might be a great fit for it. Museum of Art and History Quick Hits professional development'

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Program Museum Work History 39

Museum 2.0

OCTOBER 10, 2012

Let's look at the statistics from three big participatory projects that wrapped up recently. The Brooklyn Museum just finished the public stage of GO , a "community-curated open studio project." What happens when you let visitors vote on art? 1,708 artists participated. Full stats here. In LA, only 4% voted. What's going on here?

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Arts Artist Museum Award 47

Museum 2.0

MAY 10, 2011

It's my second week as the Executive Director at The Museum of Art & History in Santa Cruz, CA, and boy is my everything tired. I'm also making the 2011-2012 budget, getting to know our terrific staff and volunteers, and starting up a few small participatory projects to launch us into being a more community-driven institution.

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Museum History Participatory Arts 53

Museum 2.0

FEBRUARY 24, 2010

There are many participatory kiosks that are functional black holes--visitors make videos or draw pictures or write stories, drop them in a slot, and. There are many participatory kiosks that are functional black holes--visitors make videos or draw pictures or write stories, drop them in a slot, and. nothing happens. nothing happens.

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Participatory Museum YouTube Rate 35

Museum 2.0

MARCH 27, 2013

There's a constant dialogue in participatory work about how to make peoples' contributions meaningful. I've written about different structures for participatory processes (especially in museums), and recently, I've been interested in how we can apply these structures to the design of public space.

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Design Participatory Children Museum 49

Museum 2.0

JANUARY 29, 2014

In museums (and zoos), we frequently stop the conversation with visitors when it comes to action--especially political action. This can sound disingenuous. fundraising participatory museum risk Technology Tools Worth Checking Out' How can you invite them to participate alongside you to save species? But it''s true.

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Action People Conservancy Africa 46

Museum 2.0

DECEMBER 26, 2008

Huge thanks to everyone who participated in the idea-sharing over the last couple months about how to make Museum 2.0 These posts will be an opportunity to hear from more people who are experimenting, leading, and banging their heads against the challenges of incorporating participation into museums and other public cultural places.

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Museum Participatory Library Blogger 20

Museum 2.0

FEBRUARY 5, 2008

I was fascinated by our discussion, and Bob came to mind last month, when I was asked to write an article for the Association of Children's Museums quarterly journal, Hand to Hand , about children's museums and Web 2.0. To understand more, I turned to Elaine Gurian's article The Molting of Children's Museums? Why the uniformity?

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Classroom Children Museum Model 22

Museum 2.0

OCTOBER 30, 2013

The book of the same title that he edited is rocking my world, both as a museum professional who cares about inclusion and as a new mother. I realize that I may sound like a college freshman who just discovered Psych 101, but heck. This blog is about shared learning, and I went to engineering school. Implicit Associations test.

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Measure Arts People Museum 47

Museum 2.0

MAY 9, 2008

There's a tag applied to many Museum 2.0 Posts under that tag tend to examine non-museum things, from malls to games to ad campaigns , and draw some design lessons for museums from their foreignness. What aspects of that socialness are desirable in museums (and how might we mirror buses or trains to promote them)?

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Participatory Design Museum Childhood 20

Museum 2.0

MAY 24, 2011

Lessons Learned 3: This is not a museum talking (what a relief!) Being a museum must be exhausting – you have to know so much and speak so carefully. In GISKIN, Pandora and Drake aren’t museum people: they have no special knowledge; they ask the same questions the audience is asking and don’t always get answers.

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Lesson Game San Diego Design 49

Museum 2.0

NOVEMBER 16, 2010

How do you find your way around a multi-faceted museum? I spent some time playing with this question last week at the Milwaukee Art Museum, a large general museum that is moving toward redesign of the permanent galleries. Tags: design participatory museum usercontent. Do you interrogate the map? What would you do?

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Experiment Lesson Museum Learning 44

Museum 2.0

OCTOBER 15, 2007

I've been thinking recently about the "why" behind encouraging social interactions among strangers in museums. After all, people visit museums in their own pods for a reason. There are two ways I think we can be using this in museums. First, I think we should support the proliferation of museum-based "I saw you's."

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Museum San Jose Participatory Social 20

Museum 2.0

DECEMBER 7, 2007

I got my copy of the fall issue of Museums and Social Issues this week. The theme is "Civic Dialogue," and the journal includes articles on the historical, cultural, media, and museum practice of getting people talking to each other (including one by me about such endeavors on the web). A place many museums are not.

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Museum 2.0

MAY 23, 2008

And now, the research group Forrester provides new insights about different kinds of participatory styles among users of social media sites. I've written before about three types of museum users: contributors, lurkers, and judges. In the same way, we shouldn't think of participatory experiences as being "just for creators."

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Profile Audience Participatory Tools 26

Museum 2.0

JULY 10, 2018

The museum was in huge financial trouble. My expertise was on inviting strangers to participate in public settings like museums. Sounds like great participation to me. I remember the first staff meeting I ever ran. I had just started at the MAH as the new executive director. I felt like a new teacher on the first day of school.

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Hosting Arts Help Museum 31

Museum 2.0

SEPTEMBER 20, 2010

Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. I sat down with Kristen Denner, Director of Membership and Annual Fund, to learn more about the program's development and the museum's goals for its future.

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Interview Director Museum Arts 46

Museum 2.0

JUNE 18, 2014

If you are reading this outside the United States, this sounds ridiculously basic. I got into museum work because learning happens in many places and many ways. When we talk about embracing participatory experiences at non-professional levels, arts professionals often get worried that the best work will get drowned out in mediocrity.

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Arts Build United States Audience 47

Museum 2.0

APRIL 22, 2008

Why discuss gifting on Museum 2.0? One of my greatest interests is the "p articipatory museum," in which there is substantive, unfacilitated visitor-to-visitor interaction. When I heard the tollbooth story, I started thinking about gifting as a model for participatory experiences in museums. OK, so gifting sounds good.

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Gift Participatory Museum Model 23

Museum 2.0

MAY 29, 2009

Two weeks ago, I conducted a participatory exhibit design workshop with staff at the Smithsonian National Museum of Natural History. Between the giant squid brainstorming and experimentation, I gave a talk to the larger Smithsonian Institution about multi-platform museum experiences. The slides are also available for download.

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