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The Participatory Museum Process Part 4: Adventures in Self-Publishing

Museum 2.0

This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. COST: Museum books tend to be expensive - because they are printed in small runs, the price for a 400-page paperback can be as high as $40.

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The Participatory Museum Process Part 3: My Experience

Museum 2.0

This is the third in a four-part series about writing The Participatory Museum. This post covers my personal process of encouraging--and harnessing--participation in the creation of The Participatory Museum. As the participatory content review progressed well, I started looking for other ways for people to help.

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Why Are So Many Participatory Experiences Focused on Teens?

Museum 2.0

Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Teens are a known (and somewhat controllable) entity.

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Guest Post: Oh Snap! Experimenting with Open Authority in the Gallery

Museum 2.0

Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. The museum selected and is featuring 13 works recently added to our photography collection.

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Thinking about User Participation in Terms of Negotiated Agency

Museum 2.0

You tell people they can''t take photographs in the gallery or the performance, but the phones sneak out , covertly or defiantly, to reassert personal control of the experience. The symphony conductor asks everyone to raise their phones and join the orchestra. The museum invites art-making in the elevator.

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Art Brings People Together: Measuring the Power of Social Bridging

Museum 2.0

The book of the same title that he edited is rocking my world, both as a museum professional who cares about inclusion and as a new mother. As we start the process at our museum of updating our permanent history gallery, one of our specific goals is to increase intergroup understanding in our community. Implicit Associations test.

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The Voicemail Museum: A Call-In Collection

Museum 2.0

This week, I'm launching a new site: the Voicemail Museum. It's an experiment that merges two of my greatest interests: finding novel, easy ways for visitors to contribute content to museums finding questions that draw such compelling responses that random peoples' answers would be worth browsing To participate, all you need is a phone.

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