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Foursquare and Nonprofits: I want to Be The Mayor of Brooklyn Museum

Beth's Blog: How Nonprofits Can Use Social Media

I had too look no further than Shelley Bernstein's blog over at the Brooklyn Museum to find some thoughtful experimentation and useful examples. Back in December, the Brooklyn Museum started to experiment with FourSquare running a promotion to get people to check in and get a free membership.

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Making Museum Tours Participatory: A Model from the Wing Luke Asian Museum

Museum 2.0

Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. What if it isn't what I expected?

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17 Ways We Made our Exhibition Participatory

Museum 2.0

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

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Great Participatory Processes are Open, Discoverable, and Unequal

Museum 2.0

He casts the whole idea of a great jazz jam in the context of the tragedy of the commons--like a poetry open mic, the jazz club is a community whose experience is fabulous or awful depending on the extent to the culture cultivates and enforces a healthy participatory process. This is an issue we are actively grappling with at our museum.

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Making Participatory Processes Visible to Visitors

Museum 2.0

In many cases, once the final project is launched, it's hard to detect the participatory touch. The exhibition or program is of high quality, and from the visitor perspective, it may look like museum as usual. Not every participatory process has to scream "look at me!" In some ways, this is a good thing.

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This is What the Participatory Museum Sounds Like

Museum 2.0

It invites visitors to make the museum better. When visitors share their brilliance, it brings the museum to life. I believe that every person who walks into our museum has something valuable to share. This is the participatory museum, played out loud. The activity is clear and well-scaffolded. A creative talent.

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Developing a Participatory, Provocative History Project at a Small Museum in Minnesota: Interview with Mary Warner

Museum 2.0

Earlier this year, I was fascinated to read the account of a participatory project at the Morrison County Historical Society in Minnesota, in which community members were invited to write essays about “what’s it like” to have various life experiences in the County. How did this project get started? How do we get the history of the poor?

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