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Local Oakland Tweeter @trafficologist Standing Beside Her Profile Pic in the Twitterstream. Recently, James wrote about some interesting ways museums are using Twitter for offline/online engagement. The San Francisco Bay Area has seen some extraordinary museum openings over the past several years.
James Leventhal facilitated a workshop in Portland last month along with Adam Rozan of the OaklandMuseum of California and Stephanie Weaver of Experienceology. Tags: Housekeeping. The Portland Arts and Culture Social Media Convening Workshop. Flickr Photo by James Leventhal.
Most museums that offer interactive exhibits, media elements, or participatory activities offer them alongside traditional labels and interpretative tools. Two institutions I see making this "or" choice in exciting ways are the Brooklyn Museum and the OaklandMuseum in California. Tags: programs visitors.
I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. All artworks delivered to the museum during the submission period will be accepted and presented; no one is turned away.
Today I got an early present from the San Francisco NPR station, KQED, which aired a piece on Museum 2.0 featuring me (as well as the fabulous Lori Fogarty of the OaklandMuseum of California). This concept has spawned a question I like to obsess over: What would a museum look like that got better the more people used it?
This morning, I gave the keynote address for the Washington Museums Association annual conference. It features lots of museum-based examples. But in this post, I wanted to highlight a goofy little (non-museum) project that inspires me in its simplicity and openness to mass collaboration. It's called One Million Giraffes.
Many of the talks are related to The Participatory Museum and I will have books for sale on all of these forays. Here's the list for the next two months: April 14-17 - Denver for Museums and the Web conference. April 29 - I'm heading to the OaklandMuseum for the preview of its reopening. Both are open to the public.
This year, the American Association of Museums annual conference was in Los Angeles (my hometown). I hosted two sessions, one on design for participation and the other on mission-driven museum technology development. He started with museums as a "place to go"--to see things, consume experiences. In this case, a heck of a lot.
Robert Garfinkle of the Science Museum of Minnesota commented at ASTC that the cacophony of voices from videos in the exhibition RACE make people feel more comfortable talking about the issues the exhibition raises, since they are in the environment of other people's words. It's nice to see visitors and museums switch roles like that.
Traditional exhibition design, in which the museum has a specific story or message to tell, doesn't easily accommodate visitor co-creation. This realization--that a single museum voice was not the best way to tell a particular story--formed the basis for MN150 , the exhibition explored in this post.
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