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Local Oakland Tweeter @trafficologist Standing Beside Her Profile Pic in the Twitterstream. Recently, James wrote about some interesting ways museums are using Twitter for offline/online engagement. The San Francisco Bay Area has seen some extraordinary museum openings over the past several years.
What are you willing to risk to pursue your professional dreams? Last week, at the annual meeting of the American Association of Museums in Houston, I was honored to chair a fabulous panel on empowering museum staff to take creative risks ( slides here ). Beck beautifully described her entry into museum work.
How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.
Maybe it's a live music concert, or a museum visit, or a play. This is a question I've been puzzling over now for a few months, both professionally and personally. Museums and other venues are offering special programs for teens, for hipsters, for people who want a more active or spiritual or participatory experience.
The Ella Baker Center for Human Rights is a civil rights and restorative justice organization for prisoners and for Oakland young adults. Museum of Children's Art is an arts program where low-income Oakland families can explore interactive spaces where they create, share and connect with each other through art.
The First Wave includes 6 museums, 5 performing arts organizations, 3 public libraries, 3 parks, and 3 community centers. We need an ecosystem of activists, academics, funders, professionals, policymakers, and associations striving together towards common goals. Half are led by people of color or indigenous people.
Many of the talks are related to The Participatory Museum and I will have books for sale on all of these forays. Here's the list for the next two months: April 14-17 - Denver for Museums and the Web conference. April 29 - I'm heading to the OaklandMuseum for the preview of its reopening. Both are open to the public.
This year, the American Association of Museums annual conference was in Los Angeles (my hometown). I hosted two sessions, one on design for participation and the other on mission-driven museum technology development. He started with museums as a "place to go"--to see things, consume experiences.
--Favianna Rodriguez Below is the edited transcript of a Big Vision Podcast interview from November 13, 2008 with Favianna Rodriguez, a political digital artist and printmaker based in Oakland, California. That's the language that is always used - that you have to be something "professional," that you have a "profession."
Every once in a while I come across a project I wish I could have included in The Participatory Museum. For one year, a group of twelve schoolchildren age 9-11 were invited to work with staff at the Wallace Collection to develop a family-focused exhibition using the museum's artifacts. The process was professional.
I spent last week working with staff at the Minneapolis Institute of Art (MIA) on ways to make this encyclopedic art museum more open to visitor participation across programs, exhibitions, and events. All artworks delivered to the museum during the submission period will be accepted and presented; no one is turned away.
The study specifically excluded institutions without employees, museums, religious institutions, hospitals, and membership organizations to focus on traditional higher education institutions like Harvard, NYU, Johns Hopkins, Duke, and others. people, representing a significant economic impact.
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