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A new company in NewYork, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). Today on Museum 2.0, How did you first get involved with Museum Hack?
This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. Pop Up” has become an international buzz term to describe ephemeral, experimental projects--from pop up restaurants to pop up boutiques--but a “Pop Up Museum” is still somewhat mystifying.
Gretchen Jennings convened a group of bloggers and colleagues online to develop a statement about museums'' responsibilities and opportunities in response to the events in Ferguson, Cleveland and Staten Island. The recent series of events, from Ferguson to Cleveland and NewYork, have created a watershed moment.
I've written before about the difference between participatory processes and products , but this question of frameworks and sensibility is more broadly applicable to community engagement strategies. A museum can be friendly, or serious, or funny, while maintaining a traditional relationship with visitors as consumers of experiences.
Last week, I was in Minneapolis for the American Association of Museums annual meeting. As always, the conference was a party mix of inspiring and dull, familiar and new. Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. Merilee Mostov and the Columbus Museum of Art.
It's rare that a participatorymuseum project is more than a one-shot affair. But next month, Britain Loves Wikipedia will commence--the third instance of a strange and fascinating collaborative project between museums and the Wikipedia community (Wikimedians). Some of these challenges were about mission fit.
Me with a friend As I keep saying, I’ve been to a few museums of late. In reflecting on the sample, I’ve made some broad reflections on museum workers and visitors. Today, I wanted to think about participatory elements, something so essential to this blog. People go to museums for leisure.)
I've long believed that museums have a special opportunity to support the community spirit of Web 2.0 This month brings three examples of museums hosting meetups for online communities: On 8.6.08, the Computer History Museum (Silicon Valley, CA) hosted a Yelp! Me: Have you ever been to this museum? meetup for Elite Yelp!
I was thinking I’d do a few alternative histories of museums for the first post of the last month of the decade. As I imagined a world without the many museum tech projects of the decade, I felt inherently sad about the imagining away the successes that friends and colleagues have enjoying. But I couldn’t get there.
This week, I'm launching a new site: the Voicemail Museum. Right now, most museums that use handhelds and cellphones use them to serve content, not to receive it. Visitors can send audio, text, or even video from their phones and need not be constrained by whatever particular format the museum offers in a kiosk.
This technique was used in the Slavery in NewYork exhibition at the New-York Historical Society and continues in the popular StoryCorps project. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors."
I've written before about the inspiring work that the Brooklyn Museum of Art is doing with their community-focused efforts. Click is an exhibition process in three parts: The Museum solicited photographs from artists via an open call on their website, Facebook group, Flickr groups, and outreach to Brooklyn-based arts organizations.
One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. o is Transparency - and the best example of that is what the Indianapolis Art Museum has done with its pubic metrics on its web site.
Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.
This is a participatory live video show - come ready with your questions for our experts! Berkeley, Stanford, United Nations University, NewYork University, UC. Santa Cruz, the British Museum, Apple, Google, Adobe, and numerous other. Get your story ideas ready and RSVP for Nonprofits Live on February 8.
Then again, the NewYork Hall of Science isn’t just any science center. If there was a way to engage these deep emotions in the context of science museums, then there is an opportunity to expand our impact. The Innocence Project is a tremendously participatory project, with hundreds of volunteers around the country.
This is a participatory live video show - come ready with your questions for our experts! This special Digital Storytelling episode of Nonprofits Live will include secrets from the pros for nonprofits submitting photo and video stories to the TSDigs challenge in February. Guests for Nonprofits Live: Collaborative Video.
What’s in the crystal ball for museums and libraries? The IMLS (Institute for Museum and Library Services) has commissioned a preliminary proposal for an NAS (National Academy of Sciences) report on museums and libraries in the 21st century. What are the essential differences and similarities between libraries and museums?
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