Connection Cafe

NOVEMBER 1, 2018

You see them in business models like Airbnb, right? So that’s an extraordinary model and the reason it’s been able to scale so quickly is because of new power. You have housing, markets change, you have rental markets all too and so it’s these models that are able to do that so quickly. Showing voice.

Social 22

Social Game Model Fun 22

Museum 2.0

OCTOBER 8, 2008

In these conversations, people often say, "don't expert voices matter?" It lets you be the only expert with a voice. Single voices represented on single labels is not scalable. There are many models as well for what we do with user-generated content in the museum. If the museum isn't in control, how can it thrive?

Authoring 42

Authoring Platform Museum YouTube 42

Museum 2.0

MAY 15, 2008

But we're trying to model a kind of conversation with important people, powerful people, but particularly knowledgeable people, where we say--YOU can go up to a person with a lot of knowledge and ask him "why? To do this kind of modeling, Robert and Jad actively portray themselves as novices. So maybe it isn't just about novice voice.

Conversation 20

Conversation Arts Museum Voice 20

Beth's Blog: How Nonprofits Can Use Social Media

FEBRUARY 24, 2009

Kristiansen captured the drama on this video clip of Mena Trott's Keynote calling for more civility in blog commenting. I remember in 2005 the Global Voices Summit used IRC as a backchannel -- no so much for people in the room, but for remote participation.

Conference 69

Conference Reflection Resource Arts 69

Museum 2.0

APRIL 1, 2008

to be a more participatory site with comment streams rampantly debating each post topic, but the reality is that my voice dominates the site. If I told you I'd created a participatory website in which 0.3% of visitors add their own content, you'd probably send me to a dictionary to look up "participatory."

Twitter 24

Twitter Participatory Broadcast Museum 24

Museum 2.0

NOVEMBER 7, 2010

I also learned that the best money in museums for someone who's starting out is in art modeling. I survived the first half of 2003 financially on art modeling and poetry gigs. It took blogging and developing a specific interest for me to gain the confidence and voice to know what I wanted to ask.

Museum 52

Museum Boston Participatory Job 52

Museum 2.0

AUGUST 26, 2008

People already know how to leave voice and text messages and don't have to grapple with a comment system to do so. Visitors can send audio, text, or even video from their phones and need not be constrained by whatever particular format the museum offers in a kiosk. Tags: participatory museum usercontent. Second, granularity.

Museum 20

Museum Audio Participatory Phone 20

Museum 2.0

JUNE 6, 2008

People who work with non-professionals on participatory projects often talk about finding "neutral" sites for meetings or meeting on their (the non-professionals') territory. Once we realized that virtual exhibits would not translate directly to the real world, we transitioned to a model where the real exhibits were "inspired by" the virtual.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

MARCH 6, 2019

While I originally wrote this post to advocate for more participatory practice (i.e. In these conversations, people often say, "don't expert voices matter?" It lets you be the only expert with a voice. Single voices represented on single labels is not scalable. If the museum isn't in control, how can it thrive?

Authoring 44

Authoring Share Museum YouTube 44