Model Museum Music Technique 
Museum 2.0
JULY 20, 2016
When we say we want our museum to be "audience-centered," what do we mean? However, I have enormous respect for the customer-centered model when it is executed in ways that truly invite visitors in on their own terms and deliver satisfying experiences. Many of my favorite museums, libraries, and zoos are customer-centered places.
Museum 2.0
APRIL 2, 2014
It is what it sounds like: a book of original sheet music, beautifully designed and complemented with artwork and text. Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. Sheet music is a beautiful analogy for this.
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Museum 2.0
MAY 25, 2010
Margaret shared these thoughts about "museums for use" on her blog , and I asked her to adapt a version for the Museum 2.0 Should a museum be a destination or a place for everyday use? During my time at RISD studying industrial design, I developed relationships with two museums on campus: the Museum of Art and the Nature Lab.
Museum 2.0
AUGUST 4, 2015
If people on the street are talking about X, the museum should be talking about X too. Now" is not an easy business model to chase--especially for institutions rooted in permanence. I used to work at The Tech Museum of Innovation in San Jose, CA. Interpretative techniques. Other times, grounded in the museum's collection.
Museum 2.0
OCTOBER 12, 2017
In the Zingerman's model, visioning is for everyone at all levels of the organization. Use the "hot pen" or automatic writing technique. A SIMPLE WAY TO TRY IT This week, we experimented with visioning at my museum in an all-staff meeting. We learned how to write visions, how to use them, and how to share them with others.
Museum 2.0
NOVEMBER 8, 2011
I've often been asked about examples of participatory practice in theater, dance, and classical music, and this report is a great starting point. What's the relationship between the goals of participation and the techniques employed? Excellent case studies, especially from the performing arts sector.
Museum 2.0
JUNE 2, 2008
The exhibition I'm curating for The Tech Museum of Innovation is opening and we are hosting a summit on June 4 (in real life and in Second Life ) for museum professionals to discuss the process by which it was created. Are community-driven design techniques viable for all kinds of exhibitions (and institutions)?
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