This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Earlier this year, I was fascinated to read the account of a participatory project at the Morrison County Historical Society in Minnesota, in which community members were invited to write essays about “what’s it like” to have various life experiences in the County.
While there, I was lucky to get to experience a highly participatory exhibition that the MIA mounts once a decade: Foot in the Door. The rules are clear: anyone who lives in Minnesota and considers her/himself an artist can contribute one piece. Tags: exhibition design participatory museum usercontent.
The intent of the project is "By tagging content related to Minnesota's election, more voter s will be heard." " They are using tags to aggregate voter-generated content about Minnesota's 2006 election and politics. The next step, of course, is to throw in a little remix and participatory media culture into it!
Boston, Massachusetts: TNB Roundtable: Participatory Analysis with Data Placemats in Nonprofits. Saint Paul, Minnesota: Digital Dumpster Fire: Tips to Handle Social and Online PR Problems ( Communications Networking Lunch). Mississauga, Ontario: Geek Talk — Coffee and Convo. Tuesday, April 4, 2017. Wednesday, April 5, 2017.
Why the Video Contest Worked Video contests are one of the most challenging kinds of participatory projects to pull off. I'm biased, because she's demonstrating a participatory project, but she was able to "show, not tell" her interest in engaging with people. I loved this video by Tracie Farrell.
Many of the talks are related to The Participatory Museum and I will have books for sale on all of these forays. June 1-4 - I'll be working in Minneapolis and am scheduling a public talk at a local museum (likely the Walker Art Center or the Science Museum of Minnesota) during that week, details coming soon. May 17 - NYC.
The Science Buzz blog , which is managed by a team of exhibit developers, science writers, and floor staff at the Science Museum of Minnesota, is a good example of diversified community management that models the inclusion of a range of voices and opinions. Projects participatory museum professional development inclusion.
When I spoke with Kate Roberts about MN150 , the Minnesota History Center exhibition based on visitor-generated nominations, she explained that after the nomination period was over, they entirely shut down visitor engagement in the selection process. Ideas participatory museum usercontent. Core Museum 2.0
This blog often analyzes how websites, designed spaces, even dogs promote participatory experiences among users. Today, we look inward for a how-to on one type of participatory design as applied to museum exhibits. The photos above were provided by Paul Martin of the Science Museum of Minnesota from their award-winning exhibition RACE.
I used the example of two very different exhibitions that solicited visitor-contributed content: Playing with Science at the London Science Museum, and MN150 at the Minnesota History Center. The Minnesota History Center team solicited visitor nominations for exhibition topics and then built an exhibition out of those contributions.
And it's brought me back to a blog post I wrote a year ago about the Science Museum of Minnesota's Race: Are We So Different? If we think about network effects not in terms of data collection but in terms of a useful outcome for visitors and institutions, we can design platforms that reflect our participatory values. exhibition.
Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.
Kathleen McLean (Independent Exhibitions), Dan Spock (Minnesota History Center), and Kris Morrissey (University of Washington) all shared thought-provoking and useful insights on visitor participation in museums, but Mark Allen and Emily Lacy brought down the house with their bluegrass rendering of the Machine Project and its engaging, quirky work.
at the Brooklyn Museum , Tech Virtual at The Tech , and MN150 at the Minnesota History Center. (By But enough of these experiences have convinced me that the participatory museum is not a fringe concept. And people aren't just thinking about this stuff; many museums have taken real, exciting action in the last year. There is funding.
So then we’ll talk about what are some participatory planning methods. So, for example, when we were working on a community policing project, I used to work in Minnesota, and about 15 years ago, we had another wave of immigrants, refugees that came from Southeast Asia and different countries from Africa. How do we do this well?
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. Minnesota Council of Nonprofits Annual Conference.
I cut out from the meeting by myself to check out an exhibition called Open House, if These Walls Could Talk at the Minnesota History Center. The Innocence Project is a tremendously participatory project, with hundreds of volunteers around the country. Not that it was sad, but that it was human.
While I originally wrote this post to advocate for more participatory practice (i.e. When I spoke with Kate Roberts about MN150 , the Minnesota History Center exhibition based on visitor-generated nominations, she explained that after the nomination period was over, they entirely shut down visitor engagement in the selection process.
MN150 is a newish permanent exhibition (opened in Oct 2007) at the Minnesota History Center that marks the sesquicentennial of Minnesota with 150 of “the most influential forces in the state’s history.” Well, we knew we wanted to do an exhibit to mark the sesquicentennial (150th anniversary of the birth of the state of Minnesota).
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content