Museum 2.0

JUNE 17, 2015

Last week, I sat on the jury for the first Cultural Innovation International Prize given by the Center for Contemporary Culture in Barcelona , and this week, I'm offering a workshop for museum professionals across Poland participating together in a "Museum Lab" in Warsaw. The second post , in which Museum 2.0

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Difference Museum Poland Minnesota 20

Museum 2.0

NOVEMBER 2, 2008

Today, Museum 2.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 I started the Museum 2.0 blog in 2006 as a personal learning exercise about "the ways that museums do and can evolve from 1.0 and watched the Museum 2.0

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Museum Voice Social Media Activism 20

Museum 2.0

JUNE 2, 2010

This year, the American Association of Museums annual conference was in Los Angeles (my hometown). I hosted two sessions, one on design for participation and the other on mission-driven museum technology development. He started with museums as a "place to go"--to see things, consume experiences. In this case, a heck of a lot.

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Slides Museum Participatory San Jose 22

Museum 2.0

DECEMBER 19, 2008

Every museum has a number for its operating cost per visitor. Most museums don't strategically set this number--too many operating costs are fixed by building needs--but they can use it to assess how expensive each visitor interaction is and evaluate the efficacy of programs. So where do online initiatives fit in?

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Virtual Museum Flickr Evaluation 20

Museum 2.0

MAY 20, 2008

Today, we look inward for a how-to on one type of participatory design as applied to museum exhibits. The photos above were provided by Paul Martin of the Science Museum of Minnesota from their award-winning exhibition RACE. But in the museum, the distribution method is more personal.

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Design Social Participatory Museum 21

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

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Slides Museum Participatory Children 20

Museum 2.0

AUGUST 14, 2008

Many museums have jumped into the middle level—producing their own content—without starting with commenting. Consider the path of the Bay Area Discovery Museum. Jennifer Caleshu, their director of communication, is a museum talker extraordinaire. Both are museum-run forums for visitors to post their own content and opinions.

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Museum Myspace San Francisco Comment 20

Media Cause

JUNE 16, 2022

Higher Heights Leadership Fund —Higher Heights Leadership Fund’s work is to elevate Black women’s voices to shape and advance progressive policies and to provide opportunities for these women to build their leadership skills, through training programs, civic engagement, and networking opportunities. Attend Events .

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Resource United States National Celebrate 52

Museum 2.0

MARCH 6, 2019

letting museum visitors contribute and collaborate in museums), I now see this as a crucial issue also for more democratic and inclusive practice (i.e. Other person: "But doesn't that erode museums' authority?" If the museum isn't in control, how can it thrive? It lets you be the only expert with a voice.

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Authoring Share Museum Content 44

Museum 2.0

FEBRUARY 27, 2013

All this delightful non-fiction makes me wonder: why aren't museums great at telling these same kinds of deep, intense stories? This seems strange given that museums are organized around objects. When we experience intense depth, as in the Minnesota History Center's Open House , which explores the stories of residents of one St.

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Museum Story Captivate Artist 53

Museum 2.0

JULY 17, 2008

Traditional exhibition design, in which the museum has a specific story or message to tell, doesn't easily accommodate visitor co-creation. But there are other times when the message isn't simple, and in those cases, visitor voices can help strategically shape multi-dimensional exhibitions. How did this project get started?

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Interview Minnesota Museum History 21