This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Mike is writing some great stuff on remix culture and creative commons license. Mike isn't doing this particular mashup for fun, he's trying to move forward some debate about methods and issues with specific licensing uses for mashups. Mike writes this post Avoid YouTube if You Wanna Remix and Mashup. Study circle?
This case study, " Using Network to Stop Genocide ," by Ian Boothe was published on Idealware a few days ago. According to recent study from Pew Internet and American Life project, more than one-half of teens have created media content and roughly one-third have shared ocntent. Expressions (media creation, mashups, etc).
you'll hear case studies of social media disasters and how they could have been prevented, as well as how brands have dealt with potential PR nightmares. Since you can vote for as many panels as you want, why don't use some of our mutual leverage and vote for each other! Twitterstorm, anyone? Carie Lewis.
Recording and producing electronic dance music under the name 3LAU — pronounced “blau,” like his surname — he produced original tracks and remixes for artists including Rihanna, Katy Perry, and Ariana Grande, among others. You promote remix culture. In 2016 he launched his own record label, Blume Records. They love dance music.
Video Remixes/Mashups : Play That Funky Music Rammstein by Gildersleeve Artist Management; Marvel Cinematic Universe Phase Three Retrospective by Clark Zhu. Art, Culture, And Events : Urban Archive; London Art Studies. Variety : The Late Show With Stephen Colbert: Stephen Has a Story by CBS Interactive. Apps, Mobile & Voice.
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content