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I had too look no further than Shelley Bernstein's blog over at the Brooklyn Museum to find some thoughtful experimentation and useful examples. Back in December, the Brooklyn Museum started to experiment with FourSquare running a promotion to get people to check in and get a free membership.
. I've written about how nonprofits can use it , including arts organizations like the Brooklyn Museum as chronicled on Shelley Bernstein's blog. Back in December, the Brooklyn Museum started to experiment with FourSquare running a promotion to get people to check in and get a free membership.
Still, there are hindrances to the overall development of the ecosystem, including under-developed infrastructure, limitations of the education system, lack of protection for intellectual property, all of which found their place within JP’s analysis of the problem.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Most of my work involves museums, but these categories can be useful in any project that involves user participation.
One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. o is Transparency - and the best example of that is what the Indianapolis Art Museum has done with its pubic metrics on its web site.
He or she has created one of the most innovative, enjoyable mashups out of a cultural icon. What's a mashup? One fun example is overplot , a mashup that takes quotes overheard in New York City ( the data ) and places them on a Google map (the tool), so you can browse the quotations by address.
Over a century after its inception, over 52,000 people in 1823 places across 17 countries participated in the Christmas Bird Count – using email, web sites, and social media tools. Crowdsourcing for knowledge creation can include “mashups of data.&# Social media accelerates the crowdsourcing process – it can happen faster.
Connecting Communities for the Common Good: Owning Online Organizing When community transcends “place,” how do you create dynamic online spaces for activists to connect and take action? Museum APIs: What Are They Good For? In Museums, context can be hard to come by. Submitted by Rachel Weidinger.
Thanks to Bryan Kennedy from the Science Museum of Minnesota for providing this overview/reflection on the Museums and the Web conference that recently concluded in Montreal. Museums and the Web 2008 guest blogger Bryan Kennedy here. This multi-museum collaborative is undertaking a thoughtful process to tackle these issues.
I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.
I've been designing game-like experiences with museums for a long time. We rarely talk about this when we design museum exhibits. Each person was given an "identity card" that featured a mashup of two faces smooshed together (see image at top). What does it mean to play well in your museum? This doesn't make sense.
EngageJoe.com blogs about his experiences spearheading and contributing to social change mashups and working with nonprofits on online strategy. Nina Simon a proud member of Gen Y, writes the very awesome Museum 2.0 blog, but you don't have to be a museum person to get a lot of value from it. Philanthropy. Also, Maddie Grant.
Video Remixes/Mashups : Play That Funky Music Rammstein by Gildersleeve Artist Management; Marvel Cinematic Universe Phase Three Retrospective by Clark Zhu. Public Service & Activism (Video Series & Channels) : The Culture of Pride - Pioneers of Love by Culture Trip; A King’s Place by G/O Media Group.
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