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In addition to the summary, the music director is blogging about on how the story can combine with some music and acting and singing to become a finished piece. This isn't the first time a classical music organization has turned to social media and crowdsourcing. The story is line is being summarized regularly on the blog.
There are amazing photos in flickr and wonderful music in ccmixter.org. During the Webinar with Michael Hughes of See3, the question of fair use came up, specifically around the mashup that was made to promote NTEN video content. My approach has been to stick with Creative Commons licensed Share Alike 2.5
The Museum of the Moving Image is hosting the 2006 Machinima Festival this weekend in NYC. Moderator: Carl Goodman (Deputy Director and Director of Digital Media, Museum of the Moving Image). Click To Play "A machinima short music video we shot in Second Life. Next ManorMeta Mashup coming soon, enjoy this for now! ~in
I've become convinced that successful paths to participation in museums start with self-identification. The easiest way to do that is to acknowledge their uniqueness and validate their ability to connect with the museum on their own terms. Who is the "me" in the museum experience? Not so at museums.
One of the best projects that illustrates the basic idea of Web2.0 - listening and conversation and stakeholders creating their own experience with your organization - comes from the Brooklyn Museum of Art. o is Transparency - and the best example of that is what the Indianapolis Art Museum has done with its pubic metrics on its web site.
Webby Award for Music : Bastille - Doom Days Web AR by Powster. Webby People’s Voice Award for Music : Your 2019 Wrapped by Spotify In-House. Music (Branded) : Artist Spotlight Stories by YouTube Music; The Birth of Biggie: 25 Years of ‘Ready To Die’ by Amazon Music. by Homestead Brooklyn.
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