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At our museum, Pinterest is a primary tool for brainstorming and sharing ideas. But what''s awkward for me is actually probably very good for museums. Museums, and museum staff members, tend to be highly visually-oriented. This is great for museums looking for authentic ways to engage with people online.
I first met Amy Fox when she de-lurked on the Museum Computer Network listserv. " Indeed, her first post summarized some observations from her research on how museums were using Twitter for her masters thesis. I'm fascinated by social networking and am interested in finding ways for museums to appeal to all types of people.
Speakers included Chicagoans like Rayid Ghani , founder of the Data Science for Social Good Summer fellowship; Mark Mathyer of the Museum of Science & Industry; and Lauren Haynes of GiveForward. To learn more and stay in the loop with Data Analysts for Social Good, you can join the LinkedIn group and subscribe to the listserv.
Imagine seeing a museum exhibition related to this person's work. The answer depends on what kind of museum you are visiting. If we're talking about an an artist working in the context of an art museum, it's likely that the genius' work will be presented with minimal interpretation. What will you experience?
North Carolina Museum of History 1988.39.4 I’m always amazed when my colleagues tell me that the biggest barrier they face to “opening up” the content at their museums is from registrars—the people who care for collection objects. Followers of Museum 2.0 I stirred up a debate by raising the question “why not allow access?”
We looked at the museum map on the wall. There was a recent post on the ASTC listserv from a museum planning to revamp their wayfinding system. The wayfinding question in museums—or any complex space—is multifaceted. This is the second IF, and in my mind, one that most museums don’t address. million nodes.
Further, they don't even need to create their own content, just as a museum curator rarely hangs his/her own work next to a Da Vinci. Digital Curators are the future of online content. Brands, media companies and dedicated individuals can all become curators. They do, however, need to be subject matter experts. The other terms.
What does your museum have to say about it? What do visitors expect of museums, and what do museums expect of themselves, when it comes to timeliness? This is partially driven by museums, which want to be seen as "forums" for discourse, but also by the expectations of a media-saturated public. Pluto just got demoted.
Photo by CLoé Zarifian, MAH Photo Intern We're working with a guest curator, Wes Modes , on an upcoming experimental project at our museum. Wes is an artist, and this is his first time running a museum exhibition development process. It's part of a culture of learning and curiosity--something I hope that museums can embody.
s Hawaiian son as applied to museums. Consider these two stories of museum-related wikis that struggled. In May of 2007, Woody Sobey released a wiki for science museum educators to share their demos. Woody had seeded the site with about 12 demos from his own museum, but the wiki never took off. What's a wiki?
If visitors have to search around the tabs on your site, they may never find your listserve sign up. Join Our Newsletter is displayed first, followed by links to social media accounts on the Newport Harbor Nautical Museum website. Long Island Children’s Museum has “Join Our Email List” at the top of their website.
I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.
Again, how many of you have attended an event or go to a museum? So feel free to get on our mailing listserv or whatever the real phrase is called and stay in touch. We have a number of publications that will be coming out as well this year. Would love to continue the conversation. And thank you so much for being here.
Note From Beth: I remember back when Hurricane Katrina struck, I saw a post to the MuseumListServ that said “ Chuck Patch Is Not Dead.” Flickr Photo by Rob Howells.
Today, I got a report via the TechSoup Second Life listserv about an awareness-raising campaign for homeless children in Second Life - reported here , here and here. I stopped by his location on enroute to the Museums and Second Life meeting dropped some lindens in his donation box. Holocaust Memorial Museum in Washington, DC.
The whole process of developing an exhibition tends to get stuck behind a museum's doors. In the past two decades, science centers have been in the lead in the exhibits arena, and we think we have a lot to share--and learn--with other museums. There's no sharing of that information. Reviews followed closely after.
Why should museums care about customer support? While I’ve never heard of a museum with such a heavy call volume that they’ve outsourced their front desk to Bangalore, many museums, small and large, suffer at the phones. The reason museums resist peer-to-peer visitor support is fear of erroneous and unvetted information.
There have been some fun semantic jousting matches recently on the ASTC listserv about the difference between science museums and science centers. And earlier last month, the Museum of Television and Radio announced a name change to the Paley Center for Media. Museum means different things in different markets.
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