Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). It is incredibly rewarding work. I feel lucky.

Museum 55

Museum Director Participatory Community 55

Museum 2.0

APRIL 14, 2011

Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.

Museum 55

Museum History Arts Consultant 55

Museum 2.0

OCTOBER 18, 2011

We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way. how did they ride the plank?” "how

Participatory 48

Participatory Museum San Diego History 48

Museum 2.0

JULY 23, 2014

But not enough people care about it anymore, and the museum is fading into disrepair. Yesterday, I learned about the Silk Mill, a British historic site that is going through a dramatic community-driven reinvention. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history.

Museum 53

Museum Community Participatory Product 53

Museum 2.0

MARCH 3, 2011

In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. This post shares my reflections on the projects and five things I learned from their work.

Participatory 51

Participatory Arts Audience Museum 51

Beth's Blog: How Nonprofits Can Use Social Media

JULY 1, 2009

Submitted by Nina Simon, publisher of Museum 2.0. I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. And yet many museums are fixated on creators. This is a problem for two reasons.

Participatory 50

Participatory Experiment Museum Teen 50

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. I’ve been using these participatory categories to talk about how we’d like users to participate in different projects.

Active 98

Active Activism Activities Model 98

Museum 2.0

MARCH 16, 2009

I’ve had it with museums’ obsession with open-ended self-expression. When I talk about designing participatory experiences, I often show the above graphic from Forrester Research. And yet many museums are fixated on creators. Museums see open-ended self-expression as the be-all of participatory experiences.

Participatory 44

Participatory Experiment Museum Teen 44

Museum 2.0

JUNE 25, 2014

A man walks into a museum. Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff.

Participatory 52

Participatory Evaluation Project Museum 52

Museum 2.0

APRIL 20, 2009

I just got home from the Museums and the Web conference in Indianapolis. I’d never attended before and was impressed by many very smart, international people doing radical projects to make museum collections and experiences accessible and participatory online. Instead, I found a standard art museum. Impersonal guards.

Participatory 35

Participatory Museum Web Indianapolis 35

Museum 2.0

APRIL 1, 2010

This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. COST: Museum books tend to be expensive - because they are printed in small runs, the price for a 400-page paperback can be as high as $40.

Participatory 33

Participatory Museum Process License 33

Museum 2.0

MARCH 17, 2010

This is the second in a four-part series about writing The Participatory Museum. Several hundred people contributed their opinions, stories, suggestions, and edits to The Participatory Museum as it was written. Other contributors were collegial and a valuable network of museum wonks has developed."

Participatory 32

Participatory Museum Process Experiment 32

Museum 2.0

JUNE 11, 2014

This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. Pop Up” has become an international buzz term to describe ephemeral, experimental projects--from pop up restaurants to pop up boutiques--but a “Pop Up Museum” is still somewhat mystifying.

Museum 49

Museum Grant Lesson History 49

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).

Museum 45

Museum Participatory Artist Project 45

Museum 2.0

AUGUST 22, 2012

At the Santa Cruz Museum of Art & History, we take our interns seriously, give them real responsibility, creative challenges, and meaningful work opportunities. I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship.

Participatory 37

Participatory Museum International Unconference 37

Museum 2.0

JANUARY 25, 2012

We gave people chalk and the choice of four simple prompts: At 3rd Friday I made At 3rd Friday I loved At 3rd Friday I met At 3rd Friday I learned After making a board and taking a photo, each participant had the option to have their photo shared on Flickr or remain private (90% said yes). Maybe this is good fodder for a future Museum 2.0

Participatory 50

Participatory Active Activism Activities 50

Beth's Blog: How Nonprofits Can Use Social Media

MARCH 7, 2007

There was also a flickr component that I learned about this from the wonderful Heather Gardner-Madras , who like me, is a flickr fan. I read a post about user-generated content from the fresh+new blog which is focused on new media in museums. The youtube video is from Star Bucks Campaign. Not sure if this includes a cash prize.

Participatory 50

Participatory Meme Campaign Flickr 50

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

Museum 45

Museum Question Participatory Evaluation 45

Museum 2.0

AUGUST 14, 2013

One of the greatest gifts of my babymoon is the opportunity to share the Museum 2.0 First up is Beck Tench, a "simplifier, illustrator, story teller, and technologist" working at the Museum of Life & Science in Durham, NC. As a person who works for a science museum, I work in an environment that supports play.

Museum 51

Museum Roles Participatory Project 51

Museum 2.0

NOVEMBER 5, 2014

Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about art museums involving visitors in exhibitions. Community is not a commodity.

Journal 54

Journal Community Museum Participatory 54

Museum 2.0

OCTOBER 1, 2014

Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead. That is more curated.

Museum 43

Museum Story Project People 43

Museum 2.0

NOVEMBER 20, 2017

Courageous speakers from dozens of countries described bold, participatory projects. El Museo Reimaginado is a collaborative effort of museum professionals in North and South America to explore museums' potential as community catalysts. I find North American museums to be risk-averse. Pioneers of communitario museums.

Museum 40

Museum America Participatory Conference 40

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 23, 2010

Non-profits are told to learn from business; in insightful and humorous book, Lublin, over at DoSomething.org , tells the for profit sector what it can learn from non-profits, particularly about how to thrive with virtually no money. 9 The Participatory Museum by Nina Simon. You can pick up a copy here.

Nonprofit 119

Nonprofit Social Media Amazon Museum 119

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 28, 2009

I believe my new library will help me achieve all three things by prompting me to: - FOCUS my personal learning in social media. ADAPT my existing social media strategy based on the new things I learn and ideas I have as a result of reading the books. and externally (with all of your fine readers!). . So I said I'd kick in my copy.

Social Media 94

Social Media Library Media Social 94

Museum 2.0

SEPTEMBER 10, 2014

One, from a museum director. EDUCATIONAL: can people learn from it? PARTICIPATORY: can people get involved or contribute to it? Heck, no museum exhibition hits them all. High participatory quality, low technical quality. Core Museum 2.0 Engaging new people. Engaging more diverse people. Any questions?

Museum 55

Museum Participatory Arts Culture 55

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

Question 49

Question Participatory Museum Evaluation 49

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 8, 2007

I'm here in Chicago for a very brief trip on a panel about metrics and measurement for museums called "New Spaces, New Measures." I learned years ago that technology doesn't drive change as much as our cultural response to technology does." " My slides and resources are here. Via RSA Networks blog.

Chicago 50

Chicago Museum Network Conference 50

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.

Museum 29

Museum Difference Participatory Arts 29

Museum 2.0

DECEMBER 28, 2011

We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. This isn't even participatory. All of them are cheap, mostly simple, and occasionally, dangerous.

Design 45

Design Participatory Learning Museum 45

Museum 2.0

APRIL 7, 2009

Which of these descriptions exemplifies participatory museum practice? Museum invites community members to participate in the development and creation of an exhibit. But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation."

Participatory 27

Participatory Design Difference Museum 27

Museum 2.0

SEPTEMBER 13, 2011

But as a creative type who has recently taken on an executive role, I've been fascinated, shocked even, to learn that the folks in the development department have been singing the relationship chorus for so long. Anyone who has worked in fundraising has likely heard these missives again and again. On the one hand, this is awesome.

Participatory 39

Participatory Fundraising Practice Relationship 39

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?

Artist 39

Artist Museum Project Public 39

Museum 2.0

NOVEMBER 6, 2012

I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. In a straightforward way, Marilyn explains how her team developed a participatory project to improve engagement in a gallery with an awkward entry. It is great to feel more of a part of the museum!" "All

Museum 45

Museum Arts Problem Design 45

Museum 2.0

NOVEMBER 16, 2010

How do you find your way around a multi-faceted museum? I spent some time playing with this question last week at the Milwaukee Art Museum, a large general museum that is moving toward redesign of the permanent galleries. We quickly learned a few things: You really can't guess what people will like. Get deliciously lost?

Experiment 44

Experiment Lesson Learning Museum 44

Museum 2.0

FEBRUARY 23, 2009

As many of you know, I’m writing a book about participatory design for museums. The book is intended to be a practical guide to participatory museum experiences focused on design strategies, case studies, and activities. The WHY of participatory design is really important. And there’s a third reason.

Participatory 26

Participatory Design Museum Wiki 26

Museum 2.0

MARCH 4, 2015

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. and "why?"

Participatory 20

Participatory Museum Empowerment Facilitation 20

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

Our track was one of three tracks for participants to dive deep into a topic and learn from peers through dialogue. Here’s what I learned: Facilitation Teams. As someone who has been in the nonprofit field 35 years, I can sum up my experience as: ”Remember, it’s what you learn after you know it all that counts.”

Reflection 127

Reflection NTEN Change Facilitation 127