This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
Brendan McGetrick, the creative director of Museum of the Future, came to Austin, Texas, with a traveling exhibit for the first time recently. Read More
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
What if museums were curated and funded by the internet, and allowed pieces to stay close to their cultural roots, displayed in a context that made sense? Native art in native museums, religious artifacts shown in temples, mosques and churches, and so on? This idea evolved into having an on-chain Museum,” says McLeod.
This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. ArtClix from the High Museum of Art, Atlanta. iOS/Android: ArtClix enhances uses mobile to enhance the museum experience. MoMa by the Museum of Modern Art.
Gabrielle Mizrathi , Senior Business Partnerships Manager with City Harvest , New York City’s largest food rescue organization, shared a solution in a recent interview , “We added a service called Fifth Message , so after someone completes a donation, they receive another text message that says, ‘ Thanks for your donation.
Photo by American Art Museum Note from Beth: This week I'm trying to understand crowdsourcing and nonprofits, hopefully with a crowd of other folks. Guest Post: Interview with Georgina Goodlander: Fill the Gap Flickr Campaign by Debra Askanase, publisher of Community Organizer 2.0 In essence, it is visible storage for the museum.
Lynda Kelley I'm here in Sydney, Australia and just finished an informal workshop and discussion with Powerhouse Museum staff and other museums. Will post reflections shortly) I met Dr. Lynda Kelly, a blogger and the Head of Audience Research for the Australia Museum. The site is called Museum 3.0.
The National History Museum of Los Angeles does a great job of highlighting their staff in their Instagram posts. selfie – Take a picture of your CEO being interviewed, or your social media manager takes a selfie with the staff working in the background, or something completely unique. Show your employees’ flair with #selfie.
Last week''s New York Times special section on museums featured a lead article by David Gelles on Wooing a New Generation of Museum Patrons. In the article, David discussed ways that several large art museums are working to attract major donors and board members in their 30s and 40s. David describes himself as a "museum brat."
During my time in Sydney, I spent a day with meeting with the staff at the Powerhouse Museum and Seb Chan who writes the Museum's blog, Fresh + New(er) and who I have had many virtual conversations with via our blogs but have not met face-to-face. She took excellent notes about our session and blogged it here.
Mary Warner, the Museum Manager at the Historical Society, wrote a series of moving articles for her museum newsletter and later for the AASLH’s Small Museum Online Community about her experiences tackling big issues in a small museum. How do we get the history of the poor? But how did this specific project get started?
"There's really no more rewarding work in the world than helping women and girls attain the highest possible quality of life." ~ Carinne Brody This month's Big Vision Podcast interview is special because it's part of the Girl Effect Blogging Campaign organized by Tara Sophia Mohr.
This Women’s History Month, we celebrate the work that the Smithsonian American Women’s History Museum does each and every day to bring women’s stories alive and into focus. Forum One worked with the Museum to create the 10-minute digital experience, which will be available this Friday on the Museum’s website. January 30, 2024).
Official Google Blog: Explore museums and great works of art in the Google Art Project – Take yourself on an art tour using Google Maps! "One To follow more of the things I find online, you can follow @amysampleward on Twitter (which is just a blog and resource feed), or find me on Delicious (for all kinds of bookmarks).
Recently, we''ve been talking at our museum about techniques for capturing compelling audio/video content with visitors. It made me dig up this 2011 interview with Tina Olsen (then at the Portland Art Museum) about their extraordinary Object Stories project. We ended up with a gallery in the museum instead.
Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.
Let’s say you wanted to find a model museum using Web 2.0 A place that does all this in the context of a fairly traditional collections-based museum. A place that does all this in the context of a fairly traditional collections-based museum. It’s the Brooklyn Museum. to support programs and exhibits. Not really.
Audience segmentation and research has become a hot topic in museums, especially when it comes to crafting appealing offerings that are customized to different kinds of visitors. I sat down with Kristen Denner, Director of Membership and Annual Fund, to learn more about the program's development and the museum's goals for its future.
The Brooklyn Museum kept coming up as a stellar example, particularly its Click Exhibition , an experiment in crowd-sourced exhibits. This compelling experiment in the wisdom of the crowds started off with an open call for works through the museum's various Web 2.0 on how different arts organizations using social media effectively.
Photo Source: Indianapolis Museum of Art Blog. The Indianapolis Art Museum has been doing just that by sharing its institutional dashboard out for everyone to view. It was met by with both positive and negative reactions from nonprofit and museum professionals. Two years later, we might have some answers.
The site’s design emphasizes three primary avenues for discovering content: watching the series, exploring additional materials like interviews and lesson plans, and engaging in real-world activities, such as building a native plant garden. Thank you, thank you, thank you!
One of the best ways to learn is the study, observe, or interview the experts. If you think about what a museum curator does, it is very similar. One is a collection of selected articles, slide decks, and interviews with Robin Good. That’s why I invited Robin Good to skype into my session.
This August/September, I am "rerunning" popular Museum 2.0 Diane is both visionary and no-nonsense about deconstructing the barriers that many low-income and non-white teenagers and families face when entering a museum. Most large American museums are reflections of white culture. blog posts from the past.
Interview with Donald Marinelli - Parents and their kids - web2.0 " "Kids don't find museums engaging. The keynote started off with a welcome from Cary Morrow and a brief awards ceremony. Wondeful quote from Dan Martin: "Wouldn't it be great (1994), if applicants could submit their applications on a floppy disk.
During 2010, I been able to read, blurb, write reviews, do blog giveaways, or author guest posts and interviews for a lot of terrific books that would be useful to nonprofit professionals in the social media, marketing, and ICT areas. 9 The Participatory Museum by Nina Simon. The Dragonfly Effect by Jennifer Aaker and Andy Smith.
What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? But for museum and art wonks, it could be. Will the bureaucracy of the institution drown the artists in red tape?
on July 18th and subsequently had a chance to interview her at her fabulous virtual office in Second Life. When I graduated in 2003, I moved out here to California and worked with the San Jose Museum of Art before getting a job with Linden Labs. I learned a lot from San Jose Art Museum. Mixed Reality Event ???
In honor of Idealware's On Demand Tactical Technology Planning product coming to TechSoup, I interviewed Andrea Berry to learn more about her background, the importance of technology planning, and more. She started volunteering for museums and eventually moved into the world of fundraising. A Background in Technology Training.
Why not consider comedy, dancing, theater, or even an interview with a celebrity? Virtual tours can be surprisingly pleasurable and rejuvenating while not having to travel anywhere — just let a tour guide show you around a museum, ancient site, city, or gallery while live streaming to a group of people. 13) Scavenger hunts.
There is a long interview with me in this week's Good Times (Santa Cruz's leading weekly). We talked Paulo Friere, what museums can learn from dentists' offices, and the challenges of not feeling stupid while viewing art.
." -- Tom Aageson, co-founder, Global Center for Cultural Entrepreneurship A week, or so ago I interviewed my Dad, Tom Aageson, for a special Father's Day show on the Big Vision Podcast. I've posted an edited transcript of the interview below. That business really caught on, and it produced support for the museum.
While I was at the Philadelphia Museum of Art working on a website redesign, we recognized the need to be transparent with our internal audiences and started hosting a series of monthly open forum presentations called “Website Wednesdays.” Just like a good soccer coach does for their team. They can even be done virtually!
Nikki created "The Ministry of Rules" --a shadow organization that existed for one week during half-term break, staffed by visitors who served as "Inspectors" investigating, exploring, and poking fun at the rules that make museums and galleries go. How did the museum staff respond to this experience? How did this project come about?
Two weeks ago, my museum was featured in a Wall Street Journal article by Ellen Gamerman, Everybody''s a Curator. I''m thrilled that our small community museum is on the map with many big institutions around the country. I''m glad to see coverage about art museums involving visitors in exhibitions. Community is not a commodity.
These were mostly museums like MoMa (which I wrote about over a year ago here ) and a few others. See resources below) He also shared an interview from the 501c3Cast for Nonprofits. See YouTube interview for more). Museum Podcasting Resources. Brad Stephenson gave a very good overview of the process and the tools. (My
Geoffrey Dunn, a fabulous writer and collaborator, just published a big cover interview with me in our local weekly, the Good Times. I was proud to work with amazing colleagues to lead major change at the museum. For a museum to survive and thrive today, it must be relevant and meaningful for many people from many backgrounds.
When you find a bar with your favorite song on the jukebox, or a museum room that feels like your grandmother's living room, you suddenly feel a strong affinity and are able to see yourself reflected in the space. It may be great for a natural refuge to remain hidden, but that sounds like a disaster for a restaurant or museum.
Case Study: Pinterest for Program Planning," documenting one museum's application of Pinterest to meet internal program and project planning needs. An Interview with ASPCAPro's Pune Dracker on Content Curation. Nonprofit Leaders talk about their balance (or unbalance) of IT for mission versus keeping the org's lights on.
Save Time and Energy When Turning Interviews Into Content by Joanne Fritz on the About.com Nonprofit Charitable Orgs blog. Ask for the interview well in advance. Unless you're covering a breaking news story, you likely have the luxury of letting the interviewee know in plenty of time that you'd like to interview them.
Stay tuned for a video interview I did with him while in Vegas. But even more fun was this video interview with the good folks at the Gifts In Kind International who I ran into in the lobby and they pulled out their copy of the book and shared a few thoughts about they’re applying the ideas. Independent Sector in Atlanta.
This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). It's easier to secure grants for community-based programming or exhibitions, but it's not easy to get funding for some of the core work that museums do.
It was then that I began working at a local art museum as a volunteer. CA: One of the best things that happened to me while volunteering for the local art museum is they funded my travel to Los Angeles and my tuition to take the week-long grant writing training bootcamp hosted by The Grantsmanship Center.
I recently read the BERI report on bilingual labels in museums and was blown away by its findings. in Applied Social Psychology and has evaluated and researched informal learning experiences in museums and other visitor institutions for over 20 years. is a controversial topic, and the same is true in museums.
She has worked in museum informatics for many years, including 10 as co-chair of Museums and the Web. (I I interviewed her (but not about STEVE) for a technology and the arts paper I researched and co-authored for NPower a few years back.). Steve is mentioned in an recent C-NET article. Technorati Tags: net2 , nptech
We organize all of the trending information in your field so you don't have to. Join 12,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content