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The Participatory Museum Process Part 4: Adventures in Self-Publishing

Museum 2.0

This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. COST: Museum books tend to be expensive - because they are printed in small runs, the price for a 400-page paperback can be as high as $40.

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New Models for Children's Museums: Wired Classrooms?

Museum 2.0

The schools have open wireless internet, so each student has continual access to the Web. I was fascinated by our discussion, and Bob came to mind last month, when I was asked to write an article for the Association of Children's Museums quarterly journal, Hand to Hand , about children's museums and Web 2.0.

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Why Museums Should Become Sites for Civic Discourse

Museum 2.0

Thank you to Susan Spero and all the folks at JFKU and Left Coast Press for starting a highly stimulating conversation this weekend at the colloquium on Museums and Civic Discourse. There were, as we say in the museum business, some good aha moments. What role should museums play in promoting discourse?

Museum 20
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Trust Me, Know Me, Love Me: Trust in the Participatory Age

Museum 2.0

Museums (and libraries) are trusted sources of information. In February 2001, AAM commissioned a study about the trustworthiness of museums and found that "Almost 9 out of 10 Americans (87%) find museums to be one of the most trustworthy or a trustworthy source of information among a wide range of choices.

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Mixing Digital and Physical: The Holocaust Museum's Handwritten Pledge Wall

Museum 2.0

On a recent trip to DC, an old friend showed me around a new exhibit at the US Holocaust Memorial Museum (USHMM), From Memory to Action: Meeting the Challenge of Genocide. The paper is perforated with one section for the promise, which visitors keep, and another section for a signature, which visitors leave at the museum.

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Designing Talkback Platforms for Different Dialogic Goals

Museum 2.0

We have different conversations on the phone than we do in person or in internet chat rooms. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors."

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Great Conversationalists: Reflections on Being a Dial-a-Stranger

Museum 2.0

The call was from Mercedes Martinez and Zachary Kent, the people behind an internet radio show called Dial-A-Stranger. They edit the conversations into radio shows, which are then made available as a podcast (you can listen to episode featuring me, #89: Museum Secrets, here ). Dial-A-Stranger is what it sounds like.