Museum 2.0

JANUARY 9, 2017

When should you turn down the invitation to share your voice? How should you make these decisions in an imperfect world where every host is using you for something, and every voice is in danger of being manipulated, misunderstood, or subverted? There are many ways for voices to get chopped and twisted.

Participatory 20

Participatory Museum Voice Press 20

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 21, 2015

Sharing forges connections with followers that improves relationships, achieve goals, and amplifies a leader’s influence. The big shift that leaders have to make is to be more comfortable with openness. Participatory engagement invites people to answer a particular question or comment on a post.

Digital 50

Digital Strategy Chapter Advice 50

Museum 2.0

MAY 9, 2008

posts called "Unusual Projects and Influences." Specifically, we analyze the relative social behavior of people on buses versus those on trains, and look for clues as to what design elements contribute to different kinds of participatory behavior. The voices are recorded, the doors perpetually closing. People talk.

Participatory 20

Participatory Design Museum Childhood 20

Connection Cafe

NOVEMBER 8, 2017

It is made by many; it is open, participatory and peer-driven.” From the Arab Spring to Black Lives Matter, from the Ice Bucket Challenge to the Woman’s March, many of today’s most effective movements are less about single charismatic voices and more about the power of the chorus. Rise of Peer Influence. Technology. My Passion.

People 25

People Structure Influence Voice 25

Museum 2.0

DECEMBER 23, 2014

It allows a little more freedom, and it also gives people many voices and personalities to engage with. comfort interactives participatory museum programs Unusual Projects and Influences' Having two guides means we can do split stops at some places, giving some people one experience and some another.

Museum 55

Museum Interview New York Interaction 55

Museum 2.0

FEBRUARY 1, 2012

Roberto Bedoya : The "Yes And" Argument and its Civic Implications Bedoya, the Executive Director of the Tucson Pima Arts Council, makes a beautiful statement that arts administrators need to facilitate a multiplicity of leading voices, or as he puts it, "the courage of imagination and the plural."

Arts 45

Arts Museum Artist Tucson 45

Museum 2.0

SEPTEMBER 7, 2010

Our archeology did not aim to uncover the hidden voice of my grandmother, but instead to begin an ongoing practice of recreation. Tags: participatory museum guestpost Unusual Projects and Influences. In 2003, my collaborator Stephanie and I began an excavation, declaring nothing for sale.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Museum 2.0

JULY 27, 2009

I’ve long admired Improv Everywhere , the NYC-based participatory public art group. For about half an hour, hundreds of people play together, silently, as directed by disembodied voices inside their headphones. The voice tells you what to do –stand up, shake hands, play Twister, make silly shapes—and you do it.

Instructional 21

Instructional Instruction Nicaragua Experiment 21

Museum 2.0

JULY 20, 2016

At Kelvingrove, we were particularly taken by Looking at Art , a gallery that invited us to check out a painting in various stages of restoration, to look at the backs of paintings and the things that were crossed out, and to learn more about the stories and influences behind specific artworks.

Museum 20

Museum Audience Music Arts 20

Connection Cafe

MARCH 11, 2010

Across the country, geeks inside and outside of government are developing a new model for a participatory and transparent Federal, State and Municipal governments. The Future of Influence Saturday, March 13 at 11:00 AM - "The ability to share online has allowed consumers to control and filter the web. Data will be shared!

Conference 38

Conference Government Social Media Influence 38

Museum 2.0

MAY 15, 2008

After listening to this clip a few times, I wondered: what if museums dropped the authoritative voice, the cultural voice, the friendly teacher voice, and adopted a novice voice? I love the Radiolab experience, but I wonder how much the success of the "novice voice" is contingent on the context of conversation.

Conversation 20

Conversation Arts Museum Voice 20

Museum 2.0

OCTOBER 8, 2008

In these conversations, people often say, "don't expert voices matter?" It lets you be the only expert with a voice. Single voices represented on single labels is not scalable. These rules are not uniform, and their differences often influence the makeup of users who feel welcome and choose to engage. Power is attractive.

Authoring 42

Authoring Platform Museum YouTube 42

Museum 2.0

AUGUST 25, 2009

Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. By simplifying and personalizing the design technique used for the institutional voice, visitors felt like they were part of a natural conversation with the institution. "Where were you last night?"

Design 31

Design Goal Difference Platform 31

sgEngage

DECEMBER 5, 2023

In our years of talking to staff, boards, and communities about participatory philanthropy, people often talk about their worst participatory decision-making experiences. New to Participatory Grantmaking? Skilled facilitators work towards supporting dissenting voices, ensuring participants understand different viewpoints.

Participatory 90

Participatory Facilitation Philanthropy Skills 90

Museum 2.0

AUGUST 7, 2008

Yes, the Exploratorium is also present in these arenas as a "talker" (more on that next week), but it is just one voice among thousands. Tags: Book Discussion: Groundswell marketing participatory museum. to make recreation decisions, reading blogs to form an impression, watching videos to get my feel for a place--these Web 2.0

Museum 20

Museum Teen Second Life Discussion 20

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 23, 2008

But as Nina notes, they are doing research from this experiment about the role of independence and influence in a participatory experience. They are sensitive to the artists who are being judged. They ask judges to self-define their art knowledge. Note that this is a research/learning approach that is key to success of Web2.0

Arts 74

Arts Social Media Examples Artist 74

Everyaction

OCTOBER 5, 2016

The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. New voices energizing conversations.

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Conference Calendar DC Washington 111

Museum 2.0

MARCH 6, 2019

While I originally wrote this post to advocate for more participatory practice (i.e. In these conversations, people often say, "don't expert voices matter?" It lets you be the only expert with a voice. Single voices represented on single labels is not scalable. If the museum isn't in control, how can it thrive?

Authoring 44

Authoring Share Museum YouTube 44