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" I'm trying to walk the walk and talk the talk of Remixing Content for nonprofits. One thing you'll notice is that the presentation itself is a remix of a remix. I remixed it from an earlier prsentation called Associations 2.0 Mashup or: Why educators should learn to stop worrying and love the remix.
offers personal insights in opening up to new ideas and letting go of information, hierarchy and "proprietary" thinking. Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century."
Next week I'm doing a Webinar for Extension Professionals , a remix of 10 Steps to Association 2.0 which was a remix of Marnie Webb 's Ten Ways Nonprofits Can Change the World. My initial remix thought (wrong) was to look for examples that were related to agriculture, but the extension is so much more. I'm nervous. It's messy.
Twitter : A space where we can engage with the community, share ideas, ask for help, get feedback, listen to complaints, participate and mobilize people to help us with our vision of ‘a book in every child’s hand’. Also, for our Creative Commons licensed books to be remixed/repurposed by the community in whatever way they wish to.
This is the final segment in a four-part series about writing The Participatory Museum. This posts explains why and how I self-published The Participatory Museum. From the very beginning, I knew I wanted to license The Participatory Museum using Creative Commons and give away the content for free online. Why Self-Publish?
In the beginning, TechSoup’s Marnie Webb, Daniel Ben-Horin, and Billy Bicket created NetSquared to "remix the web for social change." which heralded a new, participatory web culture. The idea was to embed the functions of existing social sites like Meetup , Flickr , and del.icio.us. " The year was 2005.
And in a world where visitors want to create, remix, and interpret content messages on their own, museums can assume a new role of authority as "platforms" for those creations and recombinations. Ideasparticipatory museum usercontent. It's based on creation and delivery of experiences. Core Museum 2.0
The Social Change Challenge will crowdsource innovative ideas from nonprofits to change the world. We'll share big ideas for using social media for nonprofit program delivery and some good tips for crowdsourcing for social change.” In fact, Karaoke is a core part of our reMix culture and this panel will show you how.
Flickr Photo Birthday Remix Contest. Ultimately, 22 remix photos were posted, slightly less than half of the people who joined. For some big picture ideas on user generated content , see this resource. As many of you know, I celebrated a milestone birthday this month. 54 people joined the group. The cards were amazing!
While I originally wrote this post to advocate for more participatory practice (i.e. And in a world where visitors want to create, remix, and interpret content messages on their own, museums can assume a new role of authority as "platforms" for those creations and recombinations. It's based on creation and delivery of experiences.
Many people gravitated to the idea that it is community “needs, not wants” that we should address. If museum and library content is licensed, not owned, how can we work within those licenses to allow visitors to use and remix to their heart’s content? Of course, there’s a less legal question here, one about authority and control.
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