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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. Not sure if participatory grantmaking is for you or maybe you need a refresher on what it is? Is this you?
Recently, a colleague asked me a wonderful question: How did you learn to become a good facilitator and trainer? I also had an opportunity to attend a couple of sessions that used participatory facilitation techniques. Participants volunteer their question for the Spectragram. Here’s what I learned. Spectragram.
Note from Beth: Lately, a question on my mind is whether or not the concept of Networked Nonprofits is a global one as I’ve had the opportunity to share some of the ideas beyond the US borders in Kenya and UK. I think Pratham Books , an NGO in India, is a networked nonprofit.
I always learn something from his participatory style, humor, and techniques. Here’s a few things I learned. Good participatory design and instructional design for that matter needs a closure exercise. There are usually two aspects of this. The first is on a practice level – what should happen next?
There are different ways to design a participatory workshop. A more participatory approach, and one that Allen Gunn uses, is to crowdsource provocative questions from participants. Participants volunteer their question for the Spectragram. Just A Little Content To Get Started . Reflection and Takeaways.
As you can see from the schedule overview , this is more of a participatory event versus the traditional conference with powerpoints and panelists. The event will end with an “ Idea Accelerator ” where participants will have an opportunity to develop and pitch an actionable idea for feedback and funding.
offers personal insights in opening up to new ideas and letting go of information, hierarchy and "proprietary" thinking. Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century."
It is multi-disciplinary, incorporates diverse voices from our community, and provides interactive and participatory opportunities for visitor involvement. This post focuses on one aspect of the exhibition: its participatory and interactive elements. So many museum exhibitions relegate the participatory bits in at the end.
Last month, the Irvine Foundation put out a new report, Getting In On the Act , about participatory arts practice and new frameworks for audience engagement. It is framed as a kind of study guide; pop-outs provide questions that tease out opportunities and tensions in the narrative.
In 2009 , students built a participatory exhibit from scratch. Thirteen students produced three projects that layered participatory activities onto an exhibition of artwork from the permanent collection of the Henry Art Gallery. I suspect these big ideas were opaque to most visitors. This year, we took a different approach.
Today, after several years of researching and writing, Timms and Heimans have finally published their book called “ New Power: How Movements Build, Businesses Thrive, and Ideas Catch Fire in Our Hyperconnected World.” It is open, participatory, and peer-driven. These are key questions of our times. It is a sector must read.
Source: Share Your Ideas. Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Scientists design the test questions, steer the data collection, and analyze the results.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
The session was an introduction to design thinking methods and to generate ideas for instructional modules for networked leadership development. Heather facilitated this exercise as a series of share pairs where we discussed each question with a different partner for a few minutes. The questions: What do you hope to learn today?
Innovation / Generating New Ideas. Participatory Gatherings. There is no better resource than “ The Facilitator’s Guide To Participatory Decision-Making ” by Sam Kaner. (They also offer workshops ). A simple “who else has an idea?” Here’s just a few: Instructional. Any many more.
This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?
Amplified Leicester is a city-wide experiment designed to grow the innovation capacity of Leicester by networking key connectors across the city’s disparate and diverse communities in an incentivised participatory project enabled by social media. What questions do you have? Get the game pieces here: Playing grid. Technology cards.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. In front of each of those paintings, you could stamp your pastport, reflect on the artwork and the question, and share your story. The idea was that people would spin the wheel and start a conversation.
The content focuses on the question of WHY we collect and how our collections reflect our individual and community identities. This exhibition represents a few big shifts for us: We used a more participatory design process. Without further ado, here's what we did to make the exhibition participatory. We had some money.
I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship. These interns work with our curatorial team to develop interactive and participatory components for upcoming exhibitions. Exciting, right? Exciting, right?
This post shares some of the most interesting questions I''ve heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?
Are any of the questions duplicative? Is there information you can get from a previous question, from a previous application, or from an outside source such as Candid? And it also helps your grants managers from having to answer the same question over and over. Try to fill it out yourself.
The event also included plenary speakers, including a provocative talk about data methods from Alexandra Samuels and cross-track sessions from traditional panels to unconference. The culmination of these two and half very intense days was an Idea Accelerator Lab. Scribe: The role of the scribe is to capture ideas and build group memory.
But during the session on Learning in Public yesterday, with Beth Kanter, Co-Author of Networked Nonprofit, Jared Raynor from the TCC Group and Kathy Reich, from the David and Lucile Packard Foundation, I was reminded that all measurement needs to start with the most fundamental question – why measure? What do you hope to learn?
Clay’s book talks about the implications of a society shifting from passive consumption of media to creators of media or being participatory. How much of that social change are we going to grasp?&# (That is a question that the Networked Nonprofit asks.). This idea of experimentation really resonates.
. - teams of kids have attended seminars (in Second Life) from UNICEF on world issues, and the kids are building exhibits with their ideas for solutions. I listened to the audio feed of him talking to the kids, answering their questions. We could also IM our questions from the adults were listening and observing.
The Participatory Museum is a practical guide to visitor participation. The Participatory Museum is an attempt at providing such a resource. I hope it opens up a broader conversation about the nuts and bolts of successful participatory projects. Tags: participatory museum Quick Hits.
Any questions? The question that comes up every time, the question so big it deserves the impropriety of all caps: BUT WHAT ABOUT QUALITY? It is not code for one idea. PARTICIPATORY: can people get involved or contribute to it? High participatory quality, low technical quality. Engaging new people.
We make information into data when we explicitly attach it to a question and explicitly or implicitly connect it to an approach for making sense of it. Datamaking can enhance capacity building efforts through group questioning and analysis. Information is everything that is coming at us. However, to have data requires intention.
Publishing plust interactivity, participatory. Social Media Influencers: as an individual you can join forces, share ideas, communicate. Social Media Communities: as a community of thousands we can demand accountability, ask questions, etc. What is social media? - Jon Lebkowsky. Low barrier to entry. How are the two related? -
The whole process of being interviewed for the story made me question the stories we tell and words we use to describe participatory work. These questions don''t just apply to press coverage. What is the metaphor for participatory arts? Ideas Museum of Art and History Museums Engaging in 2.0 Not a crowd.
Going beyond content delivery, I also use a lot of participatory and hands-on learning techniques to help students gain a deeper understanding. As part of our class, students composed a question and recorded a video related to their area of study and sent it off to Davos. So far, two of my students have had their questions answered.
Which of these descriptions exemplifies participatory museum practice? But the difference between the two examples teases out a problem in differentiating "participatory design" from "design for participation." In the first case, you are making the design process participatory. In the second, you make the product participatory.
Terms like social media, digital media, new media, citizen media, participatory media, peer-to-peer media, social web, participatory web, peer-to-peer web, read write web, social computing, social software, web 2.0, Conversations create buzz, which is how ideas tip, become viral. So, let’s look at these 4Cs in some detail.
Ask questions, introduce yourself, if you haven’t already. Steven: Want to give it a few more seconds and I’ll go to the next question? Okay, so the second question, why don’t you have a strategic plan? Oh, yeah, some other people put some other ideas in the chat, too. We’ll keep an eye on those.
Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.
I said to him: I can't really answer that question. The key question is, every step of the way: how can you invite people beyond yourself to help make this step better? This is the question I ask myself anytime I'm working on something with a participatory intent. It's a question of how they can make it BETTER.
There are so many big questions about the connected world we live and how it transforms our society, as this opinion piece from CNN discusses. It is also raising questions about censorship on the Internet. Why aren’t we talking about nonviolent approaches to resolving conflict?
” This would be a network or community of practice that freely shares and learns from one another about training and capacity building that is participatory , peer-learning , networked , makes use of design thinking , openly shared and a prelude to collective action.
A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy. It''s not a question of the participatory process being unidirectional, something that we are doing for you the community. And it leaves me with just one question. design inclusion institutional change participatory museum'
This weekend I participated in a Webinar about the book The Whuffie Factor along with author Tara Hunt where we discussed how the ideas apply to nonprofits. ADAPT my existing social media strategy based on the new things I learn and ideas I have as a result of reading the books. and externally (with all of your fine readers!).
Over the past year, I've noticed a strange trend in the calls I receive about upcoming participatory museum projects: the majority of them are being planned for teen audiences. Why are teens over-represented in participatory projects? Is it a problem or a great starting point to focus on participatory experiences with teens?
Last month, I learned about a fabulous, simple participatory experiment called “Case by Case” at the San Diego Museum of Natural History that uses visitor feedback to develop more effective object labels. Our exhibits group knocked around ideas for mechanisms of audience feedback. Questions and answers rolled in. Beiber Rules!”)
A lot of the ideas resonate with using online social networks and social media effectively for nonprofits, especially in the larger frame of movement building. Key is a participatory development process. What are your questions about system mapping and how you might use this in organization's strategy for movement building?
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