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Lots of grantmakers are intrigued by participatory grantmaking. Participatory grantmaking invites to decision-making tables people who have historically been excluded. Why Would a Grantmaker Choose a Participatory Grantmaking Approach? So, what does participatory grantmaking look like in practice? Those at the top decide.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Despite its long history, few researchers studied the use and impact of citizen science until the 1980s.
At the Santa Cruz Museum of Art & History, we take our interns seriously, give them real responsibility, creative challenges, and meaningful work opportunities. I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship.
A Learning History of the CARE LAC - Institute for Strategic Clarity Guatemala Poverty Project. Mental Models: These visuals describe how people (individuals, groups) think the world works, such as theories of change, power structures, and cause-effect models in general. Key is a participatory development process.
Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. The reward for participants of having your contribution displayed is fairly and clearly structured.
Creating open communities with old siloed corporate structures. And yes nonprofits mimic their corporate brethren with siloed structures. I began our talk today with my personal nonprofit history. Ironically, if we have time, the last matter is the least difficult. And that is the crossroads. Movements versus campaigning.
A Brief History of Hash Tags Chris Messina ( @chrismessina) is credited with starting hashtags and has written about how to make them most useful. Others are more formal, structured conversations that happen weekly at a particular time. #4change is a regular chat about social media change. What are your best resources about hashtags?
Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.
We had debated the prompt structure a bit before the event (I thought "learned" was too leading), but giving visitors the choice of prompts let them share what they wanted without too much guidance. I was surprised by the originality of the content and what people got out of the event. Loved" and "Made" were the most popular.
To that end, our exhibitions are full of participatory elements. We actively seek participation and develop structured opportunities for visitors to collaborate with us. To me, this is an example of how the aggregation of participatory practices fundamentally changes the role that an organization has in its community.
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. Successful” artworks draw out qualities in the collection, reflect material histories, and show the artists’ process and conceptualization. Restoration is a formal gesture for most museums.
Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.
There are many participatory kiosks that are functional black holes--visitors make videos or draw pictures or write stories, drop them in a slot, and. Such participatory activities would be seen as a waste of time. This sounds ridiculous, but it’s the way many museums approach participatory projects. participatory museum.
We've gotten a little more organized at The Museum of Art & History , and we've now released opportunities for summer internships. This internship is for the truly self-motivated person out there with a brilliant idea for making museums more participatory, welcoming, community spaces who just lacks an institution at which to try it out.
Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. Interestingly, they argue instead that structural change--including but not exclusively programmatic change--is what makes the difference in participant makeup.
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. Participatory work can be very labor-intensive. We have prioritized opening up to as many partners as possible through collaborative structures that scale. institutional change Museum of Art and History'
This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Overview: Stages of Development and Participation Types The Participatory Museum was written over a 15 month period that began in December of 2008. Tags: Book: The Participatory Museum. Shift the tone of the book.
At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. We asked the whole group to brainstorm communities/constituencies who they thought could make a stronger connection with art, history, and culture. Six goals for MAH community programs.
Most of my work contracts involve a conversation that goes something like this: "We want to find ways to make our institution more participatory and lively." It requires trading a certain history for an uncertain future--a nerve-wracking prospect no matter the situation. Fabulous!" "But This is incredibly scary.
We're seeking great folks for public programs, participatory exhibit design, online marketing, 3D design, and whatever else you might have to offer. At our museum, we don't provide a lot of structured mentorship for interns. At this time, we're not ready to offer people highly structured internships. We might never get there.
Unconference sessions , featuring topics as diverse as "playing an ARG" (with real labyrinth adventures ), "engaging visitors who were dragged to the museum," and "measuring and defining success in participatory projects." That said, the phrase "structured opportunity" is where MuseumNext suffered most. Facilitator bits.
They designed a participatory project that delivers a compelling end product for onsite and online visitors… and they made some unexpected decisions along the way. We came up with a system that was much more structured and is based on audio, not video. How and why did Object Stories come to be? So what did you do next?
Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." Tags: Talking to Strangers design participatory museum usercontent interactives. A lone "What do you think?" What have you seen work well, and what have you seen fail?
It is made by many; it is open, participatory and peer-driven.” The magic combination was the traditional nonprofit that provided a centralized campaign structure and unified message to diverse stakeholders. “Old power works like a currency. This was accomplished by trusting volunteers to run events traditionally executed by staff.
Visitor Co-Created Museum Experiences This session was a dream for me, one that brought together instigators of three participatory exhibit projects: MN150 (Kate Roberts), Click! So far, most participatory museum design projects are heavily guided by the institution. MN150 will have formal summative evaulation, which is wonderful.
Lessig presents this as a desirable ideal and argues, among other things, that the health, progress, and wealth creation of a culture is fundamentally tied to this participatory remix process. In most cases simple syntax structure is used. Versioning by saving a history of changes (who and when) that can be viewed and compared.
These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. We exist for people who live in Santa Cruz County.
at the Brooklyn Museum , Tech Virtual at The Tech , and MN150 at the Minnesota History Center. (By But enough of these experiences have convinced me that the participatory museum is not a fringe concept. Here are some highlights: Exhibitions that integrate crowdsourcing and co-design, including Click! There is funding.
In partnership with women’s rights funds, sport for development organizations and feminist sport activists, Women Win launched the ONSIDE Fund — a participatory grantmaking mechanism that rapidly mobilises unrestricted resources for girls and young women-led organisations and groups through a pooled fund.
The Digital Media and Learning Conference is meant to be an inclusive, international and annual gathering of scholars and practitioners in the field, focused on fostering interdisciplinary and participatory dialogue and linking theory, empirical study, policy, and practice. It is our turn to make history. General / #NI16 / @netimpact.
I cut out from the meeting by myself to check out an exhibition called Open House, if These Walls Could Talk at the Minnesota History Center. I was struck by how this is partly interactive, but within a structured, linear narrative. How did you make decisions about how to structure the story? So we had the key players.
a democratically structured non-profit which issues the local currency; the Schumacher Center (which retains its affiliation with BerkShares, Inc.); Beyond the direct advantage to small merchants, digital BerkShares’ competitive fee structure is meant to keep more area capital at work in the Berkshires.
This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. There are many different models, including The Pop-Up Museum of Queer History , The New York Met , SF Mobile Museum , and even a Pop Up Prison Museum.
When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. What if historic arts experiences were actually a lot more participatory? But what if the "traditional" arts experiences is a myth?
I didn't grow up staring open-mouthed at natural history dioramas or wandering through art galleries. Much to my mom's relief, I stayed in school but remained deeply suspicious of the artificial structure of grades and gold stars. There are many parallels between free-choice learning and participatory design. I go on hikes.
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