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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. Not sure if participatory grantmaking is for you or maybe you need a refresher on what it is? Is this you?
--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.
Earlier this year, I was fascinated to read the account of a participatory project at the Morrison County Historical Society in Minnesota, in which community members were invited to write essays about “what’s it like” to have various life experiences in the County. How do we get the history of the poor? We have about 25 now.
She did several things over the course of the tour to make it participatory, and she did so in a natural, delightful way. Wherever possible, Vi personalized the tour to individuals in the group. Vi was unapologetically personal about her own relationship to the content on display. What made it so special? 5'11", 6'1", etc.
The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way. Maybe this person was writing about his or her preference for neon paper products, but I doubt it.
As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). This is a big change for me--professionally and personally--and I'm thrilled and humbled by the opportunity to take on this position in the city I call home. Dear Museum 2.0
Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Over three months, about 600 people filled mason jars with personal memories and put them on display. Some of the stories were quickies, but others were powerful and personal.
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. They diversified the voice of immigration in the exhibition and encouraged people to share their own histories verbally. design exhibition Museum of Art and Historyparticipatory museum usercontent'
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.
Sometimes it's a homeless person. I believe that every person who walks into our museum has something valuable to share. A personalhistory. This is the participatory museum, played out loud. This is the magic a piano in the lobby makes. We've now had a piano in the MAH lobby for several months. A special skill.
At the Santa Cruz Museum of Art & History, we take our interns seriously, give them real responsibility, creative challenges, and meaningful work opportunities. I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship.
Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Despite its long history, few researchers studied the use and impact of citizen science until the 1980s.
Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. The posts are short (365 words or less) and are intended to give a personal snapshot of that individual's day. Complexities of project management.
The events are informal, personal, and fun, but our feedback mechanism--onsite and post-event surveys--not so much. We have an intern, Kathryn, who emailed each participant individually to thank them for coming, shared their personal photo, and gave them the link to the rest of the photos.
As many of you know, I’m writing a book about participatory design for museums. The book is intended to be a practical guide to participatory museum experiences focused on design strategies, case studies, and activities. The WHY of participatory design is really important. And there’s a third reason.
We decided to show a selection of Danny's lists in a hallway surrounded by a participatory element where we invite visitors to contribute to new lists on evocative themes ("Things we forget," "The best feelings in the world," etc.) One of the collections on display is a set of "found lists" collected by a local farmer, Danny Lazzarini.
A Learning History of the CARE LAC - Institute for Strategic Clarity Guatemala Poverty Project. Key is a participatory development process. The next installment will explain two types of social networking analysis techniques, web crawling and inter-personal/inter-organizational ties. Institute for Strategic Clarity, March 15.
When we talk about making museums or performing arts organizations more participatory and dynamic, those changes are often seen as threatening to the traditional arts experience. What if historic arts experiences were actually a lot more participatory? But what if the "traditional" arts experiences is a myth?
I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. They all have in concert, and they build on each other.
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
Think like a musician Those who have played music in a band or orchestra or sang in a choir understand the profound impact of an engaged and participatory audience. Personalization Consider tailoring your content and messaging to meet the interests and preferences of your audience. These were key to creating that immersive experience.
We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. Put out seating for two or more with every activity, unless it's something incredibly personal.
Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.
Facilitating personal bonds between local producers, consumers, and suppliers can increase resiliency in periods of global supply chain disruption while cutting the carbon footprint of shipping. Given this history, it is unsurprising that interest in alternative currency was rekindled in the wake of the Great Recession.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? History Museums OPPORTUNITIES - History museums are in many ways the best-suited for visitor participation.
I began our talk today with my personal nonprofit history. It is my hope, my prayer that I can use these god given communication skills, our not so new world of participatory media, and make green something so compelling that it cannot help but become an all powerful movement. The movement is not strong enough.
This post was written by my colleague Nora Grant, Community Programs Coordinator at the Santa Cruz Museum of Art & History. There are many different models, including The Pop-Up Museum of Queer History , The New York Met , SF Mobile Museum , and even a Pop Up Prison Museum. This bridges institutional and community-created content.
Participatoryhistory programming. Over the past year, we've found it fairly easy to invent and sustain participatory art and craft projects. We're having a harder time doing the same with history, especially when it comes to drop-in or single-night activities. Ethics of civic action.
Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging.
We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today. They sense that respect and respond by bringing their best selves forward, sharing powerful creative work and personal stories.
Museums have been grappling with this question for years ( here's a 2007 roundup of such projects ), most aggressively in zoos and natural history museums where staff hope to inspire conservation and in history/concept museums that focus on civic engagement and activism. There was no specific instruction with the dots.
This week marks five years since the book The Participatory Museum was first released. I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. Over the past four years, I''ve been running a small regional art and history museum in Santa Cruz, CA.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. It is incredibly rewarding work.
Last summer it was beach chairs for a history exhibit. But on another level, the wishlist is the most participatory part of the newsletter. When she said this, I realized that what we thought of as a thrifty practicality is actually a great symbol of our participatory, inclusive ethos. It''s the one part that begs a response.
They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular. We shared what captivated and spoke to us on a personal level, not just what we were told was “important."
We've gotten a little more organized at The Museum of Art & History , and we've now released opportunities for summer internships. This internship is for the truly self-motivated person out there with a brilliant idea for making museums more participatory, welcoming, community spaces who just lacks an institution at which to try it out.
To that end, our exhibitions are full of participatory elements. What started as a fun personal project for her will hopefully become part of our permanent history gallery--a space we are trying to make more interactive over the coming years. Visitors can comment on how we can improve or what they would like to see.
It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. An unnamed art museum once created an incredible interactive and participatory installation related to a temporary exhibition.
The person who coined the term “cat herding” may have been a grants manager. These dashboards can tell you at a glance your funding history by program area and the number of applications you’ve received in a given period. Are you looking at incorporating more participatory grantmaking principles?
Sometimes success means deep, personal stories; other times, we value speculative argumentation or creative expression. Consider three very different talkbacks in the Santa Cruz Museum of Art & History''s fall exhibition, Santa Cruz is in the Heart: cocktail napkins, rear view mirrors, and refrigerator certificates. That''s it.
In particular, we had a great group of 15 talking about participatoryhistory experiences on Sunday. Participatory art and co-creation on the rise. History and science museums. I was also thrilled to see Michelle DelCarlo do a pop up "pop up museum" during the conference, advertised only through Twitter.
But I'm making progress and my personal blog and The Show Me Experiments have been a huge part of that progress! Robert Newman: On the History of Oil (Robert if you are listening - I want to adopt ten babies to help run our idyllic post apocalyptic farmstead. It requires the ability to change our internal culture.
As a person who works for a science museum, I work in an environment that supports play. I''d just met a local researcher and I thought she''d be a great person to talk to about it. He''ll be able to watch how certain activities evolve into coordination and what kinds of histories the people who most easily coordinate have in common.
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