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You’ve read about participatory grantmaking—and maybe even heard about other organizations using this model to distribute control of their funding strategy and grants decisions to the communities they serve. Not sure if participatory grantmaking is for you or maybe you need a refresher on what it is? Is this you?
Lots of grantmakers are intrigued by participatory grantmaking. Participatory grantmaking invites to decision-making tables people who have historically been excluded. Why Would a Grantmaker Choose a Participatory Grantmaking Approach? So, what does participatory grantmaking look like in practice? Those at the top decide.
--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.
This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. They diversified the voice of immigration in the exhibition and encouraged people to share their own histories verbally. design exhibition Museum of Art and Historyparticipatory museum usercontent'
Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.
Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He creates a visual representation of his story.
The theme of TEDxSantaCruz was "Open." It gave me a chance to really think about how we have been opening up our museum and what it means for our community. We can change that by embracing participatory culture and opening up to the active, social ways that people engage with art, history, science, and ideas today.
I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). She did several things over the course of the tour to make it participatory, and she did so in a natural, delightful way. But participatory facilitation can be taught.
In the spirit of a popular post written earlier this year , I want to share the behind the scenes on our current almost-museumwide exhibition at the Santa Cruz Museum of Art & History, Santa Cruz Collects. This exhibition represents a few big shifts for us: We used a more participatory design process. We had some money.
The outcome is open-ended and visitor-driven. A personal history. This is the participatory museum, played out loud. The activity is clear and well-scaffolded. It invites visitors to make the museum better. When visitors share their brilliance, it brings the museum to life. A creative talent. A special skill.
The best participatory projects are useful. The participatory activity in question is part of the new Unfinished Business gallery, a room in which the museum engages with a contemporary issue related to the passion and work of Jane Addams and the historic Hull-House activist residents. Yes, this activity is political.
Here’s another example of how Billboard is using nostalgia in its tweets: This Week In Billboard Chart History: TLC Takes ‘No Scrubs’ To No. Use Participatory Research Techniques To Discover Engagement Topics. Or just keep your ears open. Billboard (@billboard) April 7, 2014.
Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. We always knew that the inclusion of participatory and community-centered practices in arts institutions was controversial. To me, the backlash against participatory and community-centered experiences is not surprising.
To that end, our exhibitions are full of participatory elements. What started as a fun personal project for her will hopefully become part of our permanent history gallery--a space we are trying to make more interactive over the coming years. It happens because people see an opening where there wasn't one before.
The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. This means that not only have they turned their museum into an experimental project space, they have opened that space explicitly and intentionally to community co-production. It''s serious. Everyone has something to give.
The creative process of making films is opening up and the outreach efforts to spark social change through documentary media are becoming much more dynamic and collaborative. But there is also a quiet revolution taking place in the field of documentary film. The system of making and distributing documentary films is changing rapidly.
It's my second week as the Executive Director at The Museum of Art & History in Santa Cruz, CA, and boy is my everything tired. Film festival openings. I want to get some used furniture and create "lounges" on these landings where volunteers can do crafts or history research with visitors in a comfortable setting.
While the majority of experience-based museums like children's and science museums have unrestricted noncommercial photography policies, many collections-based art and history museums continue to maintain highly restrictive photo policies. And I think the fourth and fifth are bizarre and ungenerous to visitors.
Creating open communities with old siloed corporate structures. Yet, our executives and managers, our internal stakeholders cannot understand the open culture. I began our talk today with my personal nonprofit history. And we are asked to do it with little or no resources. And that is the crossroads. Get out now.
I can't say that any one experience--working on a collage with other visitors, swinging on a hammock, discovering a participatory display for pocket artifacts in the bathroom--directly contributed to increased attendance and giving. They all have in concert, and they build on each other.
A commenter, Stacy Peterson, responded by turning my exploration back on itself: Quality makes sense but engagement is more open to interpretation. Inspired by Stacy, I wanted to share some of the work we are doing at the Santa Cruz Museum of Art & History to clarify what we mean by engagement. Engagement?
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. The first part is saying yes and being open to the community." What motivates people to come to the museum is not the idea that there's something that's open for the next three months and they can come any time.
It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. An unnamed art museum once created an incredible interactive and participatory installation related to a temporary exhibition.
We've been offering a host of participatory and interactive experiences at the Museum of Art & History this season. I loved Jasper Visser's list of 30 "do's" for designing participatory projects earlier this month. Different activities need different levels of materials to appear "open for business." It's just fun.
I've seen this line of questioning almost completely disappear in the past two years due to many research studies and reports on the value and rise of participation, but in 2006-7, social media and participatory culture was still seen as nascent (and possibly a passing fad). In 2008, the conversation started shifting to "how" and "what."
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. We went through a dramatic financial turnaround and redefined our relationship with our community through a series of experimental participatory projects and new programmatic approaches. It is incredibly rewarding work.
I''ve seen participatory artworks that lay untouched by visitors because the invitation to participate is not explicit enough. Throw in a few participatory elements, and suddenly you have visitors trying to arbitrate amongst themselves. But it will open up the possibility for participation and experimental work with less fear.
Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. This past weekend, in conjunction with our exhibition about Ze Frank's current participatory project, A Show , we hosted " Ze Frank Weekend "--a quickie summer camp of workshops, activities, presentations, and lots of hugging.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" Everyone can have her own personal experience of history.
This is the last of the guest posts offered during this fall season, and it dovetails with last week''s post about opening up collections access nicely. Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection.
Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean''s book Visitor Voices in Museum Exhibitions.
But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. design new programs with a focus on history. I promise--after this post, I'll stop writing about this.
There are many participatory kiosks that are functional black holes--visitors make videos or draw pictures or write stories, drop them in a slot, and. Such participatory activities would be seen as a waste of time. This sounds ridiculous, but it’s the way many museums approach participatory projects. participatory museum.
I want to share a few fabulous evaluation and research studies that have greatly informed my work (and specifically, the development of The Participatory Museum , which is going to the printer this weekend). The Catalyst for Change social impact study from the Glasgow Open Museum.
It was terrific to have a packed room and a long, open conversation (we split the session into half presenting, half audience discussion) about these issues. In particular, we had a great group of 15 talking about participatoryhistory experiences on Sunday. Participatory art and co-creation on the rise.
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. I''m open to any questions you want to share in the comments. Participatory work can be very labor-intensive. We have prioritized opening up to as many partners as possible through collaborative structures that scale.
Our work to transform the Santa Cruz Museum of Art & History into a participatory and community-centered place has been heavily supported by the James Irvine Foundation. The report is brief, clear, and open. I''ve learned a lot from Irvine Foundation staff and partners directly.
This is the first of a four-part series on the behind-the-scenes experience of writing The Participatory Museum. Overview: Stages of Development and Participation Types The Participatory Museum was written over a 15 month period that began in December of 2008. Participants were engaged in the following ways: Content review (open).
They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). When the opportunity to design my own two-hour museum adventure at the American Museum of Natural History presented itself, I jumped at the chance. We have a specific opening activity to bring the group together.
I am just starting to dive into the science of intergroup relations (psychology-speak for social bridging), and I greatly appreciate these individuals who are working to popularize and open up what could otherwise be esoteric research. inclusion Museum of Art and History research social bridging Unusual Projects and Influences'
For the past five years, each summer, the Santa Cruz Museum of Art & History has hosted MuseumCamp. You will learn the theory and practice of how to open your organization to robust community participation. Develop compelling, powerful participatory offers and promises for your prospective partners.
At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. In the history gallery, we have some blended props and artifacts, and it's rarely clear what is and is not ok to touch. Art, however, does not come to museums pre-hardened.
We're looking for an Exhibitions Manager to join our team here at the Santa Cruz Museum of Art & History. What opportunities might that open up for participatory and community projects that evolve over time in the space? What if we slowed down and changed some spaces less frequently--like once a year?
Embarking on Your AAPI Heritage Month Journey Asian American and Pacific Islander Heritage Month, celebrated every May in the United States, provides an important opportunity to honor the history, culture, and achievements of Asian Americans and Pacific Islanders. Be sure to recruit knowledgeable facilitators.
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