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This Women’s History Month, we celebrate the work that the Smithsonian American Women’s HistoryMuseum does each and every day to bring women’s stories alive and into focus. Forum One worked with the Museum to create the 10-minute digital experience, which will be available this Friday on the Museum’s website.
At it’s retrospective museum exhibit to celebrate its 125th anniversary, it displayed the well-worn suitcases of celebrities like Patti Smith to Roger Federer to Spike Lee. It’s like buying a piece of history. Photo: Rimowa] The message seems to have sunk in.
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. The outcome was an immensely successful event that attracted audiences from all corners of the country.
About a month ago, Candid was tagged in a social media post from someone who had visited the Smithsonian’s National Museum of American History. Rubenstein Curator of Philanthropy at the Smithsonian’s National Museum of American History. Why is it important to this history? .
Here are some ideas: Share Community History – Non-organizational community groups and nonprofits that focus on a specific locality can create hyperlocal community engagement through pictures and documentation. It’s a way of interacting with other people, other places, and other times from anywhere you are.
Gen X Responds to Good Storytelling “By sharing personal stories and experiences that showcase the impact of our cause, we’ve been able to connect with Gen X on a deeper level and inspire them to support our fundraising efforts.” Planned giving donors want to be part of a legacy, so think brick-and-mortar.
The site operations a Genocide Archive, a Museum, Education and Social programs, and a memorial garden and burial grounds. The exhibition in the Museum has three main sections. The main exhibition tells the history of Rwanda leading up to the genocide, what happened, and the aftermath. Germaine: A Social Entrepreneur.
Museums and cultural organizations, like the family of Smithsonian institutions and others we’re fortunate to work with at Forum One, have a wealth of opportunities when it comes to digital engagement. Consider all the ways that museums engage online. We help museums create these campaigns.
Dear Museum 2.0 As of May 2, I will be the executive director of the Museum of Art & History at McPherson Center in Santa Cruz, CA (here's the press release ). I am closing down my consulting business at the end of April, but the Museum 2.0 Here are a few things that make the MAH an exciting museum to me: It's small.
This week we’ve found apps from museums. Mobile apps are an interesting way for museums to advance their educational missions beyond people’s expectations. ArtClix from the High Museum of Art, Atlanta. iOS/Android: ArtClix enhances uses mobile to enhance the museum experience. Louis’ storied past.
Facebook history groups and pages have popped up in major cities like New York and Seattle and in small towns and suburbs across the U.S. Members share personal photos, family stories, and ephemera tied to places in their hometowns from former schools to businesses that have changed hands.
This is a must-buy app if your nonprofit regularly tells your story through mobile photo-sharing. It’s a creative, visual way to tell your organization’s stories of protest to your online communities. Museum of Me :: intel.com/museumofme. Simply tap the screen and pan your device in any direction.
Ruth Cohen – American Museum of natural History. Jason Eppink – Museum of the Moving Image. The result was an 800 page book of narratives, pictures, stories, and much more that will now be part of the library’s collection. Ruth Cohen – American Museum of natural History.
Mary Warner, the Museum Manager at the Historical Society, wrote a series of moving articles for her museum newsletter and later for the AASLH’s Small Museum Online Community about her experiences tackling big issues in a small museum. How do we get the history of the poor? How do we get the history of the poor?
Last month, I learned about a fabulous, simple participatory experiment called “Case by Case” at the San Diego Museum of Natural History that uses visitor feedback to develop more effective object labels. What is the story with the leaves sticking out of it? There are only pictures,” you know you aren’t meeting expectations.
A new company in New York, Museum Hack , is reinventing the museum tour from the outside in. They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). The tours are pricey, personalized, NOT affiliated with the museums involved… and very, very popular.
It gave me a chance to really think about how we have been opening up our museum and what it means for our community. It's only 15 minutes, so I encourage you to watch it , but here are the crib notes for the video-adverse without the hilarious stories and charming photographs. Museums can be incredible catalysts for social change.
I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege. They tell histories of white male conquest. I never saw comparable adjectives used in the European art labels at the museum.
Excurio For bringing virtual reality experiencesand audiencesto museums Excurio builds immersive, historically accurate installations that feature a shared virtual reality for up to 100 simultaneous attendees. Other exhibits focus on the history of Notre Dame and the evolution of life on Earth across nine eras and landscapes.
This is a must-buy app if your nonprofit regularly tells your story through mobile photo-sharing. It’s a creative, visual way to tell your organization’s stories of protest to your online communities. Museum of Me :: intel.com/museumofme. Simply tap the screen and pan your device in any direction.
If you’re a museum, zoo, cultural organization, aquarium, garden, or any nonprofit with a physical presence people can visit, you have a great opportunity to raise money and boost your membership sales by marketing your membership as the perfect gift. Here are a few creative ideas and examples—especially for parents with young children.
For example, if you join a modern art museum, there is a good chance you won’t have to pay admission to other modern art museums. History: Simply being around a long time has some cachet and may mean you have access to historical wisdom, knowledge, and records. This can include museums, archives, galleries, etc.
Last week, I visited the Wing Luke Asian Museum in Seattle. I've long admired this museum for its all-encompassing commitment to community co-creation , and the visit was a kind of pilgrimage to their new site (opened in 2008). I'm always a bit nervous when I visit a museum I love from afar. She told family stories.
Or maybe hello museum world! This month, I wanted to share some stories from my last two years as a strategy and content consultant. Previously, I had worked at the same museum for 17 years.) So, when you visit more than 300 museums, parks, and historic sites, what do you learn? Hello World!
At the Natural HistoryMuseum, we visited the David H. Koch Hall of Human Origins , an immersive, interactive journey through the origins of human beings and the dramatic stories of survival and extinction in the midst of earth’s history of climate change. We spent most of the day at the Smithsonian.
This is a must-buy app if your nonprofit regularly tells your story through mobile photo-sharing. It’s a creative, visual way to tell your organization’s stories of protest to your online communities. Museum of Me :: intel.com/museumofme. Simply tap the screen and pan your device in any direction.
This is an American story about freedom, liberty, and the pursuit of happiness, and I hope that in these brown faces many Americans can see themselves,” said Google’s Angelica McKinley, the Doodle’s lead art director in an accompanying video describing its creation. Juneteenth is shorthand for “June Nineteenth.”.
Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. A year ago, I put my consultant hat on the shelf and decided to jump into museum management (a sentence I NEVER would have imagined writing five years ago). I'm open to any questions you want to raise in the comments.
These anecdotes are a small fraction, to be sure, of the many stories where people transcended lines of interest and organization and worked together. There are many more — stories of individuals and groups successfully working together by demonstrating empathy and respect. “We didn’t have many enemies in the end,” Farry said (173). [1]
This is a must-buy app if your nonprofit regularly tells your story through mobile photo-sharing. It’s a creative, visual way to tell your organization’s stories of protest to your online communities. Museum of Me :: intel.com/museumofme. Simply tap the screen and pan your device in any direction.
The Smithsonian National Museum of African American History and Culture. To provide tools and guidance to empower people’s journeys and inspire conversation about race, the Smithsonian National Museum of African American History and Culture (NMAAHC) developed “Talking About Race.” Fighting Polluters Since 1970.
Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans.
It has an incredible story. But not enough people care about it anymore, and the museum is fading into disrepair. The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. They see it as the future of their museum. It is losing funding, attention, and relevance.
I'm working on a section of my book about sharing social objects and am writing about the most common way that visitors share their object experiences in museums: through photographs. Revenue Streams: Museums want to maintain control of sales of "officially sanctioned" images of objects via catalogues and postcards.
This is a must-buy app if your nonprofit regularly tells your story through mobile photo-sharing. It’s a creative, visual way to tell your organization’s stories of protest to your online communities. A nonprofit itself, the site is 100% fee-free and each story posted is independently researched and verified.
I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. We talk a lot at our museum about empowering our visitors, collaborators, interns, and staff by making space for them to shine. We''re investing a lot in a public plaza project outside of the museum. Sometimes it isn''t.
Lots of museums these days have video comment booths to invite visitors to tell their stories, but how many of those booths really deliver high-impact content? Last week, I talked with Tina Olsen, Director of Education and Public Programs at the Portland Art Museum, about their extraordinary Object Stories project.
Every nonprofit has a rich history, but it’s likely contained in various places — boxes in the basement, awards in a display case, memories of a long-time staff member or volunteer. You’ll also lose the stories they hold. Dr. Kristen Gwinn-Becker is on a mission to help nonprofits preserve their history through digital archiving.
Take for example the # AskACurator hashtag created by a digital expert who works with museums almost five years ago and still active today. Someone sent out a tweet wondering if London’s Natural HistoryMuseum and Science Museum went to war, which would win. Here’s an example of using Moments from a Museum.
I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).
A month or two ago, museums and galleries around the world participated in a Twitter event called Ask a Curator. I asked Jim Richardson, who blogs at the Museum Next Blog and is the brainchild behind the event, a couple of questions: How did #askacurator come about? How did you get 340 museums to participate? All in one day.
This morning, I checked in on the Pocket Museums on our museum's ground floor. I walked into the women's bathroom and saw what I expected to see--a bunch of quirky objects on display with stories written on post-its. A couple stories. Then I walked into the men's bathroom. No objects. And a lot of screwing around.
American Jazz Museum Gold – Cultural Institutions Website Located in the Historic 18th & Vine Jazz District in Kansas City, MO, the American Jazz Museum showcases the sights and sounds of jazz through interactive exhibits and films, and features live music in their venues, The Blue Room, and Gem Theater. Endowed by Dr.
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