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"The good thing about all types of lunar eclipse is that, unlike a solar eclipse, they are safe to view with the naked eye," the Natural HistoryMuseum in London explains. This is because lunar eclipses only reflect sunlight — they don't get any brighter than a full moon, which you've probably safely observed many times before."
4) Art Institute of Chicago Museum Shop :: shop.artic.edu. The Art Institute of Chicago Museum Shop sells unique and beautiful objects from around the world in support of the arts. 8) Field Museum Store :: store.fieldmuseum.org. 23) SFMOMA Museum Store :: museumstore.sfmoma.org. Perfect gifts for the nonprofit techie!
4) Art Institute of Chicago Museum Shop :: shop.artic.edu. The Art Institute of Chicago Museum Shop sells unique and beautiful objects from around the world in support of the arts. 6) Field Museum Store :: store.fieldmuseum.org. 18) SFMOMA Museum Store :: museumstore.sfmoma.org. 8) Getty Store :: shop.getty.edu.
This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. Endowed by Dr. Ruth J.
About a month ago, Candid was tagged in a social media post from someone who had visited the Smithsonian’s National Museum of American History. Rubenstein Curator of Philanthropy at the Smithsonian’s National Museum of American History. Why is it important to this history? . We reached out to Amanda Moniz, Ph.D.,
Susan Neyman, US Marshals Museum Resurrect Events Planned Givers Can’t Forget “We reinstated a beloved event, the 1892 Society Luncheon, which brings together planned giving donors and prospects for an afternoon of a delightful lunch, a brief history of the Society, a presentation about current projects and future plans, and questions and answers.”—
This blog provides a brief overview of Juneteenth and the role that HBCUs have played as guardians of Black history and Black futures. . Looking back at the history of Juneteenth and HBCUs. When we talk about history, we always say we teach the past while we teach the future. Looking to the future.
This month, we're thinking about the way we do work in museums. As someone texted me recently, Art History grad school didn't teach us anything about working with others in museums. Sharing articles that work is a great reason to stay on Museum Twitter by the way. Exposure to all sectors of museum work is important.
Two weeks ago, Roberto Bedoya asked several arts bloggers, including me, to write a post reflecting on Whiteness and its implications for the arts. I write this piece in good faith about the organizations I know best: museums. The vast majority of American museums are institutions of white privilege.
The businesses in Fast Company s Most Innovative Companies in AR/VR reflect that trend. Excurio For bringing virtual reality experiencesand audiencesto museums Excurio builds immersive, historically accurate installations that feature a shared virtual reality for up to 100 simultaneous attendees.
Or maybe hello museum world! Previously, I had worked at the same museum for 17 years.) So, when you visit more than 300 museums, parks, and historic sites, what do you learn? I thought I would kick off my tenure around here by sharing stories and reflections about my visits. Here are my top five reflections: 1.
Note: This post is written in response to recent articles about museums by Arianna Huffington (on museums and new media) and Ed Rothstein (on museums and ethnic identity). I appreciate that you write about museums, and by doing so, publicize their work and efforts. Myth #1: Museums are about contemplation.
The Smithsonian National Museum of African American History and Culture. To provide tools and guidance to empower people’s journeys and inspire conversation about race, the Smithsonian National Museum of African American History and Culture (NMAAHC) developed “Talking About Race.” Fighting Polluters Since 1970.
Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The Museum directors released Blueprint as a showcase for these plans.
It has some of the same feel as the disconnected affection of people wishing you a happy birthday on Facebook, with professional reflection baked in. Seeing so many cheerful one-liners in my inbox made me think about how different my work situation is today than the last time I reflected on it in public in 2012, at my one-year anniversary.
and with it flocks of museum studies / education / exhibit planning graduate interns. I’m always curious when I meet these folks, who are about my age, choosing a different entry path into the museum world. The value proposition of museum grad programs is cloudy in my mind. Sure, it’s great to learn museum theory and history.
When I started at The Museum of Art & History (MAH) in May, one of my priorities was redesigning our website. I didn't want to do anything fancy--just make the site more functional, lively, easy to update, and reflective of the new institutional vision of being a community hub. battles that can lead to incoherence.
I've now been the Director of The Museum of Art & History in Santa Cruz for two months. It really reflects what we're trying to do here to transform our institution into as relevant, dynamic, and successful an organization as possible. Simon is a remarkable "get" for the museum.
However, the criteria you use for donor segmentation will differ from other organizations, reflecting your unique mission and donor base. For instance, a large nonprofit focused on preserving arts and culture might segment its audience by location and focus its stories on the most well-known museums or cultural landmarks in a donor’s state.
In early January, the American Museum of Natural History announced that it would hold a Brain Tweetup for 75 of its Twitter followers. When I attend a museum alone, I like to take my time reflecting on the collection and the space. Notes from a Tweetup by Jay Geneske.
Last week, I was in Minneapolis for the American Association of Museums annual meeting. Kathleen McLean led a terrific session called "Dangerous Ridiculous" about risk-taking in museums. Interestingly, at my museum, our team is naturally better at ridiculous than we are at dangerous. I found this idea really powerful.
Tony’s diverse background reflects his passion for giving and helping others. Jude, Make A Wish, American Cancer Society, and The Museum of African American History. Steve’s diverse background reflects his passion for giving and helping others. He is an entrepreneur and community volunteer.
4) Art Institute of Chicago Museum Shop :: shop.artic.edu. The Art Institute of Chicago Museum Shop sells unique and beautiful objects from around the world in support of the arts. 6) Field Museum Store :: store.fieldmuseum.org. 18) SFMOMA Museum Store :: museumstore.sfmoma.org. 8) Getty Store :: shop.getty.edu.
Once there was a project to design a national historymuseum in the Netherlands. The team developed some highly innovative digital projects and approaches to history. While not wholly explored, that question reverberates throughout a new book, Blueprint , that shares the plans for the Dutch Museum of National History.
In the spirit of this belief, I’ve decided to unleash the Museum 2.0 For that reason, I’m thrilled to announce that over the next two months, I’ll be transferring ownership of Museum 2.0 Seema is a brilliant museum educator, a generous spacemaker, a prolific writer, and a creative troublemaker. I know Museum 2.0
I'm a huge fan of work and the way she thinks - especially after she road the Scare House ride on the Santa Cruz boardwalk with me and did a brilliant reflection on its design. Nina has written a fantastic book engagement called The Participatory Museum. I've purchase a two copies, one for me and one to give away.
The Mary Ball Washington Museum and Library (MBWML) was established in 1958 and named to honor the mother of America's first president. The museum and library preserves the rich history of the Northern Neck through its collections, exhibits, tours, and educational programs. Celebrating a Region Rich with History.
I'm thrilled to share this brilliant guest post by Marilyn Russell, Curator of Education at the Carnegie Museum of Art. This is a perfect example of a museum using participation as a design solution. Our colleagues in the Museum of Natural History were eager collaborators. I hope more museums do things like this.
This month we’ve been thinking about “What is a museum?” (I'm I’ve been visiting museums my whole life. Does that make me the best judge of museums? People are the defining characteristics of museums. I’ve worked with and at plenty of museums that can sometimes feel empty. I'm not alone there.
It's not every day that a visitor buys pizza for everyone in the museum. Then again, Saturday was hardly normal at the Santa Cruz Museum of Art & History. The museum itself was well-integrated into the event. Or that visitors form a spontaneous "laugh circle" on the floor. Online to onsite migration isn't always easy.
This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.
Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? Aren't art museums less open to participation than other kinds of museums?" I was surprised by her question.
TCG is the industry association for non-profit theaters, the way AAM is for museums. Given TCG''s multi-year Audience (R)evolution initiative, I took the opportunity to write a new talk about what revolution has looked like at our small museum in Santa Cruz. We heard again and again that the museum was cold and uncomfortable.
"The words we use in attempting to change museum directions matter. Our museum in Santa Cruz has been slammed by those who believe participatory experiences have gone too far. I am glad this conversation is happening and that both museum professionals and local Santa Cruzans are engaged. But we do have ''and.''
We’ve been doing a little experiment at our museum with labels. The Santa Cruz Surfing Museum recently loaned us some fabulous surfboards that tell the co-mingled history of surfing and redwood trees in Santa Cruz. We decided to approach the label-writing for these boards in a participatory way.
According to The Art Newspaper’s annual survey in 2021, visits to the world’s 100 most-visited museums plummeted by 77% in 2020 due to the coronavirus pandemic. Photo Credit: Devon Rose Turner, Natural HistoryMuseum, London. . Plan a treasure hunt with clues offered via social media channels. . . Selfie stations .
George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.
The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. The whole second half of the article was dedicated to our work: Smaller museums can be especially scrappy in finding ways to connect with the community. It’s something that any museum, of any size, can work toward.
The way we think about CMSs is shifting to reflect new user experience needs, such as more flexibility, faster performance, and greater integration capabilities with third parties. But today the expectations for digital experiences are evolving rapidly and have potentially outpaced organizations capabilities.
This external profile technique was also used at the US Holocaust Memorial Museum when it first opened to let visitors connect with the stories of particular people affected by the Holocaust. They cannot find out the final fate of their boarding pass personae until the end of the exhibit.
I was a small fry at a big museum, volunteering for a project I had no business taking on. And I know I have a small part in it as a spacemaker who carved out room for the idea that it was OK for a museum to be all these things to all these people in our community. Fifteen years ago, my boss kicked me under the table.
When my sister first started working with a nonprofit museum, she had a lot to learn about the fundraising process for the organization. The museum had notes saved in their donor management software about the seating preferences for their major donors and that particular donor preferred their regular seat toward the front.
These three nonprofit types are: Performing Arts Companies, Promoters of Performing Arts, Sports, and Similar Events, and Museums, Historical Sites, and Similar Institutions. Museums, Historical Sites, and Similar Institutions. Pella Historical Society and Museums. Let’s start with the highest median annual ad spend. .
For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" We're hearing on a daily basis that the museum has a new role in peoples' lives and in the identity of the county.
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